Platforms and Cultural Production

Platforms and Cultural Production
Author: Thomas Poell
Publisher: John Wiley & Sons
Total Pages: 260
Release: 2021-10-14
Genre: Social Science
ISBN: 1509540520

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The widespread uptake of digital platforms – from YouTube and Instagram to Twitch and TikTok – is reconfiguring cultural production in profound, complex, and highly uneven ways. Longstanding media industries are experiencing tremendous upheaval, while new industrial formations – live-streaming, social media influencing, and podcasting, among others – are evolving at breakneck speed. Poell, Nieborg, and Duffy explore both the processes and the implications of platformization across the cultural industries, identifying key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. The authors foreground three particular industries – news, gaming, and social media creation – and also draw upon examples from music, advertising, and more. Diverse in its geographic scope, Platforms and Cultural Production builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. Offering a novel conceptual framework grounded in illuminating case studies, this book is essential for students, scholars, policymakers, and practitioners seeking to understand how the institutions and practices of cultural production are transforming – and what the stakes are for understanding platform power.

Platforms and Cultural Production

Platforms and Cultural Production
Author: Thomas Poell
Publisher: Polity
Total Pages: 260
Release: 2022-02-14
Genre: Social Science
ISBN: 9781509540518

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The widespread uptake of digital platforms – from YouTube and Instagram to Twitch and TikTok– is reconfiguring cultural production in profound, complex, and highly uneven ways. Longstanding media industries are experiencing tremendous upheaval, while new industrial formations – live-streaming, social media influencing, and podcasting, among others – are evolving at a breakneck pace. Platforms and Cultural Production explores both the processes and implications of platformization across the cultural industries. Poell, Nieborg, and Duffy identify key changes in markets, infrastructures, and governance at play in this ongoing transformation, as well as pivotal shifts in the practices of labor, creativity, and democracy. Though they foreground the implications for three particular industries – news, gaming, and social media creation – the authors also draw upon examples from music, advertising, and more. Diverse in its geographic scope, the book builds on the latest research and accounts from across North America, Western Europe, Southeast Asia, and China to reveal crucial differences and surprising parallels in the trajectories of platformization across the globe. Offering a novel conceptual framework that is grounded in illuminating case studies, this book is essential for students, scholars, policy-makers, and practitioners seeking to understand how the institutions and practices of cultural production are transforming –and what the stakes are for understandings of platform power.

Art Platforms and Cultural Production on the Internet

Art Platforms and Cultural Production on the Internet
Author: Olga Goriunova
Publisher: Routledge
Total Pages: 178
Release: 2012
Genre: Art
ISBN: 0415893100

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In this book, Goriunova offers a critical analysis of the processes that produce digital culture. In order to understand these processes, the author introduces the concept of the art platform, a specific configuration of creative passions, codes, events, individuals and works that are propelled by cultural currents and maintained through digitally native means. Goriunova provides a new means of understanding the development of cultural forms on the Internet, placing the phenomenon of participatory and social networks in a conceptual and historical perspective, and offering powerful tools for researching cultural phenomena overlooked by other approaches.

Artificial Intelligence in Cultural Production

Artificial Intelligence in Cultural Production
Author: Dal Yong Jin
Publisher: Routledge
Total Pages: 162
Release: 2021-05-26
Genre: Language Arts & Disciplines
ISBN: 100038571X

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This book offers an in-depth academic discourse on the convergence of AI, digital platforms, and popular culture, in order to understand the ways in which the platform and cultural industries have reshaped and developed AI-driven algorithmic cultural production and consumption. At a time of fundamental change for the media and cultural industries, driven by the emergence of big data, algorithms, and AI, the book examines how media ecology and popular culture are evolving to serve the needs of both media and cultural industries and consumers. The analysis documents global governments’ rapid development of AI-relevant policies and identifies key policy issues; examines the ways in which cultural industries firms utilize AI and algorithms to advance the new forms of cultural production and distribution; investigates change in cultural consumption by analyzing the ways in which AI, algorithms, and digital platforms reshape people’s consumption habits; and examines whether governments and corporations have advanced reliable public and corporate policies and ethical codes to secure socio-economic equality. Offering a unique perspective on this timely and vital issue, this book will be of interest to scholars and students in media studies, communication studies, anthropology, globalization studies, sociology, cultural studies, Asian studies, and science and technology studies (STS).

Cultural Crowdfunding

Cultural Crowdfunding
Author: Vincent Rouzé
Publisher: University of Westminster Press
Total Pages: 128
Release: 2019-11-29
Genre: Social Science
ISBN: 1912656396

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This new book analyses the strategies, usages and wider implications of crowdsourcing and crowdfunding platforms in the culture and communication industries that are reshaping economic, organizational and social logics. Platforms are the object of considerable hype with a growing global presence. Relying on individual contributions coordinated by social media to finance cultural production (and carry out promotional tasks) is a significant shift, especially when supported by morphing public policies, supposedly enhancing cultural diversity and accessibility. The aim of this book is to propose a critical analysis of these phenomena by questioning what follows from decisions to outsource modes of creation and funding to consumers. Drawing on research carried out within the ‘Collab’ programme backed by the French National Research Agency, the book considers how platforms are used to organize cultural labour and/or to control usages, following a logic of suggestion rather than overt injunction. Four key areas are considered: the history of crowdfunding as a system; whose interests crowdfunding may serve; the implications for digital labour and lastly crowdfunding’s interface with globalization and contemporary capitalism. The book concludes with an assessment of claims that crowdfunding can democratize culture.

The Cultural Industries

The Cultural Industries
Author: David Hesmondhalgh
Publisher: SAGE Publications Limited
Total Pages: 316
Release: 2002-05-24
Genre: Art
ISBN:

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`This is both a smashing textbook and also an impressive contribution to thinking in a range of subjects. This book should influence the way we construct the undergraduate curriculum as well as rethink the polarizaton between political economy and cultural studies′- Frank Webster, City University `A wonderfully clear, insightful and original synthesis of work on the cultural industries, representing the perspectives of the new generation of researchers′ - James Curran, Goldsmiths College, University of London `The Cultural Industries is an indispensable guide to the main forces at work in the production of media today. This lucid, careful, and sophisticated book orders the entire field, for the US as well as Europe, and at one stroke becomes the state of the art, the standard′ - Todd Gitlin, New York University `David Hesmondhalgh offers us a valuable resource and a timely provocation... [A] very well organised and clearly written introduction to this increasingly important area of study. Students and teachers wanting a comprehensive and accessible guide to what we know and where we might be heading will welcome it with open arms... His book deserves to be required reading on every media and cultural studies course′ - Graham Murdock, University of Loughborough ′ The arguments within [this book] provide both a timely overview of current scholarship and offer a unique multidisciplinary approach to the topic in a clear and concise manner′ - TOPIA: Canadian Journal of Cultural Studies What are the ′cultural industries′? What role do they play in contemporary society? How are they changing? The Cultural Industries combines a political economy approach with the best aspects of cultural studies, sociology, communication studies and social theory to provide an overview of the key debates surrounding cultural production. The book: -Considers both the entertainment and the information sectors -Combines analysis of the contemporary scene with a long-range historical perspective -Draws on an range of examples from North America, the United Kingdom, Europe and elsewhere. Hesmondhalgh′s clearly written, thoroughly argued overview of political-economic, organizational, technological and cultural change represents an important intervention in research on cultural production, but at the same time provides students with an accessible, indispensable introduction to the area.

Bastard Culture!

Bastard Culture!
Author: Mirko Tobias Schäfer
Publisher: Amsterdam University Press
Total Pages: 251
Release: 2011
Genre: Performing Arts
ISBN: 9089642560

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The computer and particularly the Internet have been represented as enabling technologies, turning consumers into users and users into producers. The unfolding online cultural production by users has been framed enthusiastically as participatory culture. But while many studies of user activities and the use of the Internet tend to romanticize emerging media practices, this book steps beyond the usual framework and analyzes user participation in the context of accompanying popular and scholarly discourse, as well as the material aspects of design, and their relation to the practices of design and appropriation.

Cultural Production and the Politics of Women’s Work in American Literature and Film

Cultural Production and the Politics of Women’s Work in American Literature and Film
Author: Polina Kroik
Publisher: Routledge
Total Pages: 198
Release: 2019-01-21
Genre: Social Science
ISBN: 0429830394

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Cultural Production and the Politics of Women’s Work in American Literature and Film emphasizes the interrelation among women’s workplace roles, modes of authorship, and processes of subject-formation, pointing to some of the reasons for the persistence of limiting gender roles and occupational hierarchies that arose during the first 60 years of the 20th century. The book interrogates three common narratives: The rise of Fordism as a "masculine" mode of production and the transition to an era of "feminized" work; women’s liberation through the sexual revolutions; and the rise of a new form of literary authorship. Conversely, it suggests that women’s labor was integral to the operations of the Fordist business sphere, where, unlike at the factory, the white-collar office proletarian work was casualized and feminized. This book argues that this workplace was an important site of subject formation, affirming dominant ideologies through economic practices. Analyzing work by Sinclair Lewis, Nella Larsen, Anita Loos, and Sylvia Plath, the book presents an alternative history of American modernism, one that is more attuned to gendered discourses of labor and class. By looking at the micropolitics of power within cultural institutions, this study moves beyond the dichotomies of exclusion/inclusion to interrogate the terms on which women and minorities worked as producers, and the ideas and experiences that consequently entered the field of intelligibility.

The Platform Society

The Platform Society
Author: José van Dijck
Publisher: Oxford University Press
Total Pages: 400
Release: 2018-10-02
Genre: Social Science
ISBN: 0190889799

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Individuals all over the world can use Airbnb to rent an apartment in a foreign city, check Coursera to find a course on statistics, join PatientsLikeMe to exchange information about one's disease, hail a cab using Uber, or read the news through Facebook's Instant Articles. The promise of connective platforms is that they offer personalized services and contribute to innovation and economic growth, while bypassing cumbersome institutional or industrial overhead. In The Platform Society, Van Dijck, Poell and De Waal offer a comprehensive analysis of a connective world where platforms have penetrated the heart of societies-disrupting markets and labor relations, circumventing institutions, transforming social and civic practices and affecting democratic processes. This book questions what role online platforms play in the organization of Western societies. First, how do platform mechanisms work and to what effect are they deployed? Second, how can platforms incorporate public values and benefit the public good? The Platform Society analyzes intense struggles between competing ideological systems and contesting societal actors-market, government and civil society-raising the issue of who is or should be responsible for anchoring public values and the common good in a platform society. Public values include of course privacy, accuracy, safety, and security, but they also pertain to broader societal effects, such as fairness, accessibility, democratic control, and accountability. Such values are the very stakes in the struggle over the platformization of societies around the globe. The Platform Society highlights how this struggle plays out in four private and public sectors: news, urban transport, health, and education. Each struggle highlights local dimensions, for instance fights over regulation between individual platforms and city governments, but also addresses the level of the platform ecosystem as well as the geopolitical level where power clashes between global markets and (supra-)national governments take place.

Reviewing Culture Online

Reviewing Culture Online
Author: Maarit Jaakkola
Publisher: Springer Nature
Total Pages: 249
Release: 2021-12-02
Genre: Language Arts & Disciplines
ISBN: 3030848485

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This book examines how ordinary users review cultural products online, ranging from books to films and other art objects to consumer products. The book maps different communities—in institutional and non-institutional settings—which intersect with the genre of review, especially in the social web where reviewing is conducted on platforms such as Instagram, YouTube and Vimeo. The book, drawing on the key concepts of cultural intermediation, platformized cultural production and post-professionalism, looks at user-generated content in lifestyle communities beyond the binary of professional and amateur production.