Piano Magic Method
Author | : Mark Adams |
Publisher | : Linus Learning |
Total Pages | : |
Release | : |
Genre | : Music |
ISBN | : 1607979292 |
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Author | : Mark Adams |
Publisher | : Linus Learning |
Total Pages | : |
Release | : |
Genre | : Music |
ISBN | : 1607979292 |
Author | : E. L. Lancaster |
Publisher | : Alfred Music |
Total Pages | : 52 |
Release | : |
Genre | : Music |
ISBN | : 9781457410246 |
This series answers the often-expressed need for a variety of supplementary material in many different popular styles. What could be more fun for an adult than to play the music that everybody knows and loves? When the books in the Greatest Hits series are assigned in conjunction with the Lesson Books, these appealing pieces reinforce new concepts as they are introduced. In addition, the motivation the music provides could not be better. The emotional satisfaction students receive from mastering each popular song increases their enthusiasm to begin the next one. With the popular music available in the Greatest Hits series (Levels 1 and 2), the use of both books will significantly increase every adult's interest in piano study. Two selections from this book are featured on the Royal Conservatory of Music Popular Selection List (2007 Ed.): * The Rainbow Connection * Nadia's Theme
Author | : Willard A. Palmer |
Publisher | : |
Total Pages | : |
Release | : 1982 |
Genre | : Piano |
ISBN | : |
Author | : Jennifer Eklund |
Publisher | : |
Total Pages | : |
Release | : 2016-11 |
Genre | : |
ISBN | : 9781942751755 |
Author | : Nancy Faber |
Publisher | : Hal Leonard Corporation |
Total Pages | : 80 |
Release | : 2016-03-01 |
Genre | : Music |
ISBN | : 1616779152 |
(Faber Piano Adventures ). Adult Piano Adventures Classics Book 1 celebrates great masterworks of Western music, including symphony themes, opera gems, and classical favorites. The melodies of Bach, Beethoven, Brahms, and other master composers are arranged at just the right level for adult beginners and for those who are returning to the keyboard. Section 1 features piano arrangements with minimal hand position changes, and many selections include an optional duet part. Section 2 introduces the I, IV, and V7 chords in the key of C major, harmonizing themes such as Sibelius's Finlandia, Schubert's The Trout, and Mendelssohn's Spring Song. Section 3 presents the primary chords in the key of G major, with arrangements of Vivaldi's Autumn (from The Four Seasons), Mozart's theme from The Magic Flute, Lizst's Liebestraum, and more.
Author | : Martha Mier |
Publisher | : Alfred Music |
Total Pages | : 28 |
Release | : 2007-02-06 |
Genre | : Music |
ISBN | : 9781457426650 |
These short, musical sketches written in a Romantic style by famed composer Martha Mier will encourage students to play with nuance and sensitivity. Titles: * Elegant Waltz * Elizabeth's Ballad * An Evening in Paris * Graceful Ballet * Interlude * The Magic Garden * Prelude in D Major * Romance * Song of Peace * Young at Heart
Author | : Daisy Meadows |
Publisher | : Scholastic Inc. |
Total Pages | : 82 |
Release | : 2008 |
Genre | : Juvenile Fiction |
ISBN | : 0545106249 |
The Music Fairies need Rachel and Kirsty's help! Jack Frost and his goblins have stolen the fairies' magic musical instruments. They're going to use them to win a national talent contest! But this time, the stakes are higher than ever. If Jack Frost wins the contest, everyone in the human world could find out about Fairyland. Can the girls track down the instruments and help protect their fairy friends?Poppy the Piano Fairy's magic instrument is in a music store, protected by nasty goblins. How will Rachel and Kirsty get it back without being spotted?
Author | : Charles Rosen |
Publisher | : Simon and Schuster |
Total Pages | : 262 |
Release | : 2002-10-29 |
Genre | : Music |
ISBN | : 1439135223 |
Charles Rosen is one of the world's most talented pianists -- and one of music's most astute commentators. Known as a performer of Bach, Beethoven, Stravinsky, and Elliott Carter, he has also written highly acclaimed criticism for sophisticated students and professionals. In Piano Notes, he writes for a broader audience about an old friend -- the piano itself. Drawing upon a lifetime of wisdom and the accumulated lore of many great performers of the past, Rosen shows why the instrument demands such a stark combination of mental and physical prowess. Readers will gather many little-known insights -- from how pianists vary their posture, to how splicings and microphone placements can ruin recordings, to how the history of composition was dominated by the piano for two centuries. Stories of many great musicians abound. Rosen reveals Nadia Boulanger's favorite way to avoid commenting on the performances of her friends ("You know what I think," spoken with utmost earnestness), why Glenn Gould's recordings suffer from "double-strike" touches, and how even Vladimir Horowitz became enamored of splicing multiple performances into a single recording. Rosen's explanation of the piano's physical pleasures, demands, and discontents will delight and instruct anyone who has ever sat at a keyboard, as well as everyone who loves to listen to the instrument. In the end, he strikes a contemplative note. Western music was built around the piano from the classical era until recently, and for a good part of that time the instrument was an essential acquisition for every middle-class household. Music making was part of the fabric of social life. Yet those days have ended. Fewer people learn the instrument today. The rise of recorded music has homogenized performance styles and greatly reduced the frequency of public concerts. Music will undoubtedly survive, but will the supremely physical experience of playing the piano ever be the same?
Author | : Lucia Timkova |
Publisher | : CreateSpace |
Total Pages | : 50 |
Release | : 2013-06-06 |
Genre | : Music |
ISBN | : 9781490375946 |
This method provides solid training for beginners, from the youngest to the oldest, using easy ways to make quick progress without difficulties in understanding. To help with the teaching process, many colored pictures and graphics use the student's visual memory to get a strong and secure grasp of the basics uses. Students gain an understanding of the basic important theory using many coloured pictures to prompt their visual memory to help them understand and use it in their exercises in practice songs and to practice/test it in the workbook.Note-reading skills. The students are to say the names of the notes aloud and count them while they play the exercises on the piano. This makes students realize what notes they are playing, which is not easy. They don't learn it by memorising using the finger guide or by memorising the melody. Rather, they have to know the exact note names. They read notes from the very start.Each finger or a new note is individually and strongly developed using a lot of exercises for particular subjects from the beginning with a graduated, consistent method. Another strength is the introduction of ensemble playing from the very beginning. Beginner students have to play each exercise three times: say letter names while they play, count while they play, and play with a teacher. This is important for the teacher to help guide the student and to make sure that students understand the individual notes and already know how to play each exercise before they go home. When the students can read music, performing becomes a joy rather than a dreaded experience. In the workbook, which is included for each level you are going to confirm the notes and the theory/terminology you have learned during the lesson in three steps, which should be done in each lesson. Writing the notes, finding the notes on the staff/stave in different orders and playing the game "Noughts and Crosses" where students are drawing and explaining the symbols to help them remember it.After students have completed books A/B for four year olds, 1A/1B and 2A/2B, they are competent in music terminology and sight reading. They have a solid enough understanding to begin studying books of other composers; Classical or Christmas books at that particular level. Magic Piano book 1A begins by reviewing the same concepts taught in Magic Piano A/B for four year olds and also introduces new concepts for the left hand, with progression to book 1B. Using CD http: //www.amazon.com/Magic-piano-book-Lucia-Timkova/dp/B00N37Q0VU/ref=sr_1_1?ie=UTF8&qid=1420202341&sr=8-1&keywords=Magic+piano+book+accompaniments+A-B+Lucia+timkova you can simulate the use of a metronome, and in a fun environment, train for use of a metronome, and have you, or your student play along with nice background music to the theme of the song! Definitely worth it when used with the designed book.
Author | : Catherine Guichard |
Publisher | : Algora Publishing |
Total Pages | : 238 |
Release | : 2004 |
Genre | : Biography & Autobiography |
ISBN | : 0875863078 |
Annotation. Admired by Liszt, Saint Sa ns and Paul Val ry, Marie Ja ll was at the center of a revolution in musical pedagogy. As a brilliant pianist, she was the first to interpret all of Liszt. At the apogee of her famous career, she quit concert performing and threw herself into mastering the piano in a scientific way by applying rigorous methodology. She reinvented herself as a scientist. What seemed before to be a matter of individual luck and "good days" in playing piano, she turned into a subject of formal mental training. She documented how one can draw forth crystalline sounds from the piano on a conscious basis. While talent remains a powerful ingredient in the art of music, it could now be enhanced by a as powerful methodology. Marie Ja ll's analytical breakthroughs have helped pianists perfect their touch, drawing forth more beautiful musical sonority.