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| Author | : Eleonora Rosati |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 300 |
| Release | : 2013-10-31 |
| Genre | : Law |
| ISBN | : 1782548947 |
Through an assessment of the originality requirement, this work guides the reader in interpreting judicial decisions which are of fundamental importance to current and future understanding of EU copyright. The book�s holistic approach and methodology t
| Author | : Eleonora Rosati |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 272 |
| Release | : 2013-10-31 |
| Genre | : Law |
| ISBN | : 9781782548935 |
'This book guides us expertly through the controversial area of originality, a concept which lies at the very foundation of copyright law, but which has never before been analysed in any depth as a topic in its own right. Originality has however now become a hot topic, given the controversial recent case law of the EU Court of Justice on it, and the manner in which some national courts in the EU are seeking to apply it, which makes this book especially timely.' - Trevor Cook, Bird & Bird LLP, UK
| Author | : Estelle Derclaye |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 667 |
| Release | : 2009-01-01 |
| Genre | : Law |
| ISBN | : 1848446004 |
. . . an important contribution to the study of EU copyright law. It provides a good overview of different aspects of copyright law in the European Union and comprises a prevailing guide which undoubtedly will be of great use to both academics and practitioners. Ghufran Sukkaryeh, European Intellectual Property Review Estelle Derclaye s book is indeed a Handbook on EU copyright law, since practically every aspect of copyright law is examined through the lens of EU law by foremost European specialists. But it goes further than providing an understanding of what has been and ought to be happening in EU copyright law: each chapter can touch a raw nerve in the copyright law of any country in the world. Rarely has it been so obvious that EU copyright law can be considered a laboratory for copyright law in general. Ysolde Gendreau, Université de Montréal, Canada It has been over fifteen years since the EU started harmonising copyright law. This original Handbook takes stock and questions what the future of EU copyright should be. What went wrong with the harmonisation acquis? What did the directives do well? Should copyright be further harmonised? Each of the 25 recognised copyright experts from different European countries gives a critical account of the EU harmonisation carried out on several aspects of copyright law (subject-matter, originality, duration, rights, defences etc.), and asks whether further harmonisation is desirable or not. This way, the Handbook not only gives guidance to European institutions as to what remains to be done or needs to be remedied but is also the first overall picture of current and future EU copyright law. This Handbook will be of great interest to academics and intellectual property lawyers, as well as general commercial lawyers, across Europe because it reviews European directives in the field of copyright and also the relationships between copyright and other laws. Policymakers will also find much to interest them in the discussions regarding the future of EU copyright law and the proposed amendments to the existing legal framework.
| Author | : Irini Stamatoudi |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 1303 |
| Release | : 2021-03-26 |
| Genre | : Law |
| ISBN | : 1786437805 |
This significantly revised and updated second edition addresses the rapid development of EU copyright law in relation to the advancement of new technologies, the need for a borderless digital market and the considerable number of EU legal instruments enacted as a result. Taking a comparative approach, the Commentary provides comprehensive coverage and in-depth commentary on each of the EU legal instruments and policies, both from an EU and an international perspective. Alongside full legislative analysis and article-by-article commentary, the Commentary illustrates the underlying basic principles of free movement and non-discrimination and provides insights into the influence of copyright on other areas of EU policy, including telecoms and bilateral trade agreements.
| Author | : Eleonora Rosati |
| Publisher | : Routledge Handbooks in Law |
| Total Pages | : 0 |
| Release | : 2023-01-09 |
| Genre | : Copyright |
| ISBN | : 9780367741549 |
The Routledge Handbook of EU Copyright Law provides a definitive survey of copyright harmonization in the European Union, capturing the essential and relevant issues of this relatively recent phenomenon. Over the past few years, two themes have emerged: on the one hand, copyright policy and legislative initiatives have intensified; on the other hand, the large number of references to the Court of Justice of the European Union has substantially shaped the EU copyright framework and, with it, the copyright framework of individual EU Member States. This handbook is a detailed reference source of original contributions which analyze and critically evaluate the state of EU copyright law with a view to detecting the key trends and patterns in the evolution of EU copyright, weighing the benefits and disadvantages of such evolution. It covers a broad range of topics through clusters focused on: the history and approaches to EU copyright harmonization; harmonization in the areas of exclusive rights, exceptions and limitations, and enforcement; copyright policy and legacy of harmonization. With contributions from a selection of highly regarded and leading scholars in this field, the Routledge Handbook on European Copyright Law is an essential resource for students and scholars who are interested in the field of copyright law.
| Author | : Eleonora Rosati |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 2012 |
| Genre | : Copyright |
| ISBN | : |
Over the last few years, political and academic attention has focused on the future of copyright at the EU level. Following two decades of piecemeal legislative interventions, which have resulted in a limited harmonisation of the copyright laws of EU Member States, a debate has ensued as to the feasibility and desirability of achieving full copyright harmonisation at the EU level. This might be obtained either through a EU copyright code, encompassing a codification of the present body of EU copyright directives, or by way of a regulation (to be enacted pursuant to new Article 118(1) TFEU), aimed at creating an optional unitary copyright title. Thus far, however, no such legislative initiatives have been undertaken. Despite this impasse, the CJEU has notably been acting in a proactive way, inching towards full harmonisation. With its 2009 decision in Case C-5/08 Infopaq, the Court provided a EU-wide understanding of an important principle of copyright: the originality requirement. The CJEU further elaborated upon this in subsequent case law (notably, Case C-393/09 Bezpečnostní Softwarová Asociace, Joined Cases C-403/08 and C-429/08 Murphy, Case C-145/10 Painer, Case C-604/10 Football Dataco and Case C-406/10 SAS). The meaning of originality adopted by the CJEU as a EU-wide standard is akin to that envisaged in continental Member States' copyright laws, thus differing from the loose notion of originality under UK law. As such, an examination as to the implications of CJEU harmonising jurisprudence in this Member State shall be undertaken, with regard to the scope of copyright protection and subject-matter categorisation. Overall, this contribution wishes to assess how, and to what extent, CJEU case law has resulted in de facto EU copyright harmonisation. In addition, it will attempt to foresee the fate of EU copyright in light of copyright reform projects which are currently being discussed in political and academic circles both in the US and Europe.
| Author | : Daniel J. Gervais |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 459 |
| Release | : 2017-03-31 |
| Genre | : Law |
| ISBN | : 1785369504 |
In this bold and persuasive work Daniel Gervais, one of the world’s leading thinkers on the subject of intellectual property, argues that the international copyright system is in need of a root and branch rethink. As the Internet alters the world in which copyright operates beyond all recognition, a world increasingly defined by the might of online intermediaries and spawning a generation who are simultaneously authors, users and re-users of creative works, the structure of copyright in its current form is inadequate and unfit for purpose. This ambitious and far-reaching book sets out to diagnose in some detail the problems faced by copyright, before eloquently mapping out a path for comprehensive and structured reform. It contributes a reasoned and novel voice to a debate that is all too often driven by ignorance and partisan self-interest.
| Author | : Tito Rendas |
| Publisher | : Kluwer Law International B.V. |
| Total Pages | : 400 |
| Release | : 2021-02-10 |
| Genre | : Law |
| ISBN | : 9403524006 |
Information Law Series Volume 45 In a copyright system characterised by broad and long-lasting exclusive rights, exceptions provide a vital counterweight, especially in times of rampant technological change. The EU’s controversial InfoSoc Directive – now two decades old – lists exceptions in which an unauthorised user will not have infringed the rightholder’s copyright. To reform or not to reform this legal framework – that is the question considered in great depth in this book, providing detailed theoretical and normative analysis of the Directive, the national and CJEU case law arising from it, and meticulously thought-out proposals for change. By breaking down the concepts of ‘flexibility’ and ‘legal certainty’ into a set of policy objectives and assessment criteria, the author thoroughly examines such core aspects of the framework as the following: the justifications for exceptions, e.g., safeguarding the fundamental rights of users; the regimes established in legislation and case law for key exceptions; the need to promote technological development; the importance of avoiding re-fragmentation caused by uncoordinated national legislative responses to technological changes; the legal status of digital technologies that rely on unauthorised uses of copyright-protected works; and the pros and cons of importing a fair use standard modelled after that of the United States. In an invaluable concluding chapter, the author puts forward a set of reform proposals, articulating their advantages and responding to potential objections. In doing so, the chapter also identifies, synthesises and critically examines the various proposals that have been advanced in the academic literature. In its decisive contribution to the debate around the InfoSoc Directive and the rules that guide its implementation, interpretation, and application, this book isolates the contentious structural features of the framework and examines them in a critical fashion. The author’s systematised review of scholarly and policymaking proposals for increasing flexibility and legal certainty in EU copyright law will be welcomed by practitioners in intellectual property law and other areas of economic law, as well as by interested policymakers and scholars.
| Author | : Eleonora Rosati |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 528 |
| Release | : 2021-08-26 |
| Genre | : Law |
| ISBN | : 9780198858591 |
This book provides an article-by-article commentary to all the provisions of Directive 2019/790 on copyright in the Digital Single Market. It is the first complete commentary to Directive 2019/790, analyzing the history, objectives, and content of each and every provision.
| Author | : Jan Bernd Nordemann |
| Publisher | : Kluwer Law International B.V. |
| Total Pages | : 605 |
| Release | : 2021-08-23 |
| Genre | : Law |
| ISBN | : 9403532815 |
Data, in its raw or unstructured form, has become an important and valuable economic asset, lending it the sobriquet of ‘the oil of the twenty-first century’. Clearly, as intellectual property, raw data must be legally defined if not somehow protected to ensure that its access and re-use can be subject to legal relations. As legislators struggle to develop a settled legal regime in this complex area, this indispensable handbook will offer a careful and dedicated analysis of the legal instruments and remedies, both existing and potential, that provide such protection across a wide variety of national legal systems. Produced under the auspices of the International Association for the Protection of International Property (AIPPI), more than forty of the association’s specialists from twenty-three countries worldwide contribute national chapters on the relevant law in their respective jurisdictions. The contributions thoroughly explain how each country approaches such crucial matters as the following: if there is any intellectual property right available to protect raw data; the nature of such intellectual property rights that exist in unstructured data; contracts on data and which legal boundaries stand in the way of contract drafting; liability for data products or services; and questions of international private law and cross-border portability. Each country’s rules concerning specific forms of data – such as data embedded in household appliances and consumer goods, criminal offence data, data relating to human genetics, tax and bank secrecy, medical records, and clinical trial data – are described, drawing on legislation, regulation, and case law. A matchless legal resource on one of the most important raw materials of the twenty-first century, this book provides corporate counsel, practitioners and policymakers working in the field of intellectual property rights, and concerned academics with both a broad-based global overview on emerging legal strategies in the protection of unstructured data and the latest information on existing legislation and regulation in the area.
