Radio Manufacturers of the 1920s, Volume 1

Radio Manufacturers of the 1920s, Volume 1
Author: Alan Douglas
Publisher: Sonoran Publishing
Total Pages: 264
Release: 1988-03
Genre: Technology & Engineering
ISBN: 9781886606029

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Radio Manufacturers of the 1920s, Volume 3

Radio Manufacturers of the 1920s, Volume 3
Author: Alan Douglas
Publisher: Sonoran Publishing
Total Pages: 300
Release: 1999-02
Genre: Radio supplies industry
ISBN: 9781886606043

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Behind the Front Panel

Behind the Front Panel
Author: David Rutland
Publisher:
Total Pages: 188
Release: 2013-12
Genre:
ISBN: 9780991126002

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Behind the Front Panel by David Rutland, an electronics engineer with over 25 years of experience in the design of vacuum tube circuits, explores the whys and wherefores of the components and circuits of the first broadcast radios. By using simplified descriptions and illustrations, supplemented by 25 photographs of actual radio component parts, he provides a readable explanation of what goes on inside the old battery radios. His story begins with the invention of the radio tube at the turn of the last century and concentrates on the engineering design and development through the 1920's. Design examples are taken from over 45 actual radios manufactured in the decade that saw broadcast radio start as a national pastime and end as a national necessity. This book is a classic in radio history. This edition is carefully re-mastered from the original and published by the California Historical Radio Society.

Encyclopedia of Radio 3-Volume Set

Encyclopedia of Radio 3-Volume Set
Author: Christopher H. Sterling
Publisher: Routledge
Total Pages: 3166
Release: 2004-03-01
Genre: Reference
ISBN: 1135456488

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Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

Radiola

Radiola
Author: Eric P. Wenaas
Publisher: Sonoran Publishing
Total Pages: 496
Release: 2007
Genre: Business & Economics
ISBN: 9781886606210

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Raised on Radio

Raised on Radio
Author: Gerald Nachman
Publisher: Univ of California Press
Total Pages: 548
Release: 2000-08-23
Genre: Drama
ISBN: 9780520223035

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Radio broadcasting United States History.

Boston Radio

Boston Radio
Author: Donna L. Halper
Publisher: Arcadia Publishing
Total Pages: 132
Release: 2011
Genre: Performing Arts
ISBN: 9780738574103

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Boston's radio history begins with pioneering station 1XE/WGI, one of America's first radio stations, and includes the first station to receive a commercial license, WBZ; the first FM radio network, W1XOJ and W1XER; and one of the first news networks, the Yankee News Service. Nationally known bandleaders like Joe Rines and Jacques Renard were first heard on Boston radio, as was one of the first weathercasters, E. B. Rideout. The city has been home to a number of legendary announcers, such as Bob and Ray,Arnie Ginsburg, Dick Summer, Dale Dorman, and Charles Laquidara; talk show giants like Jerry Williams and David Brudnoy; and sports talkers like Eddie Andelman and Glenn Ordway. Many Boston radio personalities, such as Curt Gowdy, "Big Brother" Bob Emery, Don Kent, and Louise Morgan, found fame on television but first established themselves on Boston's airwaves. Since 1920, Boston radio has remained vibrant, proving that live and local stations are as important as ever--Publisher.

The Market Makers

The Market Makers
Author: Peter Scott
Publisher: Oxford University Press
Total Pages: 388
Release: 2017-09-15
Genre: History
ISBN: 0191086347

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During the twentieth century 'affluence' (both at the level of the individual household and that of society as a whole) became intimately linked with access to a range of prestige consumer durables. The Market Makers charts the inter-war origins of a process that would eventually transform these features of modern life from being 'luxuries' to 'necessities' for most British families. Peter Scott examines how producers and retailers succeeded in creating 'mass' (though not universal) market for new suites of furniture, radios, modern housing, and some electrical and gas appliances, while also exploring why some other goods, such as refrigerators, telephones, and automobiles, failed to reach the mass market in Britain before the 1950s. Creating mass markets presented a formidable challenge for manufacturers and retailers. Consumer durables required large markets. Most involved significant research and development costs. Some, such as the telephone, radio, and car, were dependent on complementary investments in infrastructure. All required intensive marketing - usually including expensive advertising in national newspapers and magazines, while some also needed mass production methods (and output volumes) to make them affordable to a mass market. This study charts the pioneering efforts of entrepreneurs (many of whom, though once household names, are now largely forgotten) to provide consumer durables at a price affordable to a mass market and to persuade a sometimes reluctant public to embrace the new products and the consumer credit that their purchase required. In doing so, Scott shows that, contrary to much received wisdom, there was a 'consumer durables revolution' in inter-war Britain - at least for certain highly prioritised goods.

American Babel

American Babel
Author: Clifford J. Doerksen
Publisher: University of Pennsylvania Press
Total Pages: 171
Release: 2011-06-07
Genre: Business & Economics
ISBN: 0812201760

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When American radio broadcasting began in the early 1920s there was a consensus among middle-class opinion makers that the airwaves must never be used for advertising. Even the national advertising industry agreed that the miraculous new medium was destined for higher cultural purposes. And yet, within a decade American broadcasting had become commercialized and has remained so ever since. Much recent scholarship treats this unsought commercialization as a coup, imposed from above by mercenary corporations indifferent to higher public ideals. Such research has focused primarily on metropolitan stations operated by the likes of AT&T, Westinghouse, and General Electric. In American Babel, Clifford J. Doerksen provides a colorful alternative social history centered on an overlooked class of pioneer broadcaster—the independent radio stations. Doerksen reveals that these "little" stations often commanded large and loyal working-class audiences who did not share the middle-class aversion to broadcast advertising. In urban settings, the independent stations broadcast jazz and burlesque entertainment and plugged popular songs for Tin Pan Alley publishers. In the countryside, independent stations known as "farmer stations" broadcast "hillbilly music" and old-time religion. All were unabashed in their promotional practices and paved the way toward commercialization with their innovations in programming, on-air style, advertising methods, and direct appeal to target audiences. Corporate broadcasters, who aspired to cultural gentility, were initially hostile to the populist style of the independents but ultimately followed suit in the 1930s. Drawing on a rich array of archives and contemporary print sources, each chapter of American Babel looks at a particular station and the personalities behind the microphone. Doerksen presents this group of independents as an intensely colorful, perpetually interesting lot and weaves their stories into an expansive social and cultural narrative to explain more fully the rise of the commercial network system of the 1930s.

Hello, Everybody!

Hello, Everybody!
Author: Anthony J. Rudel
Publisher: Houghton Mifflin Harcourt
Total Pages: 417
Release: 2008
Genre: History
ISBN: 015101275X

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When amateur enthusiasts began sending fuzzy signals from their garages and rooftops, radio broadcasting was born. Sensing the medium's potential, snake-oil salesmen and preachers took to the air, at once setting early standards for radio programming and making bedlam of the airwaves. Into the chaos stepped a young secretary of commerce, Herbert Hoover, whose passion for organization guided the technology's growth. When a charismatic bandleader named Rudy Vallee created the first on-air variety show and America elected its first true radio president, Franklin Delano Roosevelt, radio had arrived. Rudel tells the story of the boisterous years when radio took its place in the nation's living room and forever changed American politics, journalism, and entertainment.