Download Our Hidden Heritage Five Centuries Of Women Artists full books in PDF, epub, and Kindle. Read online free Our Hidden Heritage Five Centuries Of Women Artists ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Eleanor Tufts |
| Publisher | : [New York] : Paddington Press, [1974], 1975 printing. |
| Total Pages | : 268 |
| Release | : 1974 |
| Genre | : Art |
| ISBN | : |
| Author | : Eleanor Tuts |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1974 |
| Genre | : |
| ISBN | : |
| Author | : Elree I. Harris |
| Publisher | : Routledge |
| Total Pages | : 364 |
| Release | : 2013-11-26 |
| Genre | : History |
| ISBN | : 113549441X |
First Published in 1997. This book is intended as a resource for anyone interested in the artistic contributions and activities of women in nineteenth-century Britain. It is an index as well as an annotated bibliography and provides sources for information about women well known in their own time and about women who were little known then and are forgotten now
| Author | : Rozsika Parker |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 253 |
| Release | : 2020-10-01 |
| Genre | : Art |
| ISBN | : 1350149187 |
Why is everything that compromises greatness in art coded as 'feminine'? Has the feminist critique of Art History yet effected real change? With a new preface by Griselda Pollock, this edition of a truly groundbreaking book offers a radical challenge to a women-free Art History. Parker and Pollock's critique of Art History's sexism leads to expanded, inclusive readings of the art of the past. They demonstrate how the changing historical social realities of gender relations and women artists' translation of gendered conditions into their works provide keys to novel understandings of why we might study the art of the past. They go further to show how such knowledge enables us to understand art by contemporary artists who are women and can contribute to the changing self-perception and creative work of artists today. In March 2020 Griselda Pollock was awarded the Holberg Prize in recognition of her outstanding contribution to research and her influence on thinking on gender, ideology, art and visual culture worldwide for over 40 years. Old Mistresses was her first major scholarly publication which has become a classic work of feminist art history.
| Author | : Delia Gaze |
| Publisher | : Routledge |
| Total Pages | : 786 |
| Release | : 2013-04-03 |
| Genre | : Social Science |
| ISBN | : 1136599010 |
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
| Author | : Gillian Perry |
| Publisher | : Manchester University Press |
| Total Pages | : 236 |
| Release | : 1995 |
| Genre | : Painting, French |
| ISBN | : 9780719041655 |
A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
| Author | : Jane F. Gerhard |
| Publisher | : University of Georgia Press |
| Total Pages | : 359 |
| Release | : 2013-06-01 |
| Genre | : History |
| ISBN | : 0820344575 |
Judy Chicago's monumental art installation The Dinner Party was an immediate sensation when it debuted in 1979, and today it is considered the most popular work of art to emerge from the second-wave feminist movement. Jane F. Gerhard examines the piece's popularity to understand how ideas about feminism migrated from activist and intellectual circles into the American mainstream in the last three decades of the twentieth century. More than most social movements, feminism was transmitted and understood through culture--art installations, Ms. Magazine, All in the Family, and thousands of other cultural artifacts. But the phenomenon of cultural feminism came under extraordinary criticism in the late 1970s and 1980s Gerhard analyzes these divisions over whether cultural feminism was sufficiently activist in light of the shifting line separating liberalism from radicalism in post-1970s America. She concludes with a chapter on the 1990s, when The Dinner Party emerged as a target in political struggles over public funding for the arts, even as academic feminists denounced the piece for its alleged essentialism. The path that The Dinner Party traveled--from inception (1973) to completion (1979) to tour (1979-1989) to the permanent collection of the Brooklyn Museum (2007)--sheds light on the history of American feminism since 1970 and on the ways popular feminism in particular can illuminate important trends and transformations in the broader culture.
| Author | : Norma Broude |
| Publisher | : Routledge |
| Total Pages | : 539 |
| Release | : 2018-02-23 |
| Genre | : Art |
| ISBN | : 0429980167 |
A long-needed corrective and alternative view of Western art history, these seventeen essays by respected scholars are arranged chronologically and cover every major period from the ancient Egyptian to the present. While several of the essays deal with major women artists, the book is essentially about Western art history and the extent to which it has been distorted, in every period, by sexual bias. With 306 illustrations.
| Author | : jan jagodzinski |
| Publisher | : Routledge |
| Total Pages | : 402 |
| Release | : 2018-12-07 |
| Genre | : Art |
| ISBN | : 1135458294 |
In Postmodern Dilemmas: Outrageous Essays in Art&Art Education and Pun(k) Deconstruction: Experifigural Writings in Art&Art Education, jan jagodzinski presents a series of essays covering a timespan of approximately ten years. These essays chart the theory and practice of art&art education as it relates to issues of postmodernity and poststructuralism concerning representation, identity politics, consumerism, postmodern architecture, ecology, phallocentrism of the artistic canon, pluriculturalism, media and technology, and AIDS. As a former editor of The Journal of Social Theory in Art Education and a founding member for the Caucus on Social Theory in Art Education, the author attempts to deconstruct the current art education paradigm, which is largely based on modernist tenets, and to reorient art education practice to social issues as developed in both media education and cultural studies. Part of the intent in these two volumes is to undertake a sustained critique of the 1982 Art in the Mainstream (A.I.M.) statement, which continues to be considered as the core value for art education. The distinct intention of this critique is to put forward a new value base for art&art education in these postmodern times. Many of the essays raise the need to be attentive to sex/gender issues in art&art education and the need to read the artistic discourse "otherwise." There is a sustained critique of the art programs developed by the Getty Center for the Arts, whose arts curriculum presents the paradigm case of late modernist thinking. Some essays are written in a provocative form that tries to accommodate such content. This is particularly the case in Pun(k) Deconstruction, where architectural discourse is deconstructed, and which includes an "artistic performance" given by the author in 1987. This singular set of volumes combines scholarship in the areas of gender studies, aesthetics, art history, art education, poststructuralism, and cultural studies in a unique blend of theory and practice for rethinking the field of art education.
| Author | : Susan K. Roll |
| Publisher | : Peeters Publishers |
| Total Pages | : 326 |
| Release | : 2001 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9789042910256 |
This volume offers a broad reflection on women's engagement in ritual and liturgy. The Central Theme section opens with a multi-faith dialogue on women and ritual. Denise J.J. Dijk discusses the Feminist Liturgical Movement in the Netherlands and the US. Teresa Berger explores the implications of the ancient axiom "lex orandi, lex credendi" for women's liturgical practice. Brigitte Enzner-Probst considers the role of the body in worship. Annette Esser encourages dynamic dialogue between women artists and women engaged in liturgy. Gabriella Lettini examines the concept of syncretism in the light of the relationship between gospel and culture. The Forum focuses on translation: Judith Hartenstein and Silke Petersen highlight the problems of inclusive-language translation of St John's Gospel, while Caroline Vander Stichele presents recent discussions of the Dutch translation of JHWH. In Women's Traditions, Rosine Lambin traces the adoption of the veiling of women in the early church. Bettina Kratz-Ritter discusses the decline and modern renewal of ancient Jewish women's birth rites intended to protect the newborn child. From the countries, Angela Berlis tracks the evolution of the German Old Catholic 'Women's Sunday' service from 1920 to the present. Charlotte Methuen reflects on issues of power and authority raised by women's presidency at the Eucharist. Finally, the Book Market lists recently-published works as well as reviews.
