The Cultural Histories of Radio Luxembourg and Europe n°1

The Cultural Histories of Radio Luxembourg and Europe n°1
Author: Richard Legay
Publisher: Springer Nature
Total Pages: 293
Release: 2024-01-31
Genre: History
ISBN: 3031462505

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This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching ‘dispositif ’ of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.

Europe - On Air

Europe - On Air
Author: Suzanne Lommers
Publisher: Amsterdam University Press
Total Pages: 327
Release: 2012
Genre: History
ISBN: 9089644350

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During the interwar years, broadcast radio became a popular way for Europeans to consume local, national, and international news. The medium not only began to shape European policy and politics, but also laid the foundation for European unification and global interconnectedness. In Europe On Air, Suzanne Lommers has documented the rich and often underexposed history of broadcast radio through the lens of international European relations. She specifically explores the roles of Radio Moscow, Radio Luxembourg, Vatican Radio, and the International Broadcasting Union as institutions that played an important role in national identities and establishing standards for broadcasting. The radio also offered new opportunities to politicians, who seized upon a vibrant and more direct way to communicate with their constituents. Essential reading for scholars of technology and European history, Europe-On Air reveals broadcast radio to be a technology that revolutionized international relations during the brief respite between the chaos of war in Europe.

A Social History of Early Rock ‘n’ Roll in Germany

A Social History of Early Rock ‘n’ Roll in Germany
Author: Julia Sneeringer
Publisher: Bloomsbury Publishing
Total Pages: 304
Release: 2018-05-31
Genre: History
ISBN: 1350034401

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A Social History of Early Rock 'n' Roll in Germany explores the people and spaces of St. Pauli's rock'n'roll scene in the 1960s. Starting in 1960, young British rockers were hired to entertain tourists in Hamburg's red-light district around the Reeperbahn in the area of St. Pauli. German youths quickly joined in to experience the forbidden thrill of rock'n'roll, and used African American sounds to distance themselves from the old Nazi generation. In 1962 the Star Club opened and drew international attention for hosting some of the Beatles' most influential performances. In this book, Julia Sneeringer weaves together this story of youth culture with histories of sex and gender, popular culture, media, and subculture. By exploring the history of one locale in depth, Sneeringer offers a welcome contribution to the scholarly literature on space, place, sound and the city, and pays overdue attention to the impact that Hamburg had upon music and style. She is also careful to place performers such as The Beatles back into the social, spatial, and musical contexts that shaped them and their generation. This book reveals that transnational encounters between musicians, fans, entrepreneurs and businessmen in St. Pauli produced a musical style that provided emotional and physical liberation and challenged powerful forces of conservatism and conformity with effects that transformed the world for decades to come.

The Early Shortwave Stations

The Early Shortwave Stations
Author: Jerome S. Berg
Publisher: McFarland
Total Pages: 342
Release: 2013-10-04
Genre: Performing Arts
ISBN: 0786474114

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In July 1923, less than three years after Westinghouse station KDKA signed on, company engineer Frank Conrad began regular simulcasting of its programs on a frequency in the newly-discovered shortwave range. It was an important event in a technological revolution that would make dependable worldwide radio communication possible for the first time. In subsequent years, countless stations in practically all countries followed suit, taking to shortwave to extend reception domestically or reach audiences thousands of miles away. Shortwave broadcasting would also have an important role in World War II and in the Cold War. In this, his fourth book on shortwave broadcast history, the author revisits the period of his earlier work, On the Short Waves, 1923-1945, and focuses on the stations that were on the air in those early days. The year-by-year account chronicles the birth and operation of the large international broadcasters, as well as the numerous smaller stations that were a great attraction to the DXers, or long-distance radio enthusiasts, of the time. With more than 100 illustrations and extensive notes, bibliography and index, the book is also a valuable starting point for further study and research.

Encyclopedia of Radio 3-Volume Set

Encyclopedia of Radio 3-Volume Set
Author: Christopher H. Sterling
Publisher: Routledge
Total Pages: 2848
Release: 2004-03
Genre: Reference
ISBN: 1135456496

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Produced in association with the Museum of Broadcast Communications in Chicago, the Encyclopedia of Radio includes more than 600 entries covering major countries and regions of the world as well as specific programs and people, networks and organizations, regulation and policies, audience research, and radio's technology. This encyclopedic work will be the first broadly conceived reference source on a medium that is now nearly eighty years old, with essays that provide essential information on the subject as well as comment on the significance of the particular person, organization, or topic being examined.

Crossing the Ether

Crossing the Ether
Author: Sean Street
Publisher: Indiana University Press
Total Pages: 308
Release: 2006
Genre: Business & Economics
ISBN: 9780861966684

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Histories of British broadcasting suggest that the BBC monopoly was never seriously challenged until the coming of ITV in 1955. Crossing the Ether counters this view, telling the story of commercial radio's first challenge to the Public Service monopoly between 1930 and 1939. In the telling, this account provides substantial primary evidence that radio in Britain during the 1930s was a battleground between continental-based stations, run by British and American commercial interests, and the BBC, beset by paternalistic and sabbatarian principles.

Selling the Sixties

Selling the Sixties
Author: Robert Chapman
Publisher: Routledge
Total Pages: 242
Release: 2012-10-12
Genre: Language Arts & Disciplines
ISBN: 1134896247

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Was it a non-stop psychedelic party or was there more to pirate radio in the sixties than hedonism and hip radicalism? From Kenny Everett's sacking to John Peel's legendary `Perfumed Garden' show, to the influence of the multi-national ad agencies, and the eventual assimilationof aspects of unofficial pop radio into Radio One, Selling the Sixties examines the boom of private broadcasting in Britain. Using two contrasting models of pop piracy, Radios Caroline and London, Robert Chapman sets pirate radio in its social and cultural context. In doing so he challenges the myths surrounding its maverick `Kings Road' image, separating populist consumerism from the economic and political machinations which were the flipside of the pirate phenomenon. Selling the Sixties includes previously unseen evidence from the pirates' archives, revealing interviews and an unrivalled selection of rare audio materials.

The Radio Luxembourg Story

The Radio Luxembourg Story
Author: Nathan Morley
Publisher:
Total Pages: 229
Release: 2018-11-26
Genre:
ISBN: 9781790392933

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Travel on an epic journey through the history of Radio Luxembourg - the 'Great 208' - a station which entertained millions and helped shape European listening habits during the last century. The book, which has been a project lasting a decade, features exclusive contributions from stars of the golden age of music and broadcasting, including Vera Lynn, Pete Murray, Teddy Johnson, Gerry Marsden, Desmond Carrington, David Jacobs, David Gell, Ray Orchard, Alan Freeman, David Attenbrough, Don Wardell, Shaw Taylor, Arthur Brown, David Hamilton and many others. Nathan Morley traces the origins of Luxembourg, celebrating the early pioneering spirit and unearthing long forgotten characters and programmes. The book looks at the brutal war-years and the transformation of the channel into a Nazi propaganda station, then as a US psychological warfare channel. It provides an insight into key events, personalities, programmes, internal problems and its magnificent successes. The Cold War years are recalled by songstress Connie Francis, who became a popular entertainer on the channel, which was banned in the Eastern block and USSR, but attracted over 35 million listeners. In one of his last interviews before his death and subsequent exposure as one of Britain's most prolific sex offenders, Jimmy Savile spoke to the author about his Radio Luxembourg career, the station that had made him a legend; as he cascaded to fame as a purveyor of pop, spouting nonsensical catchphrases and innuendo. Faced with a hostile BBC and the pop pirates, Radio Luxembourg managed to survive the 60s and 70s. Personal memories are shared by Noel Edmonds, Paul Burnett, Kid Jenson, Roger Day, Benny Brown, David Symonds, Colin Nichol, Timmy Mallett, Tony Blewitt, Alton Andrews and Emperor Rosko, who all give their take on the era, in addition to contributions from pop stars including David Soul and Dave Berry, and former Controllers Alan Keen and Ken Evans. The boss of the opposition Radio One's Johnny Beerling also contributes his memories. This is an important deeply researched portrait of British broadcasting history, and one which is aided by many of the personalities, staff and stars that were associated with it.It seemed that in his early teens, John Lennon was a fan of mine on Radio Luxembourg, and that one evening I played a record that 'changed his life' - Heartbreak Hotel. DAVID GELLI remember when I went for my first visit to Luxembourg; I took back about three pounds of bacon to the UK in my suitcase, which my parents enjoyed! - TEDDY JOHNSONI always had a desire to reach people behind the iron curtain; the point of Radio Luxembourg for me was that I could make people who were so suppressed happy. I was amazed the signal could reach to Tunisia and behind the iron curtain. CONNIE FRANCIS The thing with Luxembourg is that I never actually met any of the other performers that were broadcasting because I just went to a little studio in London, did the programme and that was that. - VERA LYNNGreat parties, beautiful girls, ridiculous practical jokes, walking home through snowy streets at 4am, corpsing whilst reading the news, warning letters from Geoffrey Everitt, the overwhelming thought that I had finally made it on "the station of the stars" - NOEL EDMONDSThe Liverpool sound was starting to make its mark and I'll never forget the appearance on The Friday Spectacular of four smartly dressed young lads with Scouse accents. It was, of course, The Beatles making their first radio broadcast. - SHAW TAYLORThere was always a local engineer on duty. He came in a said JFK was shot, so I called Geoffrey Everitt in London who was out to dinner, then the guy came back and said he was dead and I took us off the air. - DON WARDELLI later learnt that great artists like Jimi Hendrix, the Rolling Stones, Bryan Ferry and the Beatles listened to Jensen's Dimensions - DAVID JENSEN

Made in Europe

Made in Europe
Author: Klaus Nathaus
Publisher: Routledge
Total Pages: 275
Release: 2016-01-22
Genre: History
ISBN: 1317637410

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This edited collection studies the production and dissemination of popular music, tourism, cinema, fashion, broadcasting programmes, advertising and coffee in Western Europe in the twentieth century. Focussing on the supply side of popular culture, it addresses a field of study that is neglected in European historiography. Moreover, it provides a theoretical and methodological discussion that takes into account the inherent dynamics of content production and the role of cultural intermediaries in the change of cultural repertoires. Taking key developments in the culture industries in the USA as a point of reference, the book highlights particularities of cultural production in Europe. It identifies a greater autonomy of creatives, stronger influence of critics and a lesser concern with audience research as three characteristics of the production regime in Western Europe. It takes into view the transfer of popular culture across the Atlantic and between European countries and offers new insights into research on the cultural Americanisation of Europe. This book was originally published as a special issue of the European Review of History.