Download Patterns Of Book Ownership In Late Seventeenth Century England full books in PDF, epub, and Kindle. Read online free Patterns Of Book Ownership In Late Seventeenth Century England ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : David Pearson |
| Publisher | : |
| Total Pages | : 26 |
| Release | : 2010 |
| Genre | : Book collectors |
| ISBN | : |
| Author | : David Pearson |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 342 |
| Release | : 2021-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 0198870124 |
This volume examines private libraries and book ownership in seventeenth-century England, with particular focus on how libraries developed over this period and the social impact that they had.
| Author | : Randy Robertson |
| Publisher | : Penn State Press |
| Total Pages | : 290 |
| Release | : 2015-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 0271036559 |
Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.
| Author | : David Pearson |
| Publisher | : Oxford University Press |
| Total Pages | : 344 |
| Release | : 2021-01-26 |
| Genre | : Literary Criticism |
| ISBN | : 0192642723 |
This volume provides a wide-ranging account of the development and importance of private libraries and book ownership through the seventeenth century, based upon many kinds of evidence, including examination of thousands of books, and a list of over 1,300 known owners from diverse backgrounds. It considers questions of evolution, contents and size, and motives for book ownership, during a century when growing markets for both new and second-hand books meant that books would be found, in varying numbers, in the homes of all kinds of people from the humble to the wealthy. Book ownership by women, and by non-professional households, is explicitly explored. Other topics include the balance of motivation between books for use, or for display; the relationship between libraries and museums; and cultures of collecting. While presenting a wealth of information in this field, conveniently brought together, this volume also advances methodologies for book history, and makes extensive use of material evidence such as bookbindings. It challenges received wisdom around priorities for studying private libraries, and the terminology which is appropriate to use. In addition, the list of owners, detailed in the Appendix, make this book a work of permanent reference, alongside its value in advancing book history.
| Author | : Thomas Matthew Vozar |
| Publisher | : Oxford University Press |
| Total Pages | : 225 |
| Release | : 2023-11-14 |
| Genre | : Literary Criticism |
| ISBN | : 0198875967 |
No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime—one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.
| Author | : Kate Loveman |
| Publisher | : OUP Oxford |
| Total Pages | : 327 |
| Release | : 2015-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 0191047228 |
Samuel Pepys was a great collector of books, news, and gossip. This study uses his surviving papers to examine reading practices, collecting, and the exchange of information in the late seventeenth century. Offering the first extensive history of reading during the Restoration, it traces developments in the book trade and news transmission at a time when England was the scene of dramatic political and religious upheavals. The investigation goes beyond Pepys's famous diary of the 1660s, employing a variety of sources to explore the role that reading played in Pepys's life and in the lives of his contemporaries. It begins by examining what it meant to be a reader in Restoration London: the skills, the people, and the places involved. Pepys's wide-ranging interests serve as starting points for considering news exchange and the reception of major literary genres in the Restoration. Particular attention is given to conduct books, histories, religious works, and recreational reading (romances, drama, and novels). The appeal that these works held for readers was not always what we might expect -or, indeed, what the authors and publishers had expected. Additional chapters explore the social interactions surrounding information gathering: the ways people acquired oral and written news in London; the experience of book-buying; and the acquisition of manuscript and print through social networks. Analysed alongside other records, Pepys's papers provide unrivalled insights into literary and cultural developments in the second half of the seventeenth century.
| Author | : Tim Somers |
| Publisher | : Boydell & Brewer |
| Total Pages | : 323 |
| Release | : 2021 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1783275499 |
Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture. Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how these collections were used by their owners, and what this activity can tell us about 'print culture' in the early modern period. The book's central collector is John Bagford (1650-1715), a shoemaker who became a dealer of prints and other 'curiosities' to important collectors of the time such as Samuel Pepys, Hans Sloane and Robert Harley. Bagford's own rich and largely unstudied collection is afascinating study in its own right and his position at the centre of commercial and intellectual networks opens up a whole world of collecting. This world encompasses later Stuart partisan political culture, when modern parties and the 'public sphere' first emerged; the 'New Science' and 'virtuoso culture' with its milieu of natural philosophers, antiquaries and artisans; the aural and visual landscape of marketplaces, streets and alehouses; and developing practices of record-keeping, life-writing and historical writing during the long eighteenth century.
| Author | : Paddy Bullard |
| Publisher | : Cambridge University Press |
| Total Pages | : 309 |
| Release | : 2013-07-18 |
| Genre | : Literary Criticism |
| ISBN | : 1107244641 |
Jonathan Swift lived through a period of turbulence and innovation in the evolution of the book. His publications, perhaps more than those of any other single author, illustrate the range of developments that transformed print culture during the early Enlightenment. Swift was a prolific author and a frequent visitor at the printing house, and he wrote as critic and satirist about the nature of text. The shifting moods of irony, complicity and indignation that characterise his dealings with the book trade add a layer of complexity to the bibliographic record of his published works. The essays collected here offer the first comprehensive, integrated survey of that record. They shed new light on the politics of the eighteenth-century book trade, on Swift's innovations as a maker of books, on the habits and opinions revealed by his commentary on printed texts and on the re-shaping of the Swiftian book after his death.
| Author | : Jessica G. Purdy |
| Publisher | : BRILL |
| Total Pages | : 350 |
| Release | : 2023-11-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9004363718 |
This book provides an overview of the establishment and use of parish libraries in early modern England and includes a thematic analysis of surviving marginalia and readers' marks. This book is the first direct and detailed analysis of parish libraries in early modern England and uses a case-study approach to the examination of foundation practices, physical and intellectual accessibility, the nature of the collections, and the ways in which people used these libraries and read their books.
| Author | : Jeremy Black |
| Publisher | : Indiana University Press |
| Total Pages | : 326 |
| Release | : 2018-10-12 |
| Genre | : History |
| ISBN | : 0253037808 |
Eighteenth-century England was a place of enlightenment and revolution: new ideas abounded in science, politics, transportation, commerce, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past. Jeremy Black considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past influenced English historical writing. The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the revolutionary advances of the era. Black reveals this "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in current considerations of the period. In his customarily vivid and sweeping approach, Black takes readers from print shop to church pew, courtroom to painter's studio to show how historical writing influenced the era, which in turn gave birth to the modern world.
