Print Culture in Renaissance Italy

Print Culture in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
Total Pages: 288
Release: 1994
Genre: Design
ISBN: 9780521893022

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The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.

Printing, Writers and Readers in Renaissance Italy

Printing, Writers and Readers in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
Total Pages: 256
Release: 1999-08-05
Genre: Design
ISBN: 9780521576932

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The spread of printing to Renaissance Italy had a dramatic impact on all users of books. As works came to be diffused more widely and cheaply, so authors had to adapt their writing and their methods of publishing to the demands and opportunities of the new medium, and reading became a more frequent and user-friendly activity. Printing, Writers and Readers in Renaissance Italy focuses on this interaction between the book industry and written culture. After describing the new technology and the contexts of publishing and bookselling, it examines the continuities and changes faced by writers in the shift from manuscript to print, the extent to which they benefited from print in their careers, and the greater accessibility of books to a broader spectrum of readers, including women and the less well educated. This is the first integrated study of a topic of central importance in Italian and European culture.

Manuscript Culture in Renaissance Italy

Manuscript Culture in Renaissance Italy
Author: Brian Richardson
Publisher: Cambridge University Press
Total Pages: 0
Release: 2014-07-10
Genre: Literary Criticism
ISBN: 9781107425521

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Even after the arrival of printing in the fifteenth century, texts continued to be circulated within Italian society by means of manuscript. Scribal culture offered rapidity, flexibility and a sense of private, privileged communication. This book is a detailed treatment of the continuing use of scribal transmission in Renaissance Italy. Brian Richardson explores the uses of scribal culture within specific literary genres, its methods and its audiences. He also places it within the wider system of textual communication and of self-presentation, examining the relationships between manuscript and print and between manuscript and the spoken or sung performance of verse. An important contribution to a lively area of the history of the book, this study will be of interest both for the abundance of new material on the circulation of texts in Italy and as a model for how to study the cultures of manuscript and print in early modern Europe.

Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)

Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)
Author: Alejandro Coroleu
Publisher: Cambridge Scholars Publishing
Total Pages: 230
Release: 2014-06-02
Genre: Literary Criticism
ISBN: 1443861057

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With the advent of the printing press throughout Europe in the last quarter of the fifteenth century, the key Latin texts of Italian humanism began to be published outside Italy, most of them by a small group of printers who, in most cases, worked in close collaboration with lecturers and teachers. This study provides the first comprehensive account of the dissemination of this important literary corpus in Spain, France, the Low Countries and the German-speaking world between ca. 1470 and ca. 1540. By combining an examination of book production and consumption with attention to the educational system of Renaissance Europe, this book highlights both the historical significance of the Latin literature of Italian humanism within the school and university curriculum of the time, and the impact of such a body of texts on the rising national literary traditions, in Latin and in the vernacular, of the period. Printing and Reading Italian Latin Humanism in Renaissance Europe will appeal to scholars of classical and Renaissance literature, and to anyone interested in intellectual history and in the history of education in the Renaissance. It will be of particular interest to scholars in Hispanic studies.

Print Culture and Peripheries in Early Modern Europe

Print Culture and Peripheries in Early Modern Europe
Author: Benito Rial Costas
Publisher: BRILL
Total Pages: 445
Release: 2012-11-09
Genre: History
ISBN: 9004235752

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Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.

The Culture of Profession in Late Renaissance Italy

The Culture of Profession in Late Renaissance Italy
Author: George W. McClure
Publisher: University of Toronto Press
Total Pages: 404
Release: 2004-01-01
Genre: History
ISBN: 9780802089700

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From Latin humanists to popular writers, Italian Renaissance culture spawned a lively debate on vocational choice and the nature of profession. In The Culture of Profession in Late Renaissance Italy, George W. McClure examines the turn this debate took in the second half of the Renaissance, when the learned 'praise and rebuke' of profession began to be complemented with more popular forms of discourse, and when less learned vocations made their voice heard. Focusing primarily on sources assembled and published in the sixteenth century, McClure's study explores professional themes in comic, festive, and popular print culture. A pivotal figure is Tomaso Garzoni, a monk whose popular encyclopedia, Universal Piazza of all the Professions of the World, was published in 1585. A funnel for earlier traditions and an influence on later ones, this massive compendium treated over 150 categories of profession - juxtaposing the world of philosophers and poets, lawyers and physicians, merchants and artisans, teachers and printers, cooks and chimneysweeps, prostitutes and procurers. If the conventional view is that Italian Renaissance society generally grew more aristocratic in the later period, this and other sources reveal a professional ethos more democratic in nature and bespeak the full cultural discovery of the middling and lowly professions in the late Renaissance.

Niccol˜ Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493

Niccol˜ Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493
Author: Lorenz Bšninger
Publisher: Harvard University Press
Total Pages: 225
Release: 2021-04-06
Genre: History
ISBN: 067425113X

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A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Bšninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccol˜ di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccol˜ established his business there and published a number of influential books. Among these were Marsilio FicinoÕs De christiana religione, Leon Battista AlbertiÕs De re aedificatoria, Cristoforo LandinoÕs commentaries on DanteÕs Commedia, and Francesco BerlinghieriÕs Septe giornate della geographia. Many of these books were printed in vernacular Italian. Despite his prominence, Niccol˜ has remained an enigma. A meticulous historical detective, Bšninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccol˜Õs life but also the Italian printing revolution generally. Combining Renaissance studiesÕ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Bšninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccol˜ di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.

Shopping in the Renaissance

Shopping in the Renaissance
Author: Evelyn S. Welch
Publisher: Yale University Press
Total Pages: 428
Release: 2005-01-01
Genre: History
ISBN: 9780300107524

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Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance marketplace. Thereafter, Welch looks at the impact these attitudes had on the developing urban spaces of Renaissance cities, before turning to more transient forms of sales such as fairs, auctions and lotteries. In the third section, she examines the consumers themselves, asking how the mental, verbal and visual images of the market shaped the business of buying and selling. Finally, the book explores two seemingly very different types of commodities - antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.

Trust and Proof

Trust and Proof
Author: Andrea Rizzi
Publisher: BRILL
Total Pages: 327
Release: 2017-11-06
Genre: History
ISBN: 9004323880

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Translators’ contribution to the vitality of textual production in the Renaissance is still often vastly underestimated. Drawing on a wide variety of sources published in Spanish, Portuguese, Italian, Latin, German, English, and Zapotec, this volume brings a global perspective to the history of translators, and the printed book. Together the essays point out the extent to which particular language cultures were liable to shift, overlap, shrink, and expand during one of the most defining periods in the history of print culture. Interdisciplinary in approach, Trust and Proof investigates translators’ role in the diffusion of discourse about languages and ancient knowledge, as well as changing etiquettes of reading and writing.

The Renaissance in Italy

The Renaissance in Italy
Author: Guido Ruggiero
Publisher: Cambridge University Press
Total Pages: 655
Release: 2015
Genre: History
ISBN: 0521895200

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This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence, and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.