Orientalist Aesthetics

Orientalist Aesthetics
Author: Roger Benjamin
Publisher: Univ of California Press
Total Pages: 394
Release: 2003-02-03
Genre: Architecture
ISBN: 0520924401

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Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.

Orientalist Aesthetics

Orientalist Aesthetics
Author: Roger Benjamin
Publisher: Univ of California Press
Total Pages: 459
Release: 2003-02-03
Genre:
ISBN: 0520420640

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Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.

Orientalism

Orientalism
Author: Edward W. Said
Publisher: Vintage
Total Pages: 434
Release: 2014-10-01
Genre: Social Science
ISBN: 0804153868

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A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

The Orientalists

The Orientalists
Author: Kristian Davies
Publisher:
Total Pages: 312
Release: 2005
Genre: Art
ISBN:

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The Orientalists pursues the mid to late 19th century, when American and European artists traveled and painted throughout the Holy Land and India. The highly cinematic images they created suggest a great influence on modern visual culture.

French Women Orientalist Artists, 1861–1956

French Women Orientalist Artists, 1861–1956
Author: Mary Kelly
Publisher: Routledge
Total Pages: 270
Release: 2021-07-26
Genre: Art
ISBN: 1000405346

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This book is the first full-length study dedicated to French women Orientalist artists. Mary Kelly has gathered primary documentation relating to seventy-two women artists whose works of art can be placed in the canon of French Orientalism between 1861 and 1956. Bringing these artists together for the first time and presenting close contextual analyses of works of art, attention is given to artists’ cross-cultural interactions with painted/sculpted representations of the Maghreb particularly in Algeria, Tunisia and Morocco. Using an interdisciplinary ‘open platform of discussion’ approach, Kelly builds on established theory which places emphases on the gendered gaze. This entails a discussion on women’s painted perspectives of and contacts with Muslim women as well as various Maghrebi cultures and land—all the while remaining mindful of the subject position of the French artist and the problematic issues which can arise when discussing European-made ‘ethnographic’ scenes. Kelly argues that French women’s perspectives of the Maghreb differed from the male gaze and were informed by their artistic training and social positions in Europe. In so doing, French women’s socio-cultural modernity is also examined. Moreover, executed between 1861 and 1956, the works of art presented show influences of Modernism; therefore, this book also pays close attention to progressive Realism and Naturalism in art and the Orientalist shift into Modernist subject matter and form. Through this research into French women Orientalists, Kelly engages with important discussions on the crossing view of the historical female other with the cultural other, artistic hybridity and influence in art as well as the postcolonial response to French activities in colonial Algeria and the protectorates of Tunisia and Morocco. On giving focus to women’s art and the impact of cross-cultural interchanges, this book rethinks Orientalism in French art. This book will be of particular interest to scholars in the history of art, gender studies, history, and Middle Eastern and North African studies.

The Homoerotics of Orientalism

The Homoerotics of Orientalism
Author: Joseph A. Boone
Publisher: Columbia University Press
Total Pages: 538
Release: 2014-03-18
Genre: Literary Criticism
ISBN: 0231151101

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The place of the Middle East in European heterosexual fantasy is well documented in the works of Edward Said and others, yet few have considered the male Anglo-European (and, later, American) writers, artists, travelers, and thinkers compelled to represent what, to their eyes, seemed to be an abundance of erotic relations between men in the Islamicate world. Whether feared or desired, the mere possibility of sexual contact with or between men in the Middle East has covertly underwritten much of the appeal and practice of the enterprise of Orientalism, frequently repeating yet just as often upending its assumed meanings. Traces of this undertow abound in European and Middle Eastern fiction, diaries, travel literature, erotica, ethnography, painting, photography, film, and digital media. Joseph Allen Boone explores these vast representations, linking European art to Middle Eastern sources largely unfamiliar to Western audiences and, in some cases, reproduced in this volume for the first time.

Orientalism and Islam: Oxford Bibliographies Online Research Guide

Orientalism and Islam: Oxford Bibliographies Online Research Guide
Author: Oxford University Press
Publisher: Oxford University Press, USA
Total Pages: 31
Release: 2010-05-01
Genre: Social Science
ISBN: 0199804109

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This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In Islamic studies, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is a static version of an article from Oxford Bibliographies Online: Islamic Studies, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of the Islamic religion and Muslim cultures. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.

The Anxiety of Autonomy and the Aesthetics of German Orientalism

The Anxiety of Autonomy and the Aesthetics of German Orientalism
Author: Nicholas A. Germana
Publisher: Boydell & Brewer
Total Pages: 279
Release: 2017
Genre: History
ISBN: 1640140026

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A history of Kantian and post-Kantian thought and of a foundational stage of German orientalism. German orientalism has been understood, variously, as a form of latent colonialism, as a quest for academic hegemony in Europe, and as an effort to diagnose and treat the ills of modern Western culture. Nicholas Germana identifiesa different impetus for orientalism in German thought, seeing it as an effort to come to grips with the Other within German society at the turn of the nineteenth century and within the dynamics of subjectivity itself. Drawing largely on work by feminist scholars, the book uncovers an anxiety at the core of Kantian and post-Kantian thought, thus shedding light on its derogation (or elevation) of Oriental cultures. Kant's philosophy of freedom is a construction of modern, Western masculinity. Reason, which alone can make freedom possible, subverts and orders chaotic nature and protects the rational subject from the enervating influences of the senses and the imagination. The feminized, sexually charged Orient is a threat to the historical achievement of Western male rationality. Germana's book emphasizes aesthetics in the German orientalist discourse, a subject that has received little attention todate. In this tradition of German thought, aesthetics became a form of spiritual anthropology, ordering and classifying societies, races, and genders in terms of their ability to master the senses and the imagination, forces thatundermine rational autonomy, the very source of human (i.e., masculine) dignity. Nicholas A. Germana is Professor of History at Keene State College, New Hampshire.

Istanbul Exchanges

Istanbul Exchanges
Author: Mary Roberts
Publisher: Univ of California Press
Total Pages: 278
Release: 2015-03-21
Genre: Art
ISBN: 0520280539

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"A vibrant artistic milieu emerged in the late-nineteenth century Istanbul that was extremely heterogeneous, including Ottoman, Ottoman-Armenian, French, Italian, British, Polish and Ottoman-Greek artists. Roberts analyzes the ways artistic output intersected with the broader political agenda of a modernizing Ottoman state. She draws on extensive original research, bringing together sources in Turkey, England, France, Italy, Armenia, Poland and Denmark. Five chapters each address a particular issue related to transcultural exchange across the east-west divide that is focused on a particular case study of art, artistic patronage, and art exhibitions in nineteenth-century Istanbul"--Provided by publisher.

Orientalism

Orientalism
Author: Richard Harrison Martin
Publisher: Metropolitan Museum of Art
Total Pages: 97
Release: 1994
Genre: Clothing and dress
ISBN: 0870997335

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Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t