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| Author | : Christopher Breward |
| Publisher | : |
| Total Pages | : 278 |
| Release | : 2005 |
| Genre | : Business & Economics |
| ISBN | : |
What is the relationship between fashion and modernity, and how is this unique relationship manifested in the material world? This book considers how the relationship between fashion and modernity tests the very definition of modernity and enhances our understanding of the role of fashion in the modern world.
| Author | : Caroline Potter |
| Publisher | : Routledge |
| Total Pages | : 368 |
| Release | : 2016-05-13 |
| Genre | : Music |
| ISBN | : 1317141792 |
Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and René Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.
| Author | : Philostratus (the Athenian) |
| Publisher | : |
| Total Pages | : 280 |
| Release | : 1912 |
| Genre | : |
| ISBN | : |
| Author | : Erik Satie |
| Publisher | : Atlas Press (GB) |
| Total Pages | : 223 |
| Release | : 2014 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781900565660 |
This is the largest selection, in any language, of the writings of Erik Satie. Although he was dismissed as an eccentric by many, Satie has come to be seen as a key influence on modern music. The appeal of his writings, however, go far beyond their musical value. He is revealed as one of the most beguiling of absurdists, in the mode of Lewis Carroll or Edward Lear, but with a strong streak of Dadaism (a movement with which he collaborated).
| Author | : Robert Wodrow |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 410 |
| Release | : 2024-05-25 |
| Genre | : Fiction |
| ISBN | : 3385129664 |
Reprint of the original, first published in 1842.
| Author | : Philippe Perrot |
| Publisher | : Princeton University Press |
| Total Pages | : 292 |
| Release | : 1994 |
| Genre | : Business & Economics |
| ISBN | : 9780691000817 |
By the middle of the century, men were prompted to disdain the decadent and gaudy colors of the pre-Revolutionary period and wear unrelievedly black frock coats suitable to the manly and serious world of commerce. Their wives and daughters, on the other hand, adorned themselves in bright colors and often uncomfortable and impractical laces and petticoats, to signal the status of their family.
| Author | : Anne Hollander |
| Publisher | : Univ of California Press |
| Total Pages | : 538 |
| Release | : 1993-03-22 |
| Genre | : Art |
| ISBN | : 9780520082311 |
In this generously illustrated book, Anne Hollander examines the representation of the body and clothing in Western art, from Greek sculpture and vase painting through medieval and renaissance portraits, to contemporary films and fashion photography. First published ahead of its time, this book has become a classic.
| Author | : Laura Levine Frader |
| Publisher | : Cornell University Press |
| Total Pages | : 384 |
| Release | : 1996 |
| Genre | : Business & Economics |
| ISBN | : 9780801481468 |
Introduction : gender and the reconstruction of European working-class history / Laura L. Frader and Sonya O. Rose -- Gender and uneven working-class formation in the Irish linen industry / Jane Gray -- What price a weaver's dignity? Gender inequality and the survival of home-based production in industrial France / Tessie P. Liu -- The gendering of skill as historical process : the case of French knitters in industrial Troyes, 1880-1939 / Helen Harden Chenut -- Consumption, production, and gender : the sewing machine in nineteenth-century France / Judith G. Coffin -- Engendering work and wages : the French labor movement and the family wage / Laura L. Frader -- Women "of a very low type" : crossing racial boundaries in imperial Britain / Laura Tabili -- Protective labor legislation in nineteenth-century Britain : gender, class, and the liberal state / Sonya O. Rose -- Social policy, body politics : recasting the social question in Germany, 1875-1900 / Kathleen Canning -- Republican ideology, gender, and class : France, 1860s-1914 / Judith F. Stone -- Manhood, womanhood, and the politics of class in Britain, 1790-1845 / Anna Clark -- Rational and respectable men : gender, the working class, and citizenship in Britain, 1850-1867 / Keith McClelland -- Class and gender at loggerheads in the early Soviet state : who should organize the female proletariat and how? / Elizabeth A. Wood -- The heroic man and the ever-changing woman : gender and politics in European communism, 1917-1950 / Eric D. Weitz.
| Author | : Robert Orledge |
| Publisher | : Cambridge University Press |
| Total Pages | : 456 |
| Release | : 1990-10-26 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521350372 |
Erik Satie remains one of the most bizarre figures in music history, yet everything he did has its own curious logic, once it can be perceived. In this important new study Dr Orledge reveals what made Satie 'tick' as a composer, dealing with every aspect of Satie's complex career and relating his achievement to the other arts and to the society in which he lived. Almost every figure in contemporary art was involved with Satie in some way or another, from Matisse and Picasso to Apollinaire, Cocteau and Brancusi. This, however, is no mere life-and-works study but rather an exploration of the technique behind Satie's art, which foreshadowed most of the 'advances' of twentieth-century music from serialism to minimalism, and even muzak. As the book progresses Satie appears as far more than just the composer of the popular Gymnopédies and Parade.
