Mozart and Salieri
Author | : Александр Сергеевич Пушкин |
Publisher | : Learning Links |
Total Pages | : 94 |
Release | : 1982 |
Genre | : |
ISBN | : 9780946162000 |
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Author | : Александр Сергеевич Пушкин |
Publisher | : Learning Links |
Total Pages | : 94 |
Release | : 1982 |
Genre | : |
ISBN | : 9780946162000 |
Author | : Reid |
Publisher | : BRILL |
Total Pages | : 207 |
Release | : 2023-11-20 |
Genre | : Art |
ISBN | : 9004647910 |
Mozart and Salieri, probably the best known of Pushkin's `Little Tragedies', was written in 1830 during the peak of the poet's creative powers. Like the other Little Tragedies it is a `closet drama' which concentrates on the devastating effects of an all-consuming human passion, in this case envy. Mozart and Salieri typifies Pushkin's implicational technique of character construction: the salient points of a fictional psyche are highlighted sufficiently to suggest inner depth while stopping short of precise concretication; this allows full play to lectorial inference on a plurality of connotational levels - thematic, psychological and sociological. The present work, the first of its kind in English, isolates two major thematic dominants in the play - envy and music - and these form the focus for its aesthetic and psychological preoccupations respectively. A variety of psychological approaches are brought to bear on the play's protagonists including adaptations of the theories of Freud, Adler, Jung and Klages. The readiness with which these contrastive but complementary approaches yield new insights into the nature and motivations of the protagonists of Mozart and Salieri points to a work of profound cultural significance, something all the more remarkable given its modest compass. The sociological and anthropological approaches applied to the drama in this study dwell particularly on theories of social interaction and theories of alienation, anomie and suicide. Pushkin has often been regarded as an enigmatic phenomenon in the west, the compactness and economy of his works often seeming at odds with the degree of impact which they have made on subsequent generations of Russian writers. The present work seeks to lay bare what is typical for Pushkin: the intimation of great psychological and philosophical truths via a superficially unassuming medium. It is not surprising, therefore, that the influence of Pushkin's Mozart and Salieri, and of the aesthetic and ideological positions they represent, can be felt in the works of later Russian writers, notably Dostoyevsky.
Author | : Robert Reid |
Publisher | : Rodopi |
Total Pages | : 212 |
Release | : 1995 |
Genre | : Art |
ISBN | : 9789051838114 |
Mozart and Salieri, probably the best known of Pushkin's Little Tragedies', was written in 1830 during the peak of the poet's creative powers. Like the other Little Tragedies it is a closet drama' which concentrates on the devastating effects of an all-consuming human passion, in this case envy. Mozart and Salieri typifies Pushkin's implicational technique of character construction: the salient points of a fictional psyche are highlighted sufficiently to suggest inner depth while stopping short of precise concretication; this allows full play to lectorial inference on a plurality of connotational levels - thematic, psychological and sociological. The present work, the first of its kind in English, isolates two major thematic dominants in the play - envy and music - and these form the focus for its aesthetic and psychological preoccupations respectively. A variety of psychological approaches are brought to bear on the play's protagonists including adaptations of the theories of Freud, Adler, Jung and Klages. The readiness with which these contrastive but complementary approaches yield new insights into the nature and motivations of the protagonists of Mozart and Salieri points to a work of profound cultural significance, something all the more remarkable given its modest compass. The sociological and anthropological approaches applied to the drama in this study dwell particularly on theories of social interaction and theories of alienation, anomie and suicide. Pushkin has often been regarded as an enigmatic phenomenon in the west, the compactness and economy of his works often seeming at odds with the degree of impact which they have made on subsequent generations of Russian writers. The present work seeks to lay bare what is typical for Pushkin: the intimation of great psychological and philosophical truths via a superficially unassuming medium. It is not surprising, therefore, that the influence of Pushkin's Mozart and Salieri, and of the aesthetic and ideological positions they represent, can be felt in the works of later Russian writers, notably Dostoyevsky.
Author | : Александр Сергеевич Пушкин |
Publisher | : |
Total Pages | : 104 |
Release | : 1982 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Alexander Pushkin |
Publisher | : |
Total Pages | : 96 |
Release | : 2002-11 |
Genre | : |
ISBN | : 9780946162697 |
On first publication Antony Wood's translations of Pushkin's cycle of Little Tragedies, of which MOZART AND SALIERI is the best known, were widely praised. Long unavailable, they have now been revised in light of public performances and current Russian interpretations. Pushkin's four miniature verse dramas, each focusing on a single extreme psychological moment, contain the finest blank verse in Russian literature and are central to the Russian dramatic repertoire.
Author | : Aleksandr Sergeevich Pushkin |
Publisher | : |
Total Pages | : 26 |
Release | : 1988 |
Genre | : |
ISBN | : |
Author | : Svetlana Evdokimova |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 412 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780299190248 |
Alexander Pushkin's four compact plays, later known as The Little Tragedies, were written at the height of the author's creative powers, and their influence on many Russian and Western writers cannot be overestimated. Yet Western readers are far more familiar with Pushkin's lyrics, narrative poems, and prose than with his drama. The Little Tragedies have received few translations or scholarly examinations. Setting out to redress this and to reclaim a cornerstone of Pushkin's work, Evodokimova and her distinguished contributors offer the first thorough critical study of these plays. They examine the historical roots and connective themes of the plays, offer close readings, and track the transformation of the works into other genres. This volume includes a significant new translation by James Falen of the plays-"The Covetous Knight," "Mozart and Salieri," "The Stone Guest," and "A Feast in Time of Plague."
Author | : Aleksandr Sergeevich Pushkin |
Publisher | : Yale University Press |
Total Pages | : 238 |
Release | : 2000-01-01 |
Genre | : Drama |
ISBN | : 0300080255 |
In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability."--BOOK JACKET.
Author | : William Stafford |
Publisher | : Stanford University Press |
Total Pages | : 308 |
Release | : 1993-10-01 |
Genre | : Biography & Autobiography |
ISBN | : 9780804722223 |
This is an ambitious attempt to separate what is actually known (and can be known) about Mozart from the many myths and legends that have grown up about his life and character, notably the circumstances of his death and his alleged immaturity, drinking, extravagance, womanizing, unreliability, and professional failure.
Author | : Yelena Zotova |
Publisher | : Rowman & Littlefield |
Total Pages | : 297 |
Release | : 2020-12-10 |
Genre | : History |
ISBN | : 1793605599 |
In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.