Papiers À la Mode
Author | : Isabelle De Borchgrave |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : Costume |
ISBN | : |
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Author | : Isabelle De Borchgrave |
Publisher | : |
Total Pages | : |
Release | : 1998 |
Genre | : Costume |
ISBN | : |
Author | : Isabelle de Borchgrave |
Publisher | : |
Total Pages | : 0 |
Release | : 2000 |
Genre | : Costume |
ISBN | : 9781857251524 |
Life-size reproductions or re-interpretations, in paper and paint, of dresses from17th to 20th century.
Author | : Jill D'Alessandro |
Publisher | : Prestel Pub |
Total Pages | : 102 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9783791351056 |
Published on the occasion of an exhibition held at the Legion of Honor, San Francisco, Feb. 5-June 5, 2011.
Author | : Barbara Stoeltie |
Publisher | : |
Total Pages | : 216 |
Release | : 2008-10 |
Genre | : Art |
ISBN | : |
"Artist and designer Isabelle de Borchgrave creates exquisite paper dresses evoking high fashions from the courts of the Medici to the legendary Fortuny silks of the early twentieth century. She cuts, folds, glues, and paints her paper costumes with imagination and exceptional mastery, creating the illusion of lace from Bruges, Renaissance-era brocade, and delicate silk a la Pompadour. Their historical authenticity, combined with their startling realism, caused an overnight sensation when they were first shown in France in 1998 as "Papiers a la Mode." Since then, the dynamic, light-hearted collection has traveled all over the world to critical and popular acclaim." "Paper Illusions does full justice to de Borchgrave's magical workshop, where humble art materials are transformed into shimmering visions of beautiful clothing and luxurious living. Paper, author Barbara Stoeltie reminds us, possesses "the power to attract and enchant us, to direct our lives and change our course, to teach us, to influence our opinions, and to mark our daily existence with its imposing presence." In Rene Stoeltie's vivid photographs, figures from the history of style made from this magical medium seem to breathe in atmospheric rooms, while details of color, pattern, and form jump off the page. Their book is a celebration of creativity, wit, and elegance."--Jacket.
Author | : Briar Paccalin |
Publisher | : ESMOD |
Total Pages | : 175 |
Release | : 2021-05-01 |
Genre | : Design |
ISBN | : 2909617807 |
Le vocabulaire indispensable du prêt-à-porter pour travailler dans la mode (vêtements, détails, bases de textiles, mercerie et accessoires) - Ouvrage illustré et bilingue. Avec plus de 1200 illustrations en couleurs, ce lexique Français-Anglais rassemble cinq grandes familles du vocabulaire de la mode : les vêtements classés par catégorie de forme, les détails de vêtements, les bases des textiles, la mercerie et les accessoires regroupant chapeaux, chaussures, sacs, ceintures et bretelles, cravates, écharpes, gants et lunettes. Chaque mot du lexique est enrichi par sa traduction phonétique en Français et en Anglais permettant ainsi d'assurer au lecteur sa bonne interprétation du mot dans le langage parlé. Fashion vocabulary glossary for garments, details, textiles basics, haberdashery and accessories. With over 1200 colour illustrations, this French-English lexicon gathers all the fashion vocabulary along with phonetic transcription in both langage, thus enabling the reader to pronounce the word correctly when speaking.
Author | : |
Publisher | : |
Total Pages | : 128 |
Release | : 1901 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 496 |
Release | : 1837 |
Genre | : English literature |
ISBN | : |
Author | : Great Britain. Parliament. House of Commons |
Publisher | : |
Total Pages | : 978 |
Release | : 1905 |
Genre | : Great Britain |
ISBN | : |
Author | : Laura E. Pérez |
Publisher | : Duke University Press |
Total Pages | : 313 |
Release | : 2022-06-13 |
Genre | : Art |
ISBN | : 1478022930 |
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified feminist artists, and explore her signature works, series, techniques, images, and materials. Redefining the practice of weaving, Jimenez Underwood works with repurposed barbed wire, yellow caution tape, safety pins, and plastic bags and crosses Indigenous, Chicana, European, and Euro-American art practices, pushing the arts of the Americas beyond Eurocentric aesthetics toward culturally hybrid and Indigenous understandings of art making. Jimenez Underwood’s redefinition of weaving and painting alongside the socially and environmentally engaged dimensions of her work position her as one of the most vital artists of our time. Contributors. Constance Cortez, Karen Mary Davalos, Carmen Febles, M. Esther Fernández, Christine Laffer, Ann Marie Leimer, Amalia Mesa-Bains, Robert Milnes, Jenell Navarro, Laura E. Pérez, Marcos Pizarro, Verónica Reyes, Clara Román-Odio, Carol Sauvion, Cristina Serna, Emily Zaiden
Author | : |
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Total Pages | : |
Release | : 1867 |
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