Painting Summer in New England

Painting Summer in New England
Author: Trevor J. Fairbrother
Publisher: Yale University Press
Total Pages: 148
Release: 2006-01-01
Genre: Art
ISBN: 0300116926

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An insightful and beautiful look at how New England's summers have inspired American artists for decades With its stunning coastlines, mountains, lakes, forests, and scenic villages, New England has been an inspiration for American artists since the 19th century. This lively book considers the ways in which painters have responded to the region's summer beauty as well as to its social and cultural preoccupations and characteristics. Works by such artists as Fitz Henry Lane, John Singer Sargent, Winslow Homer, Maurice Prendergast, Marsden Hartley, Edward Hopper, Hans Hofmann, Andrew Wyeth, Alex Katz, and Yvonne Jacquette depict subjects as wide ranging as the bucolic delights of farms and fields to the atmospheric light of New England's rugged coasts to the ethnic and social diversity of urban street life. Painting Summer in New England highlights the various styles and influences revealed in these works, including photographic realism, Impressionism, Expressionism, and abstraction. In addition, Trevor Fairbrother discusses the tremendous array of works covered by the concept of "painting" and the remarkable richness of thematic imagery that can be seen and understood as "New England." This engaging book is a delightful and invaluable resource for those who live in or are admirers of New England and American art.

Edward Hopper's New England

Edward Hopper's New England
Author: Carl Little
Publisher: Pomegranate
Total Pages: 100
Release: 1993
Genre: New England
ISBN: 1566403154

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Edward Hopper (1882-1967), one of the most important American painters of the twentieth century, spent nearly every summer of his long artistic career in New England. This book presents many of Hopper's finest paintings of the region and examines the crucial role New England played in Hopper's development as an artist. Carl Little is author of Paintings of Maine and is a regular contributor to Art New England and Art in America.

The Boston Raphael

The Boston Raphael
Author: Belinda Rathbone
Publisher: David R. Godine Publisher
Total Pages: 443
Release: 2014-10
Genre: Art
ISBN: 1567925405

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The riveting story of a museum director caught in a web of local and international intrigue while secretly pursuing a forgotten Renaissance painting-the Boston Raphael. On the eve of its centennial celebrations in 1969, the Boston MFA announced the acquisition of an unknown and uncatalogued painting attributed to Raphael. Boston's coup made headlines around the world. Soon, an Italian art sleuth began investigating the painting's export from Italy, challenging the museum's ownership. Simultaneously, experts on both sides of the Atlantic lined up to debate its very authenticity. The museums charismatic director, Perry T. Rathbone, faced the most challenging crossroads of his career. The Boston Raphael was a media sensation in its time, but the full story of the forces that converged on the museum and how they intersected with the challenges of the Sixties is now revealed in full detail by the director's daughter.

Edward Hopper in Vermont

Edward Hopper in Vermont
Author: Bonnie T. Clause
Publisher: UPNE
Total Pages: 326
Release: 2012
Genre: Art
ISBN: 1611683297

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A delightful account of Edward Hopper's sojourns in Vermont with his wife, Jo, illustrated by the watercolors and drawings that he made there

Encaustic Art in the Twenty-First Century

Encaustic Art in the Twenty-First Century
Author: Anne Lee
Publisher: Schiffer Craft
Total Pages: 0
Release: 2016
Genre: Art
ISBN: 9780764350238

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From beehive to hotplate to the artist's hand, encaustic has evolved as a versatile medium applied to almost every artistic style. A long-overdue look at a newly popular art form, this book explores 79 North American artists' feelings about their work in encaustic and how they use it to express their inner worlds and the world around them. Eight chapters organize the artists by geographical region and focus on how the heated beeswax and resin material is used to create seductive, skin-like surfaces and rich, layered membranes. More than 2,000 years old, this cross-disciplinary medium ranges from painting to sculpture, assemblage, collage, and printmaking and encourages risk-taking in a way that other materials do not. Its inherent contradictions--it can be hot or cold, malleable or solid, opaque or translucent, layered or thin, permanent or fragile--make it all the more fascinating.

New England's Hidden Past

New England's Hidden Past
Author: Dan Landrigan
Publisher: Down East Books
Total Pages: 329
Release: 2020-06-15
Genre: History
ISBN: 1608939871

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New England is so compact that even casual visitors can sample its diverse history in just a short time. But travelers and residents alike can also pass right by historic buildings, landscapes, and iconic objects without noticing them. New England's Hidden Past presents the region’s history in an engaging new way: through 58 lists of historic places and things usually hidden in plain sight in all six New England states. Pay attention and you’ll find stone structures built by Indians, soaring churches financed by Franco-American millworkers, and public high schools started by colonists when New England was still a howling wilderness. You may have seen them, but you probably don’t know the story behind them. New England's Hidden Past takes readers to the grave sites of revolutionary heroines, Loyalist house museums, as well as, Revolutionary taverns and colonial inns. It takes them to Indian trails, the oldest houses, historic department stores, ghost towns, and Little Italys. Each unique, interesting location or object has a counterpart in the other five New England states. A perfect guide to keep in the car and refer to when traveling New England or planning a trip.

Picturing Old New England

Picturing Old New England
Author: William H. Truettner
Publisher: Yale University Press
Total Pages: 239
Release: 1999
Genre: Art
ISBN: 9780300079388

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Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.

Enchanted

Enchanted
Author: Jesse Kowalski
Publisher: National Geographic Books
Total Pages: 0
Release: 2020-07-07
Genre: Art
ISBN: 0789213702

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An abundantly illustrated history of fantasy art, from the Old Masters to the present For hundreds of years, artists have been inspired by the imaginative potential of fantasy. Unlike science fiction, which is based on fact, fantasy presents an impossible reality—a universe where dragons breathe fire, angels battle demons, and magicians weave spells. Published to coincide with a major exhibition organized by the Norman Rockwell Museum, this handsome volume reveals how artists have brought to life mythology, fables, and fairy tales, as well as modern epics like The Lord of the Rings and Game of Thrones. The main text of Enchanted, by exhibition curator Jesse Kowalski, traces the emergence of the themes of fantasy in the world’s civilizations, and the development of fantasy illustration from the Old Masters to the Victorian fairy painters, to Golden Age illustrators like Howard Pyle and Arthur Rackham, to classic cover artists like Frank Frazetta and Boris Vallejo, to emerging talents like Anna Dittmann and Victo Ngai. Additional essays by distinguished contributors address particular aspects of fantasy illustration, such as the relationship between science and fantasy in the nineteenth century, and the illustrators of Robert E. Howard. Enchanted features more than 180 color illustrations, including numerous stunning full-page reproductions. This handsome volume is a must-have reference for artists and illustrators, and a delight for all lovers of fantasy.

Museum of Fine Arts Boston: 1870 To 2020

Museum of Fine Arts Boston: 1870 To 2020
Author: Charles Giuliano
Publisher:
Total Pages:
Release: 2021-09-10
Genre:
ISBN: 9780996171571

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In 1970 the Museum of Fine Arts commissioned a two-volume Centennial history by its trustee, Walter Muir Whitehill. That was a time of turmoil as then director Perry T. Rathbone was forced to resign resulting from the questionable acquisition of a portrait by Raphael later returned to Italy.Instability followed with the quick succession of acting director, Cornelius Vermeule, the ill-fated Merrill Rueppel, then Asiatic curator, Jan Fontein promoted from acting to full time director. Museum of Fine Arts Boston, 1870 to 2020: An Oral History is only the second publication chronicling 150 years of a great museum with aspects of its collection second to none. The book summarizes events of the first century with a vivid update of what has occurred since then.The fascinating story of a world-class museum is updated in the words of each of its directors from Perry T. Rathbone to Matthew Teitelbaum. There are also interviews with curators, trustees, art historians, administrators, and arts journalists.The founders were individuals of class and privilege who gave generously. The tone of Brahmin elitism changed by the 1950s as the museum expanded and become more costly to maintain. There was a search for new money and expansion of the board to include Jews and people of color. By the 1960s the museum drew broad criticism for its elitism and indifference to modern/ contemporary art and Boston's contemporary artists, including the Jewish Boston Expressionists. Charges of racism have accelerated in the past few years as they have for all cultural institutions. The MFA has been charged with a transition from the "Our Museum" of its founders to a "Museum for all the people of Boston" under current director Matthew Teitelbaum.As an observer and writer, Charles Giuliano is a consummate insider. In 1963 upon graduation from Brandeis University he worked for two and a half years as a conservation intern for the Egyptian Department. He later became one of Boston's most influential art critics covering the museum for a range of publications. This book is the culmination of that coverage since the 1960s.