Polyphonic Music of the 14th Century:French Secular Music
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Author | : Leo Schrade |
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Total Pages | : 206 |
Release | : 1989 |
Genre | : Instrumental music |
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Author | : Kurt von Fischer |
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Total Pages | : 164 |
Release | : 1981 |
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Author | : Kurt von Fischer |
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Total Pages | : 198 |
Release | : 1982 |
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Author | : Michael Scott Cuthbert |
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Total Pages | : 230 |
Release | : 2016 |
Genre | : Music |
ISBN | : 9781351575782 |
"In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova."--Provided by publisher.
Author | : Ian Bent |
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Total Pages | : 0 |
Release | : 1987 |
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Author | : John L. Nádas |
Publisher | : Routledge |
Total Pages | : 594 |
Release | : 2017-07-05 |
Genre | : History |
ISBN | : 1351575805 |
In the early fourteenth century, musicians in France and later Italy established new traditions of secular and sacred polyphony. This ars nova, or "new art," popularized by theorists such as Philippe de Vitry and Johannes de Muris was the among the first of many later movements to establish the music of the present as a clean break from the past. The rich music of this period, by composers such as Guillaume de Machaut and Francesco Landini, is not only beautiful, but also rewards deep study and analysis. Yet contradictions and gaps abound in the ars nova of the fourteenth and early fifteenth centuries-how do we read this music? how do we perform this music? what was the cultural context of these performances? These problems are well met by the ingenuity of approaches and solutions found by scholars in this volume. The twenty-seven articles brought together reflect the broad methodological and chronological range of scholarly inquiry on the ars nova.
Author | : Kurt von Fischer |
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Total Pages | : 264 |
Release | : 1982 |
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Author | : Ian Bent |
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Total Pages | : 182 |
Release | : 1987 |
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Author | : Mark Everist |
Publisher | : Cambridge University Press |
Total Pages | : |
Release | : 2018-08-09 |
Genre | : Music |
ISBN | : 1108577075 |
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.