Popular Film and Television Comedy

Popular Film and Television Comedy
Author: Frank Krutnik
Publisher: Routledge
Total Pages: 376
Release: 2006-10-19
Genre: Social Science
ISBN: 1134946856

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Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and norms, and, to demonstrate this, they discuss a wide range of programmes and films, from Blackadder to Bringing up Baby, from City Limits to Blind Date, from the Roadrunner cartoons to Bless this House and The Two Ronnies. Comedies looked at in particular detail include: the classic slapstick films of Keaton, Lloyd, and Chaplin; Hollywood's 'screwball' comedies of the 1930s and 1940s; Monty Python, Hancock, and Steptoe and Son. The authors also relate their discussion to radio comedy.

Popular Film and Television Comedy

Popular Film and Television Comedy
Author: Frank Krutnik
Publisher: Routledge
Total Pages: 302
Release: 2006-10-19
Genre: Social Science
ISBN: 1134946864

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Covers a wide range of comedy with examples taken from Chaplin, Daffy Duck, Bilko, Ben Elton, Woody Allen and many others Locates comedy within the history and institutions of cinema and broadcasting

Television Comedy and Femininity

Television Comedy and Femininity
Author: Rosie White
Publisher: Bloomsbury Publishing
Total Pages: 256
Release: 2018-11-30
Genre: Performing Arts
ISBN: 178673656X

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Can comedy on television harbour elements of gender transgression or subversion? If a man is permitted to be 'funny peculiar' – playing the underdog or misfit – does a woman seem stranger in his place? Mapping examples from British and American comedy television over the past 60 years, from I Love Lucy to The Big Bang Theory and Smack the Pony to Waiting For God, this book asks: are particular forms of television comedy gendered in specific ways? Paying attention to series which have not been addressed in academic work, as well as more established shows, White offers fresh insights for the fields of television studies, gender and women's studies, cultural history and comedy.

UK and Irish Television Comedy

UK and Irish Television Comedy
Author: Mary Irwin
Publisher: Springer Nature
Total Pages: 251
Release: 2023-09-19
Genre: Performing Arts
ISBN: 3031236297

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This book looks at television comedy, drawn from across the UK and Ireland, and ranging chronologically from the 1980s to the 2020s. It explores depictions of distinctive geographical, historical and cultural communities presented from the insiders’ perspective, simultaneously interrogating the particularity of the lived experience of time, and place, embedded within the wide variety of depictions of contrasting lives, experiences and sensibilities, which the collected individual chapters offer. Comedies considered include Victoria Wood’s work on ‘the north’, Ireland’s Father Ted and Derry Girls, Michaela Coel’s east London set Chewing Gum, and Wales’ Gavin and Stacey. There are chapters on Scottish sketch and animation comedy, and on series set in the Midlands, the North East, the South West and London’s home counties. The book offers thoughtful reflection on funny and engaging representations of the diverse, fragmented complexity of UK and Irish identity explored through the intersections of class, ethnicity and gender.

Cult British TV comedy

Cult British TV comedy
Author: Leon Hunt
Publisher: Manchester University Press
Total Pages: 279
Release: 2015-11-01
Genre: Social Science
ISBN: 1526102366

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This book is the first sustained critical analysis of Cult British TV comedy from 1990 to the present day. The book examines ‘post-alternative’ comedy as both ‘cult’ and ‘quality’ TV, aimed mostly at niche audiences and often possessing a subcultural aura (comedy was famously declared ‘the new ‘rock’n’roll’ in the early ‘90s). It includes case studies of Vic Reeves and Bob Mortimer and the sitcom writer Graham Linehan. It examines developments in sketch shows and the emergence of ‘dark’ and ‘cringe’ comedy, and considers the politics of ‘offence’ during a period in which Brass Eye, ‘Sachsgate’ and Frankie Boyle provoked different kinds of media outrage. Programmes discussed include Vic Reeves Big Night Out, Peep Show, Father Ted, The Mighty Boosh, The Fast Show and Psychoville. Cult British TV Comedy will be of interest to both students and fans of modern TV comedy.

Music in Comedy Television

Music in Comedy Television
Author: Liz Giuffre
Publisher: Taylor & Francis
Total Pages: 215
Release: 2017-03-27
Genre: Music
ISBN: 1317273575

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The study of television and music has expanded greatly in recent years, yet to date no book has focused on the genre of comedy television as it relates to music. Music in Comedy Television: Notes on Laughs fills that gap, breaking new critical ground. With contributions from an array of established and emerging scholars representing a range of disciplines, the twelve essays included cover a wide variety of topics and television shows, spanning nearly fifty years across network, cable, and online structures and capturing the latest research in this growing area of study. From Sesame Street to Saturday Night Live, from Monty Python to Flight of the Conchords, this book offers the perfect introduction for students and scholars in music and media studies seeking to understand the role of music in comedy onscreen and how it relates to the wider culture.

Ernie Kovacs & Early TV Comedy

Ernie Kovacs & Early TV Comedy
Author: Andrew Horton
Publisher: University of Texas Press
Total Pages: 141
Release: 2010-03-01
Genre: Performing Arts
ISBN: 0292779623

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Exploring the pioneering career of the man whose quirky comic experiments influenced decades of television, from Laugh-In to Late Night. A true pioneer of television, Ernie Kovacs entertained audiences throughout the 1950s and early 1960s with his zany, irreverent, and surprising humor—and also inspired a host of later comedies and comedians, including Monty Python, David Letterman, much of Saturday Night Live, Rowan and Martin’s Laugh-In, Captain Kangaroo, and even Sesame Street. Kovacs created laughter through wildly creative comic jokes, playful characterizations, hilarious insights, and wacky experiments—“Nothing in moderation,” his motto and epitaph, sums up well Kovacs’s wholehearted approach to comedy and life. In this book, Andrew Horton offers the first sustained look at Ernie Kovacs’s wide-ranging and lasting contributions to the development of TV comedy. He discusses in detail Kovacs’s work in New York, which included The Ernie Kovacs Show (CBS prime time 1952–1953), The Ernie Kovacs Show (NBC daytime variety 1956–1957), Tonight (NBC late-night comedy/variety 1956-1957), and a number of quiz shows. Horton also looks at Kovacs’s work in Los Angeles and in feature film comedy. He vividly describes how Kovacs and his comic co-conspirators created offbeat characters and situations that subverted expectations and upended the status quo. Most of all, Horton demonstrates that Kovacs grasped the possibility for creating a fresh genre of comedy through the new medium of television—and exploited it to the fullest.

The Comedy Studies Reader

The Comedy Studies Reader
Author: Nick Marx
Publisher: University of Texas Press
Total Pages: 326
Release: 2018-08-01
Genre: Performing Arts
ISBN: 1477316027

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From classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader. This anthology brings together classic articles, more recent works, and original essays that consider a variety of themes and approaches for studying comedic media—the carnivalesque, comedy mechanics and absurdity, psychoanalysis, irony, genre, race and ethnicity, gender and sexuality, and nation and globalization. The authors range from iconic theorists, such as Mikhail Bakhtin, Sigmund Freud, and Linda Hutcheon, to the leading senior and emerging scholars of today. As a whole, the volume traces two parallel trends in the evolution of the field—first, comedy’s development into myriad subgenres, formats, and discourses, a tendency that has led many popular commentators to characterize the present as a “comedy zeitgeist”; and second, comedy studies’ new focus on the ways in which comedy increasingly circulates in “serious” discursive realms, including politics, economics, race, gender, and cultural power.

Popular Television Drama

Popular Television Drama
Author: Jonathan Bignell
Publisher: Manchester University Press
Total Pages: 246
Release: 2005-10-21
Genre: Performing Arts
ISBN: 9780719069338

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This collection of essays examines landmark British television programs of the last forty years, from Doctor Who to The Office, and from The Demon Headmaster to Queer As Folk. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and reconsider how British television drama can be analyzed. This book will be of interest to students and researchers in many academic disciplines that study television drama.

Comic Visions

Comic Visions
Author: David Marc
Publisher:
Total Pages: 262
Release: 1989
Genre: Performing Arts
ISBN:

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Comic Visions by David Marc is the most influential critical history of American television comedy. This Second Edition updates the subject matter and takes into account how new technology, especially cable TV, has affected this popular form of home entertainment.Marc examines the roots of television comedy beginning with the influence of Vaudeville, cinema and radio on the variety shows and sitcoms of the 1940's and 1950's. He then moves into television's response to the turbulent 1960's and the great expansion of situational comedy popular in the 1970's. A completely new chapter looks at recent developments such as Comedy Central and the proliferation of stand-up comedy and also includes an engaging analysis of why shows like Seinfeld and The Simpsons are such major hits in the 1990s.Witty, lucid, and engaging, Marc combines historical research with cultural analysis to provide a study of television comedy that is deeply rooted in the diversity in American society.