Pre-colonial and Post-colonial Drama and Theatre in Africa

Pre-colonial and Post-colonial Drama and Theatre in Africa
Author: Lokangaka Losambe
Publisher: Africa Research and Publications
Total Pages: 172
Release: 2001
Genre: Literary Criticism
ISBN:

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The last two decades saw an unprecedented upsurge of interest in African drama and theatre, as African playwrights bore witness to the strivings of African people as they challenged the vices that continued to plague the continent, including neo-colonialism, dictatorship, corruption, nepotism, inter-ethnic conflicts, poverty, gender inequality and HIV/AIDS. These essays emphasise the organic continuity within the African literary tradition, between the pre-colonial and post-colonial forms of drama, and is a valuable resource for general readers and students alike.

South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading

South African Drama and Theatre from Pre-colonial Times to the 1990s: An Alternative Reading
Author: Mzo Sirayi
Publisher: Xlibris Corporation
Total Pages: 211
Release: 2012
Genre: Drama
ISBN: 1477120823

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Mzo Sirayi has embarked on a highly impressive and daring enterprise with the unfl inching boldness of a scholar who is driven by a passionate pursuit to set the record straight. He manages to pull no punches and make no apologies by being true to his convictions, especially within the context of a new South Africa. The book adopts a largely historicized, critical and analytical perspective, which strikingly approximates that of postcolonial theory. — Owen Seda This new and authoritative book is an excellent addition to the few existing books on black South African drama and theatre. South African Drama and Th eatre from Pre-colonial Times to 1990s: An Alternative Reading takes the reader on a tour of the indigenous as well as the modern South African theatre zones. The chapters reverberate with echoes of Africanisation and rock on renaissance waves. This exciting and stimulating book is transparently readable, accessible and is of inestimable value to academics and general readers. — Patrick Ebewo

African Popular Theatre

African Popular Theatre
Author: David Kerr
Publisher: James Currey
Total Pages: 292
Release: 1995
Genre: Literary Criticism
ISBN:

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African popular theater includes conventional drama plus such nonliterary performance as dance, mime, storytelling, masquerades, vaudeville, improvization, & the theater of social action & resistance. Media such as radio, film, & television are included.

Pre-colonial and Post-colonial Drama and Theatre in Africa

Pre-colonial and Post-colonial Drama and Theatre in Africa
Author: Lokangaka Losambe
Publisher: New Africa Books
Total Pages: 170
Release: 2001
Genre: Drama
ISBN: 9781919876061

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In this collection of essays written from different critical perspectives, African playwrights demonstrate through their art that they are not only witnesses, but also consciences, of their societies.

A History of Theatre in Africa

A History of Theatre in Africa
Author: Martin Banham
Publisher: Cambridge University Press
Total Pages: 498
Release: 2004-05-13
Genre: Drama
ISBN: 1139451499

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This book aims to offer a broad history of theatre in Africa. The roots of African theatre are ancient and complex and lie in areas of community festival, seasonal rhythm and religious ritual, as well as in the work of popular entertainers and storytellers. Since the 1950s, in a movement that has paralleled the political emancipation of so much of the continent, there has also grown a theatre that comments back from the colonized world to the world of the colonists and explores its own cultural, political and linguistic identity. A History of Theatre in Africa offers a comprehensive, yet accessible, account of this long and varied chronicle, written by a team of scholars in the field. Chapters include an examination of the concepts of 'history' and 'theatre'; North Africa; Francophone theatre; Anglophone West Africa; East Africa; Southern Africa; Lusophone African theatre; Mauritius and Reunion; and the African diaspora.

Post-colonial Drama

Post-colonial Drama
Author: Helen Gilbert
Publisher: Psychology Press
Total Pages: 344
Release: 1996
Genre: Performing Arts
ISBN: 9780415090230

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Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.

Postcolonial Plays

Postcolonial Plays
Author: Helen Gilbert
Publisher: Routledge
Total Pages: 488
Release: 2013-09-13
Genre: Performing Arts
ISBN: 1136218246

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This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism

African Theatre and Politics: The evolution of theatre in Ethiopia, Tanzania and Zimbabwe

African Theatre and Politics: The evolution of theatre in Ethiopia, Tanzania and Zimbabwe
Author: Jane Plastow
Publisher: BRILL
Total Pages: 318
Release: 2023-01-30
Genre: Literary Criticism
ISBN: 9004484736

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This study, the first book-length treatment of its subject, draws on a large base of elusive material and on extensive field research. It is the result of the author's wide experience of teaching and producing theatre in Africa, and of her fascination with the ways in which traditional performance forms have interacted with, or have resisted, non-indigenous modes of dramatic representation in the process of evolving into the vital theatres of the present day. A comparative historical study is offered of the three national cultures of Ethiopia, Tanganyika/Tanzania, and Rhodesia/Zimbabwe. Not only (scripted) drama is treated, but also theatre in the sense of the broader range of performance arts such as dance and song. The development of theatre and drama is seen against the background of centuries of cultural evolution and interaction, from pre-colonial times, through phases of African and European imperialism, to the liberation struggles and newly-won independence of the present. The seminal relationship between theatre, society and politics is thus a central focus. Topics covered include: the function in theatre of vernacular and colonial languages; performance forms under feudal, communalist and socialist régimes; cultural militancy and political critique; the relationship of theatre to social élites and to the peasant class; state control (funding and censorship); racism and separate development in the performing arts; contemporary performance structures (amateur, professional, community and university theatre). Due attention is paid to prominent dramatists, theatre groups and theatre directors, and the author offers new insight into African perceptions of the role of the artist in the theatre, as well as dealing with the important subject of gender roles (in drama, in performance ritual, and in theatre practice). The book is illustrated with contemporary photographs.

Theatre and Postcolonial Desires

Theatre and Postcolonial Desires
Author: Awam Amkpa
Publisher: Routledge
Total Pages: 221
Release: 2004-06
Genre: Art
ISBN: 1134381336

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This book explores the themes of colonial encounters and postcolonial contests over identity, power and culture through the prism of theatre. The struggles it describes unfolded in two cultural settings separated by geography, but bound by history in a common web of colonial relations spun by the imperatives of European modernity. In post-imperial England, as in its former colony Nigeria, the colonial experience not only hybridized the process of national self-definition, but also provided dramatists with the language, imagery and frame of reference to narrate the dynamics of internal wars over culture and national destiny happening within their own societies. The author examines the works of prominent twentieth-century Nigerian and English dramatists such as Wole Soyinka, Femi Osofisan, Davd Edgar and Caryl Churchill to argue that dramaturgies of resistance in the contexts of both Nigerian as well as its imperial inventor England, shared a common allegiance to what he describes as postcolonial desires. That is, the aspiration to overcome the legacies of colonialism by imagining alternative universes anchored in democratic cultural pluralism. The plays and their histories serve as filters through which Ampka illustrates the operation of what he calls 'overlapping modernities' and reconfigures the notions of power and representation, citizenship and subjectivity, colonial and anticolonial nationalisms and postcoloniality. The dramatic works studied in this book embodied a version of postcolonial aspirations that the author conceptualises as transcending temporal locations to encompass varied moments of consciousness for progressive change, whether they happened during the hey day of English imperialism in early twentieth-century Nigeria, or in response to the exclusionary politics of the Conservative Party in Thatcherite England. Theatre and Postcolonial Desires will be essential reading for students and researchers in the areas of drama, postcolonial and cultural studies.