Pictures and the Picturegoer, Vol. 5

Pictures and the Picturegoer, Vol. 5
Author: Odhams Press
Publisher: Forgotten Books
Total Pages: 796
Release: 2017-05-19
Genre:
ISBN: 9780259549758

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Excerpt from Pictures and the Picturegoer, Vol. 5: The Screen Magazine; January, 1923 Every screen-struck girl who has Visions of leading the life of a movie star should read this enthralling Behind the Screen article of life in a kinema city. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Pictures and the Picturegoer, Vol. 9

Pictures and the Picturegoer, Vol. 9
Author: Fred Dangerfield
Publisher: Forgotten Books
Total Pages: 730
Release: 2018-01-09
Genre:
ISBN: 9780428146948

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Excerpt from Pictures and the Picturegoer, Vol. 9: The Picture Theatre Weekly Magazine; October, 1915 to March, 1916 A Select Circle confined to people who have not seen Charlie has been formed. The members, says the Cinema. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Pictures and the Picturegoer, 1924, Vol. 7

Pictures and the Picturegoer, 1924, Vol. 7
Author:
Publisher: Forgotten Books
Total Pages: 808
Release: 2017-02-07
Genre:
ISBN: 9780243309283

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Excerpt from Pictures and the Picturegoer, 1924, Vol. 7: The Screen Magazine Anyone born upon March 4 has his character formed by Uranus, which would render him rather changeable in ideas and actions. This very changeability, however, makes for extreme progressiveness in all matters. Any forlorn hope which requires new ideas will be the better for the counsel of a Uranus subject, as his creative thoughts are prolific. Health of the March 4 born is also apt to vary, as one day an Uranus subject will be {rightfully ill and the next as well as ever. Quick recoveries are invariably the rule. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Pictures and Picturegoer

Pictures and Picturegoer
Author:
Publisher:
Total Pages: 648
Release: 1918
Genre: Motion picture audiences
ISBN:

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Pictures and the Picturegoer, Vol. 8

Pictures and the Picturegoer, Vol. 8
Author: Fred Dangerfield
Publisher: Forgotten Books
Total Pages: 514
Release: 2017-10-21
Genre:
ISBN: 9780265572924

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Excerpt from Pictures and the Picturegoer, Vol. 8: The Picture Theatre Weekly Magazine; April to September, 1915 America on the Film, 153 American Cinema Through British Eyes, The, 59 America's Greatest Dance Exponent Suc cumbs to Pictures, 30 Big Themes for Photo-plays, 132 Britain's Greatest Film-players, 247 Chat with Keystone Fatty, A, 313 Creator of Colonel Heeza Liar 96 Deep -sea Moving Pictures, 170 Does Photo-p lay Writing Pay 316 Famous Artiste Helps Belgians, 112 For King and Country, 419 German Films ln England, 451 Girl on the Film, The, 434 Gold Medal Player, a, a 91 Heroine of romance, a 268 How It Is Done, 370 How to Write a Picture-play, 474 Eggs Would You Like to Play to Pictures, Idol of the Picture World, The, 468 Irreg ulars of Filmdom, The, 311 J 111s5t4about Myself, by Harold Lockwood, Just About My self, by Stewart Rome, 371 moving-pictures Mysteries, 254 My Old Dutch in the Making, 219 Neptune's Daughter, 25 On pand Off the Screen, 43, 75, 111, 193, 314, 397, 459 Peer Gy nt in the Making, 356 People in the Pictures, 60, 156, 179, 232, 294, 352, 376 ggclztures Chat with Grace Cunard, A. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Pictures and the Picturegoer

Pictures and the Picturegoer
Author: Odhams Press
Publisher: Forgotten Books
Total Pages: 856
Release: 2018-02-12
Genre:
ISBN: 9780656383160

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Excerpt from Pictures and the Picturegoer: The Screen Magazine; Vol. 9-10; January-December, 1925 17013 - Dr. N. Writes: I am prescribing the tablets regularly. Please send a box to my brother (invoice to me) as I want him to take the treatment. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Transition and Transformation

Transition and Transformation
Author: Bo Florin
Publisher: Amsterdam University Press
Total Pages: 163
Release: 2012-12-24
Genre: Art
ISBN: 9089645047

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Victor Sjöström (1879-1960), or Victor Seastrom as he was known during his Hollywood career, was undoubtedly one of the most renowned silent film directors. Focusing on his masterpieces such as 'The Scarlet Letter' and 'The Wind', but also including films he had made in Sweden before moving to Hollywood, as well as film fragments and films considered lost, Florin analyses Sjöström's austere and naturalistic style and the transformations it underwent during his Hollywood years.

Early American Cinema

Early American Cinema
Author: Anthony Slide
Publisher: Scarecrow Press
Total Pages: 316
Release: 1994
Genre: Drama
ISBN: 9780810827226

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Provides a concise history of the American motion picture industry before 1920.

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929

Silent Film Adaptations of Novels by British and American Women Writers, 1903-1929
Author: Jamie Barlowe
Publisher: Taylor & Francis
Total Pages: 166
Release: 2024-08-08
Genre: Fiction
ISBN: 1040100805

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Silent Film Adaptations of Novels by British and American Women Writers, 1903–1929 focuses on fifty-three silent film adaptations of the novels of acclaimed authors George Eliot, Charlotte Brontë, Emily Brontë, Mary Shelley, Louisa May Alcott, Harriet Beecher Stowe, Willa Cather, and Edith Wharton. Many of the films are unknown or dismissed, and most of them are degraded, destroyed, or lost—burned in warehouse fires, spontaneously combusted in storage cans, or quietly turned to dust. Their content and production and distribution details are reconstructed through archival resources as individual narratives that, when considered collectively, constitute a broader narrative of lost knowledge—a fragmented and buried early twentieth-century story now reclaimed and retold for the first time to a twenty-first-century audience. This collective narrative also demonstrates the extent to which the adaptations are intertextually and ideologically entangled with concurrently released early “woman’s films” to re-promote and re-instill the norm of idealized white, married, domesticated womanhood during a time of extraordinary cultural change for women. Retelling this lost narrative also allows for a reassessment of the place and function of the adaptations in the development of the silent film industry and as cinematic precedent for the hundreds of sound adaptations of the literary texts of these eight women writers produced from 1931 to the 2020s.

Colour Films in Britain

Colour Films in Britain
Author: Sarah Street
Publisher: Bloomsbury Publishing
Total Pages: 320
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838715150

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How did the coming of colour change the British film industry? Unlike sound, the arrival of colour did not revolutionise the industry overnight. For British film-makers and enthusiasts, colour was a controversial topic. While it was greeted by some as an exciting development – with scope for developing a uniquely British aesthetic – others were deeply concerned. How would audiences accustomed to seeing black-and-white films – which were commonly regarded as being superior to their garish colour counterparts – react? Yet despite this initial trepidation, colour captivated many British inventors and film-makers. Using different colour processes, these innovators produced films that demonstrated remarkable experimentation and quality. Sarah Street's illuminating study is the first to trace the history of colour in British cinema, and analyses the use of colour in a range of films, both fiction and non-fiction, including The Open Road, The Glorious Adventure, This is Colour, Blithe Spirit, This Happy Breed, Black Narcissus, The Red Shoes, The Tales of Hoffmann and Moulin Rouge. Beautifully illustrated with full colour film stills, this important study provides fascinating insights into the complex process whereby the challenges and opportunities of new technologies are negotiated within creative practice. The book also includes a Technical Appendix by Simon Brown (Kingston University, UK), which provides further details of the range of colour processes used by British film-makers.