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| Author | : |
| Publisher | : |
| Total Pages | : 634 |
| Release | : 2002 |
| Genre | : Missions |
| ISBN | : |
Issue for Jan./Apr. 1979 called Special issue; consists of official proceedings of the International Colloquium on Contextual Theology.
| Author | : |
| Publisher | : Rex Bookstore, Inc. |
| Total Pages | : 346 |
| Release | : |
| Genre | : |
| ISBN | : 9789712313356 |
| Author | : |
| Publisher | : |
| Total Pages | : 706 |
| Release | : 2010 |
| Genre | : Philippine periodicals |
| ISBN | : |
| Author | : John Newsome Crossley |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2016-03-22 |
| Genre | : History |
| ISBN | : 131703645X |
Building upon Dr Crossley's 2011 book ('Hernando de los Ríos Coronel and the Spanish Philippines in the Golden Age') this new work further expands our understanding of the Spanish Philippines by looking at Gómez Pérez Dasmariñas and his son Luis, successive governors from 1589. Drawing upon a rich selection of documents from the official Spanish archives (principally the Archivo General de Indias, Seville) and earlier histories, the book also utilizes an unpublished 628 page manuscript in the Lilly Library at Indiana University to provide many details not available elsewhere. In so doing the book reveals the complex situation that existed in the Philippines and how the two governors (and the people around them) threw out, and responded to, challenges from a variety of different cultures. Born into a rich family in north-western Spain about 1539, Gómez Pérez Dasmariñas had a distinguished career in Spain before being selected in 1588, to become the new governor of the Philippines. A devout Christian intent on converting the new country in which he found himself, Dasmariñas epitomised the Spanish state's increasing emphasis on its missionary role. He departed Spain with clear instructions from the king, which had been drawn up in response to requests from the Philippines, asking for a better governor and one of higher moral standards than they had previously enjoyed. From the evidence found in his sources, John Newsome Crossley argues that Dasmariñas largely measured up to these requirements. Killed in an attempt to capture the fort at Ternate in the Moluccas in 1593, Gómez Pérez Dasmariñas was succeeded by his son Luis. After being replaced himself as governor in 1596, Luis remained in the Philippines until his death in the Chinese rebellion of 1603 in Manila. In revealing the story of the two Dasmariñas governors, this book further illuminates the history of the Spanish Philippines and its relationship both with the wider Spanish empire, and the regional powers including China, Japan, Siam and Cambodia.
| Author | : Virgil Mayor Apostol |
| Publisher | : North Atlantic Books |
| Total Pages | : 369 |
| Release | : 2012-06-12 |
| Genre | : Body, Mind & Spirit |
| ISBN | : 1583945970 |
The first-ever comprehensive introduction to traditional Filipino healing practices—featuring rare photographs and insights into the roots and modern-day rituals of this ancient shamanic and spiritual belief system. “. . . brilliantly blends the art and science of the sacred teachings of Filipino traditional healing to help people find their path toward health and happiness.” —Deepak Chopra Way of the Ancient Healer provides an overview of the rich tradition of Filipino healing practices, discussing their origins, world influences, and role in daily life. Enhanced with over 200 photographs and illustrations, the book combines years of historical research with detailed descriptions of the spiritual belief system that forms the foundation of these practices. Giving readers a rare look at modern-day Filipino healing rituals, the book also includes personal examples from author Virgil Mayor Apostol’s own experiences with shamanic healing and dream interpretation. The book begins with an explanation of Apostol’s Filipino lineage and legacy as a healer. After a brief history of the Philippine archipelago, he describes the roots of traditional Filipino healing and spirituality, and discusses the Indian, Islamic, Chinese, Japanese, Spanish, and American influences that have impacted the Filipino culture. He presents a thorough description of Filipino shamanic and spiritual practices that have developed from the concept that everything in nature contains a spirit (animism) and that living in the presence of spirits demands certain protocols and rituals for interacting with them. The book’s final chapter thoughtfully explores the spiritual tools used in Filipino healing–talismans, amulets, stones, and other natural symbols of power.
| Author | : Ines G. Zupanov |
| Publisher | : Oxford University Press |
| Total Pages | : |
| Release | : 2019-05-15 |
| Genre | : |
| ISBN | : 0190924985 |
Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.
| Author | : D. R. M. Irving |
| Publisher | : Oxford University Press |
| Total Pages | : 409 |
| Release | : 2010-06-03 |
| Genre | : Music |
| ISBN | : 0199703019 |
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.
| Author | : Christine Beaule |
| Publisher | : University of Arizona Press |
| Total Pages | : 320 |
| Release | : 2020-04-21 |
| Genre | : Social Science |
| ISBN | : 0816540845 |
The Spanish Empire was a complex web of places and peoples. Through an expansive range of essays that look at Africa, the Americas, Asia, the Caribbean, and the Pacific, this volume brings a broad range of regions into conversation. The contributors focus on nuanced, comparative exploration of the processes and practices of creating, maintaining, and transforming cultural place making within pluralistic Spanish colonial communities. The Global Spanish Empire argues that patterned variability is necessary in reconstructing Indigenous cultural persistence in colonial settings. The volume’s eleven case studies include regions often neglected in the archaeology of Spanish colonialism. The time span under investigation is extensive as well, transcending the entirety of the Spanish Empire, from early impacts in West Africa to Texas during the 1800s. The contributors examine the making of a social place within a social or physical landscape. They discuss the appearance of hybrid material culture, the incorporation of foreign goods into local material traditions, the continuation of local traditions, and archaeological evidence of opportunistic social climbing. In some cases, these changes in material culture are ways to maintain aspects of traditional culture rather than signifiers of new cultural practices. The Global Spanish Empire tackles broad questions about Indigenous cultural persistence, pluralism, and place making using a global comparative perspective grounded in the shared experience of Spanish colonialism. Contributors Stephen Acabado Grace Barretto-Tesoro James M. Bayman Christine D. Beaule Christopher R. DeCorse Boyd M. Dixon John G. Douglass William R. Fowler Martin Gibbs Corinne L. Hofman Hannah G. Hoover Stacie M. King Kevin Lane Laura Matthew Sandra Montón-Subías Natalia Moragas Segura Michelle M. Pigott Christopher B. Rodning David Roe Roberto Valcárcel Rojas Steve A. Tomka Jorge Ulloa Hung Juliet Wiersema
| Author | : Stevenson, Carolyn N. |
| Publisher | : IGI Global |
| Total Pages | : 319 |
| Release | : 2019-08-30 |
| Genre | : Education |
| ISBN | : 1522598162 |
Effective communication is essential in every organization, including educational institutions. Often, members of the online community work in isolation. Collaboration across varying disciplines and departments can promote unique professional development activities and create a stronger connection to the entire online community. Enriching Collaboration and Communication in Online Learning Communities is a critical scholarly publication that supports communication and collaboration in online settings by focusing on the ways all members of the educational institution can create community to foster personal and professional growth for all. The book takes an in-depth look at communication strategies and challenges including managing conflict, working effectively in virtual teams, critical thinking, intercultural and cross-cultural communication, and online leadership. It is ideal for faculty, teachers, administrators, principles, curriculum developers, professionals, researchers, and students.
| Author | : Tess Knighton |
| Publisher | : Routledge |
| Total Pages | : 342 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351569465 |
From the fifteenth century to the beginning of the nineteenth century, devotional music played a fundamental role in the Iberian world. Songs in the vernacular, usually referred to by the generic name of 'villancico', but including forms as varied as madrigals, ensaladas, tonos, cantatas or even oratorios, were regularly performed at many religious feasts in major churches, royal and private chapels, convents and in monasteries. These compositions appear to have progressively fulfilled or supplemented the role occupied by the Latin motet in other countries and, as they were often composed anew for each celebration, the surviving sources vastly outnumber those of Latin compositions; they can be counted in tens of thousands. The close relationship with secular genres, both musical, literary and performative, turned these compositions into a major vehicle for dissemination of vernacular styles throughout the Iberian world. This model of musical production was also cultivated in Portugal and rapidly exported to the Spanish and Portuguese colonies in America and Asia. In many cases, the villancico repertory represents the oldest surviving source of music produced in these regions, thus affording it a primary role in the construction of national identities. The sixteen essays in this volume explore the development of devotional music in the Iberian world in this period, providing the first broad-based survey of this important genre.
