Photography After Conceptual Art
Author | : Diarmuid Costello |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : |
ISBN | : |
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Author | : Diarmuid Costello |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : |
ISBN | : |
Author | : Daniel Palmer |
Publisher | : Routledge |
Total Pages | : 232 |
Release | : 2020-09-14 |
Genre | : Art |
ISBN | : 1000211428 |
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Author | : Mark Benjamin Godfrey |
Publisher | : |
Total Pages | : 270 |
Release | : 2011 |
Genre | : Art |
ISBN | : |
Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
Author | : Alexander Alberro |
Publisher | : MIT Press |
Total Pages | : 248 |
Release | : 2006-10-27 |
Genre | : Art |
ISBN | : |
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art. Distributed for the Generali Foundation, Vienna.
Author | : John Roberts |
Publisher | : |
Total Pages | : 182 |
Release | : 1997 |
Genre | : Art and photography |
ISBN | : |
The Impossible Document Conceptual Art is currently under widespread re-evaluation. Since 1990 there have a number of major exhibitions and publications dealing with its legacy. However what distinguishes this publications is its primary focus on photography. Although photography went largely untheorises in the late sixties and early seventies its impact on coneptualism's development and crisis was central .
Author | : Andy Grundberg |
Publisher | : Yale University Press |
Total Pages | : 554 |
Release | : 2021-02-23 |
Genre | : Photography |
ISBN | : 0300259891 |
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
Author | : David Campany |
Publisher | : Phaidon Press |
Total Pages | : 220 |
Release | : 2012-04-02 |
Genre | : Art |
ISBN | : 9780714863924 |
The first major survey of photography's place in recent art history.
Author | : Lucy Soutter |
Publisher | : Routledge |
Total Pages | : 197 |
Release | : 2018-01-17 |
Genre | : Art |
ISBN | : 1351982575 |
The second edition of Why Art Photography? is an updated, expanded introduction to the ideas behind today’s striking photographic images. Lively, accessible discussions of key issues such as ambiguity, objectivity, fiction, authenticity, and photography’s expanding field are supplemented with new material around timely topics such as globalization, selfie culture, and photographers’ use of advanced digital technologies, including CGI and virtual reality. The new edition includes: an expanded introduction extended chapters featuring emerging trends a larger selection of images, including new color images an improved and expanded bibliography This new edition is essential for students looking to enrich their understanding of photography as a complex and multi-faceted art form.
Author | : Sol LeWitt |
Publisher | : |
Total Pages | : 142 |
Release | : 1980 |
Genre | : Art and photography |
ISBN | : |
Author | : Carol Squiers |
Publisher | : Prestel Publishing |
Total Pages | : 264 |
Release | : 2013 |
Genre | : Conceptual art |
ISBN | : |
Organized by ICP Curator Carol Squiers, 'What Is a Photograph?' will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself - from the role of light, color, composition, to materiality and the subject. 'What Is a Photograph?' brings together these artists, who reinvented photography.