Wallace Shawn usually appears in our mind's eye as the consummate eccentric actor: the shy literature teacher in Cluelessthe diabolically rational villain in The Princess Brideor as the eponymous protagonist of Vanya on 42nd Street.Few of us realize, however, that Shawn is also one of today's most provocative and political playwrights.Writing Wrongs: The Work of Wallace Shawnis a close and personal look into the life and literary work of the man whom Joseph Papp called "a dangerous writer." As the son of the late William Shawn, renowned editor of The New YorkerWallace Shawn was born into privilege and trained to thoroughly liberal values, but his plays relentlessly question the liberal faith in individualism and common decency. In an uncompromising way that is all his own, Shawn registers the shock of the new. In works such as Aunt Dan and Lemon, My Dinner with Andréand The Designated Mournerhe wrenches out of place all of the usual, comfortable mechanisms by which we operate as audiences. Perhaps our discomfort and struggle to understand a play might provoke some change in the way we see ourselves and behave in relation to others—but Shawn offers little in the way of solace. W.D. King's incisive critiques of the plays and inquiry into the life and times of their author develop a portrait of Shawn as a major figure in contemporary theater. Author note: William Davies King is Associate Professor of Dramatic Art at the University of California, Santa Barbara, and the author of Henry Irving's "Waterloo": Theatrical Engagements with Arthur Conan Doyle, George Bernard Shaw, Ellen Terry, Edward Gordon Craig, Late-Victorian Culture, Assorted Ghosts, Old Men, War, and Historywhich won the 1993 Joe A. Callaway Prize for Best Book on Theatre.