Valle Inclan: the Lights of Bohemia

Valle Inclan: the Lights of Bohemia
Author: John E. Lyon
Publisher:
Total Pages: 193
Release: 1993-05
Genre: Drama
ISBN: 0856685658

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Written in the early 1920s, Lights of Bohemia is set in the twilight phase of Madrid's bohemian artistic life against the turbulent social and political background of events between 1900 and 1920.

Luces de Bohemia

Luces de Bohemia
Author: Ramón del Valle-Inclán
Publisher:
Total Pages: 266
Release: 1976
Genre:
ISBN:

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Spanish Theatre 1920 - 1995

Spanish Theatre 1920 - 1995
Author: Maria M Delgado
Publisher: Routledge
Total Pages: 128
Release: 2014-04-08
Genre: Performing Arts
ISBN: 1134402104

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Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.

A History of Spanish Film

A History of Spanish Film
Author: Sally Faulkner
Publisher: Bloomsbury Publishing USA
Total Pages: 329
Release: 2013-04-11
Genre: Performing Arts
ISBN: 1623567424

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A History of Spanish Film explores Spanish film from the beginnings of the industry to the present day by combining some of the most exciting work taking place in film studies with some of the most urgent questions that have preoccupied twentieth-century Spain. It addresses new questions in film studies, like 'prestige film' and 'middlebrow cinema', and places these in the context of a country defined by social mobility, including the 1920s industrial boom, the 1940s post-Civil War depression, and the mass movement into the middle classes from the 1960s onwards. Close textual analysis of some 42 films from 1910-2010 provides an especially useful avenue into the study of this cinema for the student. - Uniquely offers extensive close readings of 42 films, which are especially useful to students and teachers of Spanish cinema. - Analyses Spanish silent cinema and films of the Franco era as well as contemporary examples. - Interrogates film's relations with other media, including literature, pictorial art and television. - Explores both 'auteur' and 'popular' cinemas. - Establishes 'prestige' and the 'middlebrow' as crucial new terms in Spanish cinema studies. - Considers the transnationality of Spanish cinema throughout its century of existence. - Contemporary directors covered in this book include Almodóvar, Bollaín, Díaz Yanes and more.

Spanish Gothic

Spanish Gothic
Author: Xavier Aldana Reyes
Publisher: Springer
Total Pages: 242
Release: 2017-03-16
Genre: Performing Arts
ISBN: 1137306017

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This book presents the first English introduction to the broad history of the Gothic mode in Spain. It focuses on key literary periods, such as Romanticism, the fin-de-siècle, spiritualist writings of the early-twentieth century, and the cinematic and literary booms of the 1970s and 2000s. With illustrative case studies, Aldana Reyes demonstrates how the Gothic mode has been a permanent yet ever-shifting fixture of the literary and cinematic landscape of Spain since the late-eighteenth century. He proposes that writers and filmmakers alike welcomed the Gothic as a liberating and transgressive artistic language.

Cinema of Contradiction

Cinema of Contradiction
Author: Sally Faulkner
Publisher: Edinburgh University Press
Total Pages: 208
Release: 2006-02-22
Genre: Performing Arts
ISBN: 0748626514

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A key decade in world cinema, the 1960s was also a crucial era of change in Spain. A Cinema of Contradiction, the first book to focus in depth on this period in Spain, analyses six films that reflect and interpret these transformations. The coexistence of traditional and modern values and the timid acceptance of limited change by Franco's authoritarian regime are symptoms of the uneven modernity that characterises the period. Contradiction--the unavoidable effect of that unevenness--is the conceptual terrain explored by these six filmmakers. One of the most significant movements of Spanish film history, the 'New Spanish Cinema' art films explore contradictions in their subject matter, yet are themselves the contradictory products of the state's protection and promotion of films that were ideologically opposed to it. A Cinema of Contradiction argues for a new reading of the movement as a compromised yet nonetheless effective cinema of critique. It also demonstrates the possible contestatory value of popular films of the era, suggesting that they may similarly explore contradictions. This book therefore reveals the overlaps between art and popular film in the period, and argues that we should see these as complementary rather than opposing areas of cinematic activity in Spain.