The Radio Times Story
Author | : Tony Currie |
Publisher | : |
Total Pages | : 278 |
Release | : 2001 |
Genre | : Radio Times |
ISBN | : 9781903053096 |
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Author | : Tony Currie |
Publisher | : |
Total Pages | : 278 |
Release | : 2001 |
Genre | : Radio Times |
ISBN | : 9781903053096 |
Author | : All India Radio (AIR), New Delhi |
Publisher | : PRASAR BHARATI CENTRAL ARCHIVES |
Total Pages | : 52 |
Release | : 1948-01-01 |
Genre | : Antiques & Collectibles |
ISBN | : |
RADIO TIMES OF INDIA used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policies and services of the organisation round the world. NAME OF THE JOURNAL: RADIO TIMES OF INDIA LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01-01-1948 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 52 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-42 VOLUME NUMBER: Vol. III, No. 1 ARTICLE: 1.Through a distant eye 2. Radio can Do it 3. Short waves for pleasure AUTHOR: 1.Sydney Ralli 2 .R. S. Bhatnagar 3.Thomas Radam KEYWORDS: 1. Radio and School education.BBC celebrated silver jubilee. 2. Community Radio as stop gap.Common language essential. 3. The receiver market in Europe is for British receivers.Europeans do listen to the BBC, as they want to improve their English Document ID: IRT-1948(J-D)-VOL-I-1
Author | : All India Radio (AIR), New Delhi |
Publisher | : PRASAR BHARATI CENTRAL ARCHIVES |
Total Pages | : 80 |
Release | : 1934-12-22 |
Genre | : Antiques & Collectibles |
ISBN | : |
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22-12-1934 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 80 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 43-54,58-73 VOLUME NUMBER: Vol. IX, No. 1 ARTICLE: 1.First Radio Exhibition In India 2. The B.B.C. Empire Broadcasting Weekly Newsletter Document ID: IRT-1934-35(J-D)-VOL-I -1
Author | : All India Radio (AIR), New Delhi |
Publisher | : Publications Division (India),New Delhi |
Total Pages | : 51 |
Release | : 1934-01-22 |
Genre | : Antiques & Collectibles |
ISBN | : |
THE INDIAN RADIO TIMES was the first programme journal of ALL INDIA RADIO, formerly known as The Indian State Broadcasting Service, Bombay, it was started publishing from 16 July, 1927. Later, it has been renamed to The Indian Listener w.e.f. 22 December, 1935. It used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policy and service of the organisation. NAME OF THE JOURNAL: THE INDIAN RADIO TIMES LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 22-01-1934 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 51 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 20-51 VOLUME NUMBER: Vol. VIII, No. 3 Document ID: IRT-1933-34 (J-J)Vol-I-03
Author | : Justine Lloyd |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 250 |
Release | : 2019-10-03 |
Genre | : Performing Arts |
ISBN | : 1501318780 |
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. The 20th century was a time of rapid expansion in media industries, as well as of accelerating demands for equality and recognition for women. While women's agency has typically been defined through the domestic sphere, the introduction of media into the home destabilised firm boundaries between public and private spheres. Gender and Media in the Broadcast Age demonstrates how women as media producers and audiences in three countries with public service broadcasters (UK, Canada and Australia) have contributed to changes in our understandings of public and private. Justine Lloyd offers a new way of understanding how tremendous changes in social definitions of gender roles played out in media forms worldwide during this period through the notion of 'intimate geographies'. Women's participation in media continues to be a key challenge to notions of the public sphere and the book concludes that profound changes initiated in the broadcast era are unfinished in the age of digital media. Lloyd therefore provides rich and valuable evidence of the dynamic relationship between media texts, producers and audiences that is relevant to contemporary debates about a growing gender 'apartheid' in a mediated culture.
Author | : Shem Law |
Publisher | : |
Total Pages | : 288 |
Release | : 2013 |
Genre | : Magazine covers |
ISBN | : 9780956752390 |
Author | : Mark Lewisohn |
Publisher | : |
Total Pages | : 900 |
Release | : 2003-10-02 |
Genre | : Television comedies |
ISBN | : 9780563487555 |
THE RADIO TIMES GUIDE TO TV COMEDY is a definitive reference guide to over 2,600 comedy programmes screened on British television. This equates to 53 years of BBC1, 32 years of BBC2, 41 years of ITV and 14 years of Channel 4.The first book of its kind, every comedy show that has ever been televised on British television will be given its own entry, from sitcoms to specials and colour series, to black and whites and one-offs. Entries are listed in alphabetical order and include factual information on the programme - title, number of programmes, length and format, broadcast organisation, dates, days, times of day, cast, writer, director, executive producer etc. There is also a synopsis explaining what the programme was about, what it tried to achieve and why it succeeded or failed.Both an entertaining 'dip-in' and an unparalleled source of information, THE RADIO TIMES GUIDE TO TV COMEDY will be the bible in its field for many years to come.
Author | : Stephen Gamble |
Publisher | : University of North Texas Press |
Total Pages | : 395 |
Release | : 2011 |
Genre | : Biography & Autobiography |
ISBN | : 1574413074 |
The British horn player Dennis Brain (1921-1957) is commonly described by such statements as "the greatest horn player of the 20th Century," "a genius," and "a legend." He was both a prodigy and popularizer, famously performing a concerto on a garden hose in perfect pitch. On his usual concert instrument his tone was of unsurpassed beauty and clarity, complemented by a flawless technique. The recordings he made with Herbert von Karajan of Mozart's horn concerti are considered the definitive interpretations. Brain enlisted in the English armed forces during World War II for seven years, joining the National Symphony Orchestra in wartime in 1942. After the war he filled the principal horn positions in both the Philharmonia and Royal Philharmonic Orchestras. He later formed his own wind quintet and began conducting. Composers including Benjamin Britten and Paul Hindemith lined up to write music for him. Even fifty years after his tragic death at the age of 36 in an auto accident in 1957, Peter Maxwell Davies was commissioned to write a piece in his honor. Stephen Gamble and William Lynch have conducted numerous interviews with family, friends, and colleagues and uncovered information in the BBC archives and other lesser known sources about recordings that were previously unknown. This volume describes Brain's life and analyzes in depth his musical career. Its appendices of information on performances will appeal to music historians, and its details on Brain's instruments and equipment will be useful to horn players.
Author | : Various |
Publisher | : Trapeze |
Total Pages | : 286 |
Release | : 2020-07-09 |
Genre | : Medical |
ISBN | : 1398701378 |
THE NUMBER ONE SUNDAY TIMES BESTSELLER Curated and edited by Adam Kay (author of multi-million bestseller This is Going to Hurt), Dear NHS features 100 household names telling their personal stories of the health service. Contributors include: Paul McCartney, Emilia Clarke, Peter Kay, Stephen Fry, Sir Trevor McDonald, Graham Norton, Sir Michael Palin, Naomie Harris, Sir David Jason, Dame Emma Thompson, Joanna Lumley, Miranda Hart, Jamie Oliver, Ed Sheeran, David Tennant, Dame Julie Walters, Emma Watson, Malala Yousafzai and many, many more. All profits from this book will go to NHS Charities Together to fund vital research and projects, and The Lullaby Trust which supports parents bereaved of babies and young children. Other writers include Jack Whitehall, Chris Evans, Lorraine Kelly, Lee Mack, Jonathan Ross, Konnie Huq, Frank Skinner, KT Tunstall and Sandi Toksvig. The NHS is our single greatest achievement as a country. No matter who you are, no matter what your health needs are, and no matter how much money you have, the NHS is there for you. In Dear NHS, 100 inspirational people come together to share their stories of how the national health service has been there for them, and changed their lives in the process. By turns deeply moving, hilarious, hopeful and impassioned, these stories together become a love letter to the NHS and the 1.4 million people who go above and beyond the call of duty every single day - selflessly, generously, putting others before themselves, never more so than now. They are all heroes, and this book is our way of saying thank you. Contributors include: Dolly Alderton, Monica Ali, Kate Atkinson, Pam Ayres, David Baddiel, Johanna Basford, Mary Beard, William Boyd, Frankie Boyle, Jo Brand, Kevin Bridges, Alex Brooker, Charlie Brooker, Rob Brydon, Bill Bryson, Kathy Burke, Peter Capaldi, Jimmy Carr, Candice Carty-Williams, Lauren Child, Lee Child, Bridget Christie, Emilia Clarke, Rev Richard Coles, Daisy May Cooper, Jilly Cooper, Fearne Cotton, Juno Dawson, Kit de Waal, Victoria Derbyshire, Reni Eddo-Lodge, Chris Evans, Anne Fine, Martin Freeman, Dawn French, Stephen Fry, Mark Gatiss, Ricky Gervais, Professor Green, Baroness Tanni Grey-Thompson, Mark Haddon, Matt Haig, The Hairy Bikers, Naomie Harris, Miranda Hart, Victoria Hislop, Nick Hornby, Sali Hughes, Konnie Huq, Marina Hyde, E L James, Greg James, Sir David Jason, Katarina Johnson-Thompson, Jackie Kay, Peter Kay, Lorraine Kelly, Marian Keyes, Shappi Khorsandi, Nish Kumar, Stewart Lee, Joanna Lumley, Lee Mack, Emily Maitlis, Andrew Marr, Catherine Mayer, Alexander McCall Smith, Paul McCartney, Sir Trevor McDonald, Caitlin Moran, Kate Mosse, Jojo Moyes, David Nicholls, John Niven, Graham Norton, Chris O'Dowd, Dermot O'Leary, Jamie Oliver, Sir Michael Palin, Maxine Peake, Sue Perkins, Katie Piper, Ian Rankin, Jonathan Ross, Ed Sheeran, Paul Sinha, Frank Skinner, Matthew Syed, Kae Tempest, David Tennant, Louis Theroux, Dame Emma Thompson, Sandi Toksvig, Stanley Tucci, KT Tunstall, Johnny Vegas, Danny Wallace, Dame Julie Walters, Phil Wang, Emma Watson, Mark Watson, Robert Webb, Irvine Welsh, Jack Whitehall, Josh Widdicombe, Dame Jacqueline Wilson, Greg Wise, Malala Yousafzai, Benjamin Zephaniah. A minimum of £3.09 from the sale of each book will be paid to NHS Charities Together and £0.16 will be paid to The Lullaby Trust.
Author | : Tim Crook |
Publisher | : Taylor & Francis |
Total Pages | : 290 |
Release | : 2023-03-31 |
Genre | : Performing Arts |
ISBN | : 1136875840 |
Writing Audio Drama is a comprehensive and intelligent guide to writing sound drama for broadcasting and online production. The book uses new and original research on the history of writing radio plays in the UK and USA to explore how this has informed and developed the art form for more than 100 years. Audio drama in the context of podcasting is now experiencing a global and exponential expansion. Through analysis of examples of past and present writing, the author explains how to originate and craft drama which can explore deeply psychological and intimate themes and achieve emotional, truthful, entertaining, and thought-provoking impact. Practical analysis of the key factors required to write successful audio drama is covered in chapters focusing on audio play beginnings and openings, sound story dialogue, sustaining the sound story, plotting for sound drama and the best ways of ending audio plays. Each chapter is supported by extensive companion online resources expanding and supporting the writers and subjects discussed and explored, and extensive information on how to access online many exemplar and model sound dramas referenced in the chapters. This textbook will be an important resource for undergraduate and postgraduate students taking modules and courses on radio drama, theatre and media drama, audio theatre, audio drama, scriptwriting, media writing.