Nouvelles Suites de Pieces de Clavecin
Author | : Jean Philippe Rameau |
Publisher | : Alan R. Liss |
Total Pages | : 0 |
Release | : 1967 |
Genre | : |
ISBN | : 9780845020135 |
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Author | : Jean Philippe Rameau |
Publisher | : Alan R. Liss |
Total Pages | : 0 |
Release | : 1967 |
Genre | : |
ISBN | : 9780845020135 |
Author | : François Couperin |
Publisher | : |
Total Pages | : 90 |
Release | : 1974 |
Genre | : Harpsichord |
ISBN | : |
Author | : Margaret Seares |
Publisher | : Routledge |
Total Pages | : 135 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351561618 |
A prolific music theorist and critic as well as an established composer, Johannes Mattheson remains surprisingly understudied. In this important study, Margaret Seares places Mattheson‘s Pi‘s de clavecin (1714) in the context of his work as a public intellectual who encouraged German musicians and their musical public to eschew what he saw as the hidebound traditions of the past, and instead embrace a universalism of style and expression derived from contemporary currents in music of the leading European nations. Beginning with the early non-musical writings by Mattheson, Seares places them in the context of the cosmopolitan city-state of Hamburg, before moving to a detailed study of his first major musical treatise Das neu-er ffnete Orchestre of 1713, in which he espoused his views about the musics of the past and present and, in particular, the characteristics of the musics of Germany, Italy, France and England. This latter section of the treatise, Part III, is edited and translated into English in the book's appendix - the first such translation available. Seares then moves on to an evaluation of the Pi‘s de clavecin as a work in which Mattheson reflects in musical terms the themes of modernism (in the sense ofa mode) and universalism that are such a strong part of his writings of the period, and a work that represents an important precursor for the keyboard suites of Johann Sebastian Bach and Georg Frideric Handel.
Author | : François Couperin |
Publisher | : Courier Corporation |
Total Pages | : 258 |
Release | : 1988-01-01 |
Genre | : Music |
ISBN | : 0486257959 |
Part One of the famous Augener edition, prepared by Johannes Brahms and Friedrich Chrysander, presents 27of the French composer's keyboard suites. A rich source of captivating music for keyboardists at every level of expertise, this volume includes the Allemande and 8 Preludes from Couperin's harpsichord treatise, L'Art de Toucher le Clavecin.
Author | : Georg Joseph Vogler |
Publisher | : A-R Editions, Inc. |
Total Pages | : 138 |
Release | : 1986-01-01 |
Genre | : Harpsichord music |
ISBN | : 0895792095 |
Author | : François Couperin |
Publisher | : |
Total Pages | : |
Release | : 1970 |
Genre | : Harpsichord music |
ISBN | : |
Author | : Francois Couperin |
Publisher | : Courier Corporation |
Total Pages | : 257 |
Release | : 2013-09-29 |
Genre | : Music |
ISBN | : 0486171825 |
Series II of excellent reprint of Augener edition edited by Brahms and Chrysander contains Ordes 14-27 plus 8 Preludes and Allemande from L'Art de toucher le Clavecin.
Author | : Johann Mattheson |
Publisher | : |
Total Pages | : |
Release | : 1965-01-01 |
Genre | : |
ISBN | : 9780845020050 |
Author | : Francesco Geminiani |
Publisher | : |
Total Pages | : 52 |
Release | : 2005 |
Genre | : Harpsichord music, Arranged |
ISBN | : |
Author | : |
Publisher | : Music Sales |
Total Pages | : 0 |
Release | : 1992-03 |
Genre | : |
ISBN | : 9788759853573 |
(Music Sales America). The French Suites were written in 1722. But it was not until Bach biographer Johann Forkel prepared an edition in the early nineteenth century that the pieces became known by the collective title French . It is true that Bach gave each of the dance movements a French title, but it was Forkel who declared that they were 'written in the French taste, with an emphasis on tunefulness and consonant harmony rather than German structure and counterpoint'.