Peter Gabriel A Life In Vision
Author | : Alan Hewitt |
Publisher | : |
Total Pages | : 128 |
Release | : 2019-10-18 |
Genre | : |
ISBN | : 9781912782291 |
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Author | : Alan Hewitt |
Publisher | : |
Total Pages | : 128 |
Release | : 2019-10-18 |
Genre | : |
ISBN | : 9781912782291 |
Author | : Alan Hewitt |
Publisher | : |
Total Pages | : 0 |
Release | : 2021-10-08 |
Genre | : Singers |
ISBN | : 9781912782765 |
Author | : Daryl Easlea |
Publisher | : Omnibus Press |
Total Pages | : 592 |
Release | : 2018-03-23 |
Genre | : Music |
ISBN | : 1787590828 |
He became famous with Genesis but simply to call Peter Gabriel a pop star would be to sell him very short indeed. Peter Gabriel has pursued several overlapping careers; neither becoming a parody of his past self nor self-consciously seeking new images, he instead took his creativeness and perfectionism into fresh fields. In 1975 he diversified into film soundtracks and audio-visual ventures, while engaging in tireless charity work and supporting major peace initiatives. He has also become world music’s most illustrious champion since launching WOMAD festival. These, and several other careers, make writing Peter Gabriel’s biography an unusually challenging task, but Daryl Easlea has undertaken countless hours of interviews with key friends, musicians, aides and confidants. Updated and revised for 2018, Without Frontiers gets to the heart of the psychological threads common to so many of Gabriel’s disparate endeavours and in the end a picture emerges: an extraordinary picture of an extraordinary man. Extra features include integrated Spotify playlists, charting the best of Genesis’ output with Peter Gabriel, as well as an interactive digital timeline of his life, filled with pictures and videos of lives performances, interviews and more. ‘The peculiar, white-lipped dynamic between Gabriel and his erstwhile Charterhouse chums in Genesis is vividly evoked’ – Record Collector ‘A truly wonderful biography of one of the most amazing artists of our time. Highly recommended.’ – Douglas Harr, author of ‘Rockin’ the City of Angels’
Author | : Fernando Rodríguez-Santander |
Publisher | : |
Total Pages | : 138 |
Release | : 2021-06-29 |
Genre | : Biography & Autobiography |
ISBN | : 9781300486848 |
Regarding his song "Solsbury Hill" (1977), Peter Gabriel has written: "It's about being prepared to lose what you have for what you might get, or what you are for what you might be. It's about letting go. By letting go, you create the space for something new to happen. It's a personal struggle to learn to jump off the diving board." The fundamental meaning of Gabriel's words is to be willing to accept change within oneself; to let go of long-held beliefs, opinions, or perspectives in order to grow beyond them. This is very difficult for most adults to do without a personal revelation of some kind. So, if we take into consideration that the song was a direct result of a moment of meditation of Gabriel on Solsbury Hill, we can infer that the change within the English musician was sudden and not as a result of a gradual transition. Isn't it reasonable to assume then that something significant happened in Peter Gabriel's life while meditating on Solsbury Hill?
Author | : Tony Banks |
Publisher | : Macmillan |
Total Pages | : 364 |
Release | : 2007-09-18 |
Genre | : Music |
ISBN | : 9780312379568 |
The long-awaited, definitive story of one of the worlds most creative and commercial rock groups, this beautiful, full-color book coincides with the bands Fall 2007 reunion tour. All former band members have collaborated in presenting their story that spans 30 years and 30 albums.
Author | : Fernando Santander |
Publisher | : |
Total Pages | : 138 |
Release | : 2017-09-08 |
Genre | : Biography & Autobiography |
ISBN | : 9781483474403 |
Regarding his song "Solsbury Hill" (1977), Peter Gabriel has written: "It's about being prepared to lose what you have for what you might get, or what you are for what you might be. It's about letting go. By letting go, you create the space for something new to happen. It's a personal struggle to learn to jump off the diving board." The fundamental meaning of Gabriel's words is to be willing to accept change within oneself; to let go of long-held beliefs, opinions, or perspectives in order to grow beyond them. This is very difficult for most adults to do without a personal revelation of some kind. So, if we take into consideration that the song was a direct result of a moment of meditation of Gabriel on Solsbury Hill, we can infer that the change within the English musician was sudden and not as a result of a gradual transition. Isn't it reasonable to assume then that something significant happened in Peter Gabriel's life while meditating on Solsbury Hill?
Author | : Sarah Hill |
Publisher | : Routledge |
Total Pages | : 288 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351554298 |
Ever since Peter Gabriel fronted progressive rock band Genesis, from the late 1960s until the mid 1970s, journalists and academics alike have noted the importance of Gabriel's contribution to popular music. His influence became especially significant when he embarked on a solo career in the late 1970s. Gabriel secured his place in the annals of popular music history through his poignant recordings, innovative music videos, groundbreaking live performances, the establishment of WOMAD (the World of Music and Dance) and the Real World record label (as a forum for musicians from around the world to be heard, recorded and promoted) and for his political agenda (including links to a variety of political initiatives including the Artists Against Apartheid Project, Amnesty International and the Human Rights Now tour). In addition, Gabriel is known as a sensitive, articulate and critical performer whose music reflects an innate curiosity and deep intellectual commitment. This collection documents and critically explores the most central themes found in Gabriel's work. These are divided into three important conceptual areas arising from Gabriel's activity as a songwriter and recording artist, performer and activist: 'Identity and Representation', 'Politics and Power' and 'Production and Performance'.
Author | : Gabriel Marcel |
Publisher | : Read Books Ltd |
Total Pages | : 219 |
Release | : 2011-03-23 |
Genre | : Biography & Autobiography |
ISBN | : 1446547523 |
I hope that this book will be widely read, and I especially commend it to four classes of persons: I. For myself I have come across nothing more important than M. Marcel’s writings here and elsewhere on the problem of metaphysics. I say problem advisedly: for we are all of us these days in the end puzzled as to what exactly metaphysics is. The strict Thomist has his answer: so has the positivist: so too the Biblical theologian who is much too ready to find in the decay of ontology an argument for the authenticity of ‘Biblical perspectives’. M. Marcel was trained in the tradition of idealism: and he knew the influence both of Bergsen and of W. E. Hocking. His conversation with himself certainly betrays their influences: but it is of far wider significance. Professor Ayer and Dr. E. L. Mascall have their answer to the question what ontology is: they have their formulae. Marcel probes beneath these answers; for him ontology is much more than a body of doctrine. It is the intellectual expression of the human situation; what is expressed in the syllogisms of, for instance, Père Garrigou-Lagrange, is valid only in so far as it catches and summarises the very being of man and the universe, as that being is lived through and met with by man in his pilgrimage through life. I find as I read M. Marcel that the frontiers are blurred reflection, metaphysics, spirituality. And that is the strength of his seemingly inconsequent method. In a way he is too wise to suppose that the arguments of the philosophia perennis are enough in their abstract form to convince a man; they only carry conviction in relation to a whole experience of life of which they are the expression. The issues between the Thomist, the positivist, the idealist are not issues simply of doctrine but of life; and to see what they are, one must probe, stretching language beyond the frontiers of poetry, somehow to convey the issues as things through which men live. 2. The book should be studied closely by the moralist whether he be philosopher or moral theologian. Where some of the most familiar ethical ideas are concerned, Marcel reminds us of their ‘inside’ when we so often in our discussion think simply of their ‘outside’. What is a promise? We have our answer pat, our formula which permits us to go on with the discussion of our obligations to keep the promises we have made and so on. We don’t wait to probe. I find myself inevitably using that word ‘probe’ again and again in connection with M. Marcel: for what he does is to probe the unsuspected profundities of the familiar. Most professional students of ethics are morally philistine, men who give little time to penetrating the ‘inside’ of the ideas they are handling. And there Marcel pulls them up short. 3. The book should be widely read by the many Christian ‘fellow-travellers’ of today, those who follow, as it were, afar off the Christian way without themselves coming yet to the point of an act of faith in the Crucified. Its very incompleteness will respond to their groping anxiety, and it will enrich their vision of life. And this it can do because it eschews dogmatic exposition seeking rather to shew the inside of the truly Christian way of life. Fidelity, hope, charity, mystery—these are fundamental categories of the Christian way: and of all these Marcel has much to say, which is in every way fresh and yet at the same time rooted in the tradition of Catholic Christianity. The reader of such a work as Albert Camus’ La Peste, with its preoccupation with the problem of an atheistic sanctity, will understand M. Marcel. In a way he challenges the possibility of Camus’ vision; and he does so not on dogmatic grounds but by an analysis of holiness and goodness which shews indirectly their inseparability from acknowledgment of the all-embracing mystery of God. An age which has known evil as ours has and does still know it, is inevitably interested in goodness; and it is with goodness, as something inevitably issuing out of God because a gift from him, that Marcel’s studies deal. 4. And lastly I commend this book because at a time when minuteness and subtlety of mind are too often the prerogatives of the light-heartedly destructive, he reminds us that a true minuteness and a true intellectual subtlety are rooted in humility and purity of heart, and manifest the soil in which they are nourished by graciousness whose charm none can escape and a strength of argument which none can break.
Author | : Hyacinth Hage |
Publisher | : |
Total Pages | : 316 |
Release | : 1910 |
Genre | : |
ISBN | : |
Author | : Alain De Botton |
Publisher | : Signal |
Total Pages | : 298 |
Release | : 2012-03-06 |
Genre | : Philosophy |
ISBN | : 0771025998 |
From the author of The Architecture of Happiness, a deeply moving meditation on how we can still benefit, without believing, from the wisdom, the beauty, and the consolatory power that religion has to offer. Alain de Botton was brought up in a committedly atheistic household, and though he was powerfully swayed by his parents' views, he underwent, in his mid-twenties, a crisis of faithlessness. His feelings of doubt about atheism had their origins in listening to Bach's cantatas, were further developed in the presence of certain Bellini Madonnas, and became overwhelming with an introduction to Zen architecture. However, it was not until his father's death -- buried under a Hebrew headstone in a Jewish cemetery because he had intriguingly omitted to make more secular arrangements -- that Alain began to face the full degree of his ambivalence regarding the views of religion that he had dutifully accepted. Why are we presented with the curious choice between either committing to peculiar concepts about immaterial deities or letting go entirely of a host of consoling, subtle and effective rituals and practices for which there is no equivalent in secular society? Why do we bristle at the mention of the word "morality"? Flee from the idea that art should be uplifting, or have an ethical purpose? Why don't we build temples? What mechanisms do we have for expressing gratitude? The challenge that de Botton addresses in his book: how to separate ideas and practices from the religious institutions that have laid claim to them. In Religion for Atheists is an argument to free our soul-related needs from the particular influence of religions, even if it is, paradoxically, the study of religion that will allow us to rediscover and rearticulate those needs.