Poetry Into Drama
Author | : C. J. Herington |
Publisher | : |
Total Pages | : 292 |
Release | : 1985-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520051003 |
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Author | : C. J. Herington |
Publisher | : |
Total Pages | : 292 |
Release | : 1985-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520051003 |
Author | : Daniel García Ordaz |
Publisher | : |
Total Pages | : 80 |
Release | : 2006-11 |
Genre | : American poetry |
ISBN | : 9780978995416 |
El Zarape Press presents its first collection of poetry by the eclectic Daniel García Ordaz, The Poet Mariachi, "the voice of the Rio Grande Valley" (Texas), an emerging voice in Latino and Hispanic American poetry.You Know What I'm Sayin'? is a celebration of the common experience of language and culture transfiguring time and place and juxtaposing the politics of urban hip-hop America with the lyricism of rural deep South Texas, a retelling of ancient history sung by a contemporary Chicano voice.With an introduction by Fulbright Scholar Dr. Debbie Cole, a linguistic anthropologist.Mainly English; some bilingual (English/Spanish) pieces. This book is being taught at university and high school campuses across the U.S., especially by linguistics professors and those seeking diverse new voices to connect with young Hispanic, Latino, Chicano readers.The first half of the book is very American-experience based; the second half has a more Mexican American experience flavor to it. The middle of the book has a monologue and a "Play On Words" that's meant to be enjoyed read though may be acted out: it's about preconceived notions and about how we hear and perceive communication.
Author | : Ronald Peacock |
Publisher | : |
Total Pages | : 236 |
Release | : 1960 |
Genre | : Drama |
ISBN | : |
Author | : Aristotle |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 82 |
Release | : 2017-03-07 |
Genre | : |
ISBN | : 9781544217574 |
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama - comedy, tragedy, and the satyr play - as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: 1. Differences in music rhythm, harmony, meter and melody. 2. Difference of goodness in the characters. 3. Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles," Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions."
Author | : Andrew Lynch |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 365 |
Release | : 2009-03-26 |
Genre | : Literary Criticism |
ISBN | : 1443808407 |
Renaissance Poetry and Drama in Context is a stimulating refereed collection of new work dedicated to Emeritus Professor Christopher Wortham of The University of Western Australia. The essays provide a rich context for the interdisciplinary study of the English Renaissance, from its medieval antecedents to its modern afterlife on stage and screen. Their up-to-date engagement with many scholarly fields - art and iconography, cartography, cultural and social history, literature, politics, theatre, and film - will ensure that this book makes a valuable contribution to contemporary Renaissance studies, with a special interest for those researching and teaching English literature and drama. The nineteen contributors include distinguished Renaissance scholars such as Ann Blake, Graham Bradshaw, Alan Brissenden, Conal Condren, Joost Daalder, Heather Dubrow, Philippa Kelly, Anthony Miller, Kay Gililand Stevenson, Robert White, and Lawrence Wright. Work on Shakespeare forms the core of this coherent collection. There are also significant essays on Magnificence, Donne, Marlowe, A Yorkshire Tragedy, Jonson, Marvell, the Ferrars of Little Gidding, and female conduct literature. hardbound with dust jacket; xii+353 pp; 18 b/w illustrations.
Author | : Heather L. Fleming |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 138 |
Release | : 2018-09-02 |
Genre | : |
ISBN | : 9781983404009 |
Drama Child: Falling in Rhyme is the 2nd book in Author Heather L. Fleming's three part poetry series. Sample Poem from Falling in Rhyme titled, My Kinda Poetry I'm a-- lying on the couch at night, soft light, warm blanket-- kinda poetry. Tears in bed, the stuff I should of said-- kinda poetry. I'm a soft tug, breathless whisper, hug your heart-- kinda poetry. Lyrically twisted, worded flo-etry, honest soul, in love and unloved-- kinda poetry. H.L.F.
Author | : Sarah Bay-Cheng |
Publisher | : Susquehanna University Press |
Total Pages | : 354 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 1575911280 |
Beginning with Stevens's Three Travelers Watch a Sunrise (1916) as a dynamic introduction to the modernist transformation of poetry into performance, the collection also includes Millay's biting anti-war satire, Aria da Capo (1920) and H.D.'s Hippolytus Temporizes (1927), loosely adapted from the Euripides play. Both plays demonstrate the Greek poets' enduring legacy in modern poetic drama --
Author | : John Dryden |
Publisher | : |
Total Pages | : 120 |
Release | : 1928 |
Genre | : Literary Criticism |
ISBN | : |
A facsimile edition of Dryden's famous essay preceded by a dialogue on poetic drama by T. S. Eliot. This is a very rare work.
Author | : T S (Thomas Stearns) 1888-1 Eliot |
Publisher | : Hassell Street Press |
Total Pages | : 54 |
Release | : 2021-09-09 |
Genre | : |
ISBN | : 9781013995262 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Derek Attridge |
Publisher | : Oxford University Press |
Total Pages | : 432 |
Release | : 2019-01-28 |
Genre | : Literary Criticism |
ISBN | : 0192569589 |
Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of the Homeric epics to the publication of Ben Jonson's Works and the death of Shakespeare in 1616? How did the pleasure afforded by the crafting of language into memorable and moving rhythmic forms play a part in the lives of hearers and readers in Ancient Greece and Rome, Europe during Late Antiquity and the Middle Ages, and Britain during the Renaissance? In tackling these questions, this book first examines the evidence for the performance of the Iliad and the Odyssey and of Ancient Greek lyric poetry, the impact of the invention of writing on Alexandrian verse, the performances of poetry that characterized Ancient Rome, and the private and public venues for poetic experience in Late Antiquity. It moves on to deal with medieval verse, exploring the oral traditions that spread across Europe in the vernacular languages, the place of manuscript transmission, the shift from roll to codex and from papyrus to parchment, and the changing audiences for poetry. A final part investigates the experience of poetry in the English Renaissance, from the manuscript verse of Henry VIII's court to the anthologies and collections of the late Elizabethan era. Among the topics considered in this part are the importance of the printed page, the continuing significance of manuscript circulation, the performance of poetry in pageants and progresses, and the appearance of poets on the Elizabethan stage. In tracking both continuity and change across these many centuries, the book throws fresh light on the role and importance of poetry in western culture.