Photomontages of the Nazi Period
Author | : John Heartfield |
Publisher | : |
Total Pages | : 158 |
Release | : 1977 |
Genre | : German wit and humor, Pictorial |
ISBN | : |
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Author | : John Heartfield |
Publisher | : |
Total Pages | : 158 |
Release | : 1977 |
Genre | : German wit and humor, Pictorial |
ISBN | : |
Author | : John Heartfield |
Publisher | : |
Total Pages | : 152 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : John Heartfield |
Publisher | : |
Total Pages | : 148 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : John Willett |
Publisher | : Hazan |
Total Pages | : 0 |
Release | : 1997 |
Genre | : Art |
ISBN | : 9782850255366 |
"Born in Berlin in 1891, John Heartfield grew up in Germany during the formative years of the main modern movements: Expressionism, Cubism, Futurism, each of which contributed recognisably to the photomontages for which he would become famous. Sharply critical of the Weimar Republic in which he flourished, in Germany his work was banned for the duration of Hitler's Third Reich. In London, where he lived as an anti-Fascist exile throughout the Second World War, he remained an outsider till after his return to East Germany in 1950, It is only since the 1970s that he has become a European, if not a world figure."--Cover
Author | : Michael Tymkiw |
Publisher | : U of Minnesota Press |
Total Pages | : 394 |
Release | : 2018-05-29 |
Genre | : Art |
ISBN | : 1452956774 |
A new and challenging perspective on Nazi exhibition design In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change. For historians of art, architecture, performance, and other forms of visual culture, Nazi Exhibition Design and Modernism unravels long-held assumptions, particularly concerning the ideological stakes of participation.
Author | : Andrés Mario Zervigón |
Publisher | : University of Chicago Press |
Total Pages | : 330 |
Release | : 2012-12-01 |
Genre | : Art |
ISBN | : 0226981789 |
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891–1968) developed an innovative method of appropriating and reusing photographs to powerful political effect. As a pioneer of modern photomontage, he sliced up mass media photos with his iconic scissors and then reassembled the fragments into compositions that utterly transformed the meaning of the originals. In John Heartfield and the Agitated Image, Andrés Mario Zervigón explores this crucial period in the life and work of a brilliant, radical artist whose desire to disclose the truth obscured by the mainstream press and imperial propaganda made him a de facto prosecutor of Germany’s visual culture. Zervigón charts the evolution of Heartfield’s photomontage from an act of antiwar resistance into a formalized and widely disseminated political art in the Weimar Republic. Appearing on everything from campaign posters to book covers, the photomonteur’s notorious pictures challenged well-worn assumption and correspondingly walked a dangerous tightrope over the political, social, and cultural cauldron that was interwar Germany. Zervigón explains how Heartfield’s engagement with montage arose from a broadly-shared dissatisfaction with photography’s capacity to represent the modern world. The result was likely the most important combination of avant-garde art and politics in the twentieth century. A rare look at Heartfield’s early and middle years as an artist and designer, this book provides a new understanding of photography’s role at this critical juncture in history.
Author | : John Heartfield |
Publisher | : |
Total Pages | : 4 |
Release | : 1986 |
Genre | : Photomontage |
ISBN | : |
Author | : Christopher Webster |
Publisher | : Open Book Publishers |
Total Pages | : 290 |
Release | : 2021-01-07 |
Genre | : Social Science |
ISBN | : 1783749172 |
This lucid and comprehensive collection of essays by an international group of scholars constitutes a photo-historical survey of select photographers who embraced National Socialism during the Third Reich. These photographers developed and implemented physiognomic and ethnographic photography, and, through a Selbstgleichschaltung (a self-co-ordination with the regime), continued to practice as photographers throughout the twelve years of the Third Reich. The volume explores, through photographic reproductions and accompanying analysis, diverse aspects of photography during the Third Reich, ranging from the influence of Modernism, the qualitative effect of propaganda photography, and the utilisation of technology such as colour film, to the photograph as ideological metaphor. With an emphasis on the idealised representation of the German body and the role of physiognomy within this representation, the book examines how select photographers created and developed a visual myth of the ‘master race’ and its antitheses under the auspices of the Nationalist Socialist state. Photography in the Third Reich approaches its historical source photographs as material culture, examining their production, construction and proliferation. This detailed and informative text will be a valuable resource not only to historians studying the Third Reich, but to scholars and students of film, history of art, politics, media studies, cultural studies and holocaust studies.
Author | : Angela Lammert |
Publisher | : Hirmer Verlag GmbH |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Photographers |
ISBN | : 9783777434438 |
The political collages of John Heartfield (1891-1968) have earned him a reputation as one of the most innovative graphic artists of the Weimar Republic. His photomontages and book covers based on collages which had their origins in Berlin's Dada scene were directed against Fascism and made him internationally famous. Their explosive power has lost none of its impact. Heartfield was a sharp and uncompromising observer who subverted the documentary character of the press photograph. He employed his art as political propaganda, and fought against war and Fascism with gripping pictures and trenchant humour. This catalogue will include not only the working materials which reveal Heartfield's method but also his trick films, work for the theatre and book design. The original art-works and documents all derive from his personal estate in Berlin. Statements by contemporary artists formulate positions and pose questions, which Heartfield's work raises in the age of fake news. Exhibition: Akademie der Künste, Berlin, Germany (21.03. - 21.06.2020) / Museum de Fundatie, Zwolle, The Netherlands (27.09.2020 - 03.01.2021) / Royal Academy of Arts, London, UK (27.06. - 26.09.2021).
Author | : Hannah Höch |
Publisher | : |
Total Pages | : 238 |
Release | : 1996 |
Genre | : Photography |
ISBN | : |
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.