Painting the Landscape with Fire

Painting the Landscape with Fire
Author: Den Latham
Publisher: Univ of South Carolina Press
Total Pages: 277
Release: 2013-06-25
Genre: Nature
ISBN: 1611172470

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Fire can be a destructive, deadly element of nature, capable of obliterating forests, destroying homes, and taking lives. Den Latham's Painting the Landscape with Fire describes this phenomenon but also tells a different story, one that reveals the role of fire ecology in healthy, dynamic forests. Fire is a beneficial element that allows the longleaf forests of America's Southeast to survive. In recent decades foresters and landowners have become intensely aware of the need to "put enough fire on the ground" to preserve longleaf habitat for red-cockaded woodpeckers, quail, wild turkeys, and a host of other plants and animals. Painting the Landscape with Fire is a hands-on primer for understanding the role of fire in longleaf forests. Latham joins wildlife biologists, foresters, wildfire fighters, and others as they band and translocate endangered birds, survey snake populations, improve wildlife habitat, and conduct prescribed burns on public and private lands. Painting the Landscape with Fire explores the unique Southern biosphere of longleaf forests. Throughout Latham beautifully tells the story of the resilience of these woodlands and of the resourcefulness of those who work to see them thrive. Fire is destructive in the case of accidents, arson, or poor policy, but with the right precautions and safety measures, it is the glowing life force that these forests need.

The Landscape Ecology of Fire

The Landscape Ecology of Fire
Author: Donald McKenzie
Publisher: Springer Science & Business Media
Total Pages: 320
Release: 2011-01-04
Genre: Science
ISBN: 9400703015

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Global warming is expected to change fire regimes, likely increasing the severity and extent of wildfires in many ecosystems around the world. What will be the landscape-scale effects of these altered fire regimes? Within what theoretical contexts can we accurately assess these effects? We explore the possible effects of altered fire regimes on landscape patch dynamics, dominant species (tree, shrub, or herbaceous) and succession, sensitive and invasive plant and animal species and communities, and ecosystem function. Ultimately, we must consider the human dimension: what are the policy and management implications of increased fire disturbance, and what are the implications for human communities?

Painting with Fire

Painting with Fire
Author: Matthew C. Hunter
Publisher: University of Chicago Press
Total Pages: 298
Release: 2020-03-23
Genre: Photography
ISBN: 022639039X

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Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.

The Art of Landscape Painting

The Art of Landscape Painting
Author: Paul Strisik
Publisher:
Total Pages: 152
Release: 1980
Genre: Architecture
ISBN:

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From dust jacket notes: " ... [N]oted landscape painter Paul Strisik takes the reader outdoors to watch over his shoulder as he demonstrates his skills at capturing the varied landscape around the country and in all seasons. Starting with a discussion of materials and equipment, the artist ... describes the equipment he uses in the field - compact, yet complete enough to allow Strisik all the variety of techniques he needs - as well as studio equipment and special painting gear for traveling. Further suggestions for types of brushes, holders, cleaners, palettes, easels, and more give the reader all the basics for getting started both at home and on location. The next portion of the book is devoted to the esthetic aspects of landscape painting: conception, composition, and design. Strisik stresses selecting those elements of a scene which help the artist make a personal statement, rather than copying nature literally. He explains compositional principles and how to use them - distributing the weights in a picture, emphasizing the center of interest, knowing when and how to use cast shadows, leading the viewer's eye with lines of direction, and achieving variety and interest with counterpoint. All the visual effects of light - luminosity, diffraction, reflected light, highlights, diffused light, atmospheric perspective, and many more - are explained in the third section, along with the basics of understanding color and value relationships. Particularly helpful are the many pointers on handling color within shadowed areas, painting objects in light without 'washing out' local color, and unifying the overall color feeling within a landscape. Finally, Strisik presents a series of full-color, step-by-step demonstrations showing how he develops his carefully planned compositional studies into finished paintings. Each demonstration displays the artist's many skills and techniques every step of the way ..."

Landscape Painting

Landscape Painting
Author: Mitchell Albala
Publisher: Watson-Guptill
Total Pages: 202
Release: 2011-11-15
Genre: Art
ISBN: 0823008347

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Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.

David Wojnarowicz

David Wojnarowicz
Author: David Wojnarowicz
Publisher: Aperture Foundation
Total Pages: 0
Release: 2015
Genre: Art
ISBN: 9781597112949

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Twentieth Anniversary Edition David Wojnarowicz's use of photography was remarkably innovative, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape began in collaboration with the artist before his death in 1992 and first published inn 1994, engaged those who Wojnarowicz would refer to as his tribe or community. Now, on the twentieth anniversary of Brush Fires, when interest in the artist's work has increased exponentially, Aperture has expanded and redesigned this seminal publication to be even more inclusive. It is the only book that features the breadth of Wojnarowicz's work with photography. The contributors--from artist and writer friends to the lawyer who represented him in his case against Donald Wildmon and the American Family Association, to the next generation of artists who were influenced by Wojnarowicz's sensibility--together offer a compelling, provocative understanding of the artist and his work. Contributors include: Vince Aletti, Barry Blinderman, Cynthia Carr, David Cole, Shannon Ebner, Leonard Fink, Karen Finley, Nan Goldin, Félix Guattari, Wade Guyton, Melissa Harris, Elizabeth Hess, Tessa Hughes-Freeland, Peter Hujar, Fran Lebowitz, Lucy R. Lippard (introduction), Sylvère Lotringer, Carlo McCormick, Henrik Olesen, Wendy Olsoff, Adam Putnam, Tom Rauffenbart, James Romberger, Emily Roysdon, Marion Scemama, Gary Schneider, Amy Scholder, Kiki Smith, Andreas Sterzing, Zoe Strauss, Marvin J. Taylor, Lynne Tillman, and Wolfgang Tillmans.

Landscape Painting Inside and Out

Landscape Painting Inside and Out
Author: Kevin Macpherson
Publisher: Penguin
Total Pages: 176
Release: 2006-10-06
Genre: Art
ISBN: 1600615902

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Paint with passion, purpose and pleasure What do you want your landscape painting to say about this place, this moment? How do you use the visual vocabulary - line, shape, value, color, edges - to say it? With this book, your conversation with nature will direct your brush. With an exhilarating, synergistic combination of indoor and outdoor painting, Kevin Macpherson shows you how to create personal, poetic landscapes that capture the feeling of being there. Learn how to: • Use a limited palette in a way that is more liberating than limiting • Experience nature to the fullest and capture its vibrancy back in the studio through photos, sketches and outdoor studies • Cope with the fleeting qualities of atmosphere and light by establishing a value plan early and sticking with it • Incorporate impressionistic touches of broken color to give your landscape a depth and vibrancy that enhances its realism • Approach painting as a layering and corrective process that encourages non-formulaic solutions Stimulating warm-up exercises in the studio prepare you for your adventures outside, while eight step-by-step demonstrations show you how to put these methods into action. Throughout, Macpherson's own light-filled landscapes illustrate the power of these techniques. Full of fresh air and fresh art, Landscape Painting Inside and Out will guide and encourage beginners while challenging more accomplished artists to bring greater vitality and a more natural, less formulaic finish to their paintings.

Nordic Landscape Painting in the Nineteenth Century

Nordic Landscape Painting in the Nineteenth Century
Author: Torsten Gunnarsson
Publisher: Yale University Press
Total Pages: 318
Release: 1998-01-01
Genre: Art
ISBN: 0300070411

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This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.

Representing Place

Representing Place
Author: Edward S. Casey
Publisher: U of Minnesota Press
Total Pages: 414
Release: 2002-01-01
Genre: Art
ISBN: 9780816637157

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"You are here, a map declares, but of course you are not, any more than you truly occupy the vantage point into which a landscape painting puts you. How maps and paintings figure and reconfigure space--as well as our place in it--is the subject of Edward S. Casey's study, an exploration of how we portray the world and its many places. Casey's discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language--a reconnection that calls for the embodiment and implacement of the human subject." -- Book jacket.