Paratexts in English Printed Drama to 1642

Paratexts in English Printed Drama to 1642
Author: Thomas L. Berger
Publisher:
Total Pages: 1040
Release: 2014
Genre: English drama
ISBN: 9781107037977

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The paratexts in early modern English playbooks - the materials to be found primarily in their preliminary pages and end matter - provide a rich source of information for scholars interested in Shakespeare, Renaissance Drama and the History of the Book. In addition, these materials offer valuable insights into the rise of dramatic authorship in print, early modern attitudes towards theatre, notorious literary wrangles and the production of drama both on the stage and in the printing house. This unique two-volume reference is the first to include all paratextual materials in early modern English playbooks, from the emergence of print drama to the closure of the theatres in 1642. The texts have been transcribed from their original versions and presented in old-spelling. With an introduction, user's guide, multiple indices and a finding list, the editors provide a comprehensive overview of seminal texts which have never before been fully transcribed, annotated and cross-referenced.

Paratexts in English Printed Drama to 1642

Paratexts in English Printed Drama to 1642
Author: Thomas L. Berger
Publisher: Cambridge University Press
Total Pages: 2080
Release: 2014-04-24
Genre: Literary Collections
ISBN: 1139991620

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The paratexts in early modern English playbooks – the materials to be found primarily in their preliminary pages and end matter – provide a rich source of information for scholars interested in Shakespeare, Renaissance drama and the history of the book. In addition, these materials offer valuable insights into the rise of dramatic authorship in print, early modern attitudes towards theatre, notorious literary wrangles and the production of drama both on the stage and in the printing house. This unique two-volume reference is the first to include all paratextual materials in early modern English playbooks, from the emergence of print drama to the closure of the theatres in 1642. The texts have been transcribed from their original versions and presented in old-spelling. With an introduction, user's guide, multiple indices and a finding list, the editors provide a comprehensive overview of seminal texts which have never before been fully transcribed, annotated and cross-referenced.

Paratext Printed with New English Plays, 1660–1700

Paratext Printed with New English Plays, 1660–1700
Author: Robert D. Hume
Publisher: Cambridge University Press
Total Pages: 169
Release: 2024-01-31
Genre: Literary Criticism
ISBN: 1009270494

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This Element Paratext printed with new English plays has a lot to tell us about what playwrights were attempting to do and how audiences responded, thereby contributing substantially to our understanding of larger patterns of generic evolution across two centuries. The presence (or absence) of twelve elements needs to be systematically surveyed. (1) Attribution of authorship; (2) generic designation; (3) performance auspices; (4) government license authorizing publication; (5) dedication; (6) prefaces of various sorts; (7a-b-c) list of characters (three types); (8) actors' names (sometimes with descriptive characterizations-very helpful for deducing intended authorial interpretation); (9) location of action; (10) prologue and epilogue for first production. Surveying these results, we can see that much of the generic evolution traceable in the later seventeenth century gets undone during the eighteenth-a reversal largely attributable to the Licensing Act of 1737. This title is also available as Open Access on Cambridge Core.

The Oxford Handbook of Shakespeare and Performance

The Oxford Handbook of Shakespeare and Performance
Author: James C. Bulman
Publisher: Oxford University Press
Total Pages: 705
Release: 2017
Genre: Literary Criticism
ISBN: 0199687161

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The series statement "Oxford handbooks to Shakespeare" taken from dust jacket.

Authorial Personality and the Making of Renaissance Texts

Authorial Personality and the Making of Renaissance Texts
Author: Douglas S. Pfeiffer
Publisher: Oxford University Press
Total Pages: 486
Release: 2022
Genre: Literary Criticism
ISBN: 0198714165

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Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.

Thomas Heywood and the classical tradition

Thomas Heywood and the classical tradition
Author: Tania Demetriou
Publisher: Manchester University Press
Total Pages: 469
Release: 2021-03-09
Genre: Literary Criticism
ISBN: 152614025X

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This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike.

Playbooks and their Readers in Early Modern England

Playbooks and their Readers in Early Modern England
Author: Hannah August
Publisher: Taylor & Francis
Total Pages: 326
Release: 2022-04-24
Genre: Literary Criticism
ISBN: 1000563111

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This book is the first comprehensive examination of commercial drama as a reading genre in early modern England. Taking as its focus pre-Restoration printed drama’s most common format, the single-play quarto playbook, it interrogates what the form and content of these playbooks can tell us about who their earliest readers were, why they might have wanted to read contemporary commercial drama, and how they responded to the printed versions of plays that had initially been performed in the playhouses of early modern London. Focusing on professional plays printed in quarto between 1584 and 1660, the book juxtaposes the implications of material and paratextual evidence with analysis of historical traces of playreading in extant playbooks and manuscript commonplace books. In doing so, it presents more detailed and nuanced conclusions than have previously been enabled by studies focused on works by one author or on a single type of evidence.