Punchdrunk on the Classics

Punchdrunk on the Classics
Author: Emma Cole
Publisher: Springer Nature
Total Pages: 242
Release:
Genre:
ISBN: 3031430670

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Punchdrunk on the Classics

Punchdrunk on the Classics
Author: Emma Cole
Publisher: Palgrave Macmillan
Total Pages: 0
Release: 2023-12-22
Genre: Performing Arts
ISBN: 9783031430664

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Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond draws attention to Punchdrunk’s use of ancient Greek literature in their creation of immersive theatre. The book documents and analyses the effects of utilising Greek tragedy within both Punchdrunk’s creative development windows, and the company’s final staged productions. It features material stretching from The House of Oedipus (2000) right through to The Burnt City (2022-23), on which the author worked as dramaturg. Chapters include rehearsal studies, explorations of how Greek literature can shape an audience’s experience in immersive theatre, and considerations of how The Burnt City might change our understanding of the poetics of immersion in antiquity. Overall, Punchdrunk on the Classics provides an unparalleled depth of insight into an individual Punchdrunk production, and highlights the until-now overlooked significance of antiquity within Punchdrunk’s practice.

The Routledge Handbook of Classics and Cognitive Theory

The Routledge Handbook of Classics and Cognitive Theory
Author: Peter Meineck
Publisher: Routledge
Total Pages: 414
Release: 2018-11-21
Genre: History
ISBN: 1317429982

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The Routledge Handbook of Classics and Cognitive Theory is an interdisciplinary volume that examines the application of cognitive theory to the study of the classical world, across several interrelated areas including linguistics, literary theory, social practices, performance, artificial intelligence and archaeology. With contributions from a diverse group of international scholars working in this exciting new area, the volume explores the processes of the mind drawing from research in psychology, philosophy, neuroscience, and anthropology, and interrogates the implications of these new approaches for the study of the ancient world. Topics covered in this wide-ranging collection include: cognitive linguistics applied to Homeric and early Greek texts, Roman cultural semantics, linguistic embodiment in Latin literature, group identities in Greek lyric, cognitive dissonance in historiography, kinesthetic empathy in Sappho, artificial intelligence in Hesiod and Greek drama, the enactivism of Roman statues and memory and art in the Roman Empire. This ground-breaking work is the first to organize the field, allowing both scholars and students access to the methodologies, bibliographies and techniques of the cognitive sciences and how they have been applied to classics.

The Punchdrunk Encyclopaedia

The Punchdrunk Encyclopaedia
Author: Josephine Machon
Publisher: Routledge
Total Pages: 310
Release: 2018-12-07
Genre: Performing Arts
ISBN: 1351367781

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The Punchdrunk Encyclopaedia is the definitive book on the company’s work to date, marking eighteen years of Punchdrunk’s existence. It provides the first full-scale, historical account of one of the world’s foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team. The playful encyclopaedic format, much like a Punchdrunk masked show, invites readers to create their own journey through the ideas, aesthetics, contexts, and practices that underpin Punchdrunk’s work. Interjections from Felix Barrett, Stephen Dobbie, Maxine Doyle, Peter Higgin, Beatrice Minns, Colin Nightingale and Livi Vaughan, among others, fill out the picture with in-depth reflections. Charting Punchdrunk’s rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It has been compiled to be useful to scholars and students from a variety of backgrounds and disciplines, from secondary level through to doctoral research, and is intended for those with a fascination for theatre in general and immersive work in particular. Ultimately it is written for those who have dared to come play with Punchdrunk across the years. It is also offered to the curious; those adventurers ready and waiting to be immersed in Punchdrunk worlds.

Classics in Oncology

Classics in Oncology
Author: Arthur I. Holleb
Publisher:
Total Pages: 588
Release: 1987
Genre: Cancer
ISBN:

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Postdramatic Tragedies

Postdramatic Tragedies
Author: Emma Cole
Publisher: Oxford University Press, USA
Total Pages: 325
Release: 2019-11
Genre: Literary Criticism
ISBN: 0198817681

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Ancient tragedy has played a well-documented role in contemporary theatre since the mid-twentieth century. In addition to the often-commented-upon watershed productions, however, is a significant but overlooked history involving classical tragedy in experimental and avant-garde theatre. Postdramatic Tragedies focuses upon such experimental reinventions and analyses receptions of Greek and Roman tragedy that come under the banner of 'postdramatic theatre', a style of performance in which the traditional components of drama, such as character and narrative, are subordinate to the immediate, affective power of more abstract elements, such as image and sound. The chapters are arranged into three parts, each of which explores classical reception within a specific strand of postdramatic theatre: text-based theatre, devised theatre, and theatre that transcends the usual boundaries of time and space, such as durational and immersive theatre. Each offers a semiotic and phenomenological analysis of a particular case study, covering both widely known and less studied productions from 1995 to 2015. Together they reveal that postdramatic theatre is related to the classics at its conceptual core, and that the study of postdramatic tragedies reveals a great deal about both the evolution of theatre in recent decades, and the status of ancient drama in modernity.

Every Secret Thing

Every Secret Thing
Author: Emma Cole
Publisher: Allison & Busby
Total Pages: 463
Release: 2007-05-01
Genre: Canada
ISBN: 9780749081591

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Moving between fast-paced modern-day London and Canada to the dangerous, double-crossing streets of wartime Lisbon, comes this thrilling mystery and intriguing love story from a brilliant new voice.

Shakespeare Survey: Volume 64, Shakespeare as Cultural Catalyst

Shakespeare Survey: Volume 64, Shakespeare as Cultural Catalyst
Author: Peter Holland
Publisher: Cambridge University Press
Total Pages: 1342
Release: 2011-10-06
Genre: Literary Criticism
ISBN: 1316139492

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Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for volume 64 is 'Shakespeare as Cultural Catalyst'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

Creating Worlds

Creating Worlds
Author: Jason Warren
Publisher: Making Theatre
Total Pages: 0
Release: 2017
Genre: Participatory theater
ISBN: 9781848424456

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A new text on immersive theater.

Text and Performance in Contemporary British Theatre

Text and Performance in Contemporary British Theatre
Author: Catherine Love
Publisher: Taylor & Francis
Total Pages: 132
Release: 2023-02-27
Genre: Performing Arts
ISBN: 1000839788

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Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.