Ophelia's Songs from Hamlet
Author | : Kenneth Meek |
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Author | : Kenneth Meek |
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Author | : Caridad Svich |
Publisher | : Lulu.com |
Total Pages | : 95 |
Release | : 2008-05-16 |
Genre | : Fiction |
ISBN | : 0615212727 |
"Previously published in the anthology Performed the here and now: an introduction to contemporary theater and performance edited by Chris Danowski ... and also in the independent literary journal CallReview (issue #2, 2004)"--T.p. verso.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 132 |
Release | : 1905 |
Genre | : Miniature books |
ISBN | : |
Author | : Maude Valerie White |
Publisher | : |
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Author | : Dmitri N Smirnov |
Publisher | : Independently Published |
Total Pages | : 28 |
Release | : 2019-04-04 |
Genre | : |
ISBN | : 9781794536104 |
Five Ophelia's Mad Songs by William Shakespeare from his tragedy "Hamlet" were set to music by Russian/British composer Dmitri N. Smirnov in January 2019. The soprano is accompanied here by string trio (violin, viola and cello). In this edition the full score and parts are provided. If a singer for some reason would prefer to perform these songs in Russian instead of the original English, there is a Russian singable translation provided (see page 4). The soprano and piano version of these songs is also available (see op. 197a in a separate edition: Meladina Music series No. 30). Dmitri Nikolayevich Smirnov is a composer with an international reputation who graduated from Moscow Conservatoire and studied in with composers Edison Denisov and Philip Herschkowitz (a student of both Alban Berg and Anton Webern). He wrote near 200 compositions in all possible genres of contemporary classical music. Since 1991 he lives and works in England.
Author | : Leslie C. Dunn |
Publisher | : Cambridge University Press |
Total Pages | : 278 |
Release | : 1994 |
Genre | : Music |
ISBN | : 9780521585835 |
As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.
Author | : Dan Carroll |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2009-08-24 |
Genre | : Hamlet (Legendary character) |
ISBN | : 9781448688784 |
Graphic novel adaptation of Prince Hamlet's struggle to deliver justice on his own terms.
Author | : Erin Minear |
Publisher | : Routledge |
Total Pages | : 338 |
Release | : 2016-04-08 |
Genre | : Literary Criticism |
ISBN | : 1317063724 |
In this study, Erin Minear explores the fascination of Shakespeare and Milton with the ability of music-heard, imagined, or remembered-to infiltrate language. Such infected language reproduces not so much the formal or sonic properties of music as its effects. Shakespeare's and Milton's understanding of these effects was determined, she argues, by history and culture as well as individual sensibility. They portray music as uncanny and divine, expressive and opaque, promoting associative rather than logical thought processes and unearthing unexpected memories. The title reflects the multiple and overlapping meanings of reverberation in the study: the lingering and infectious nature of musical sound; the questionable status of audible, earthly music as an echo of celestial harmonies; and one writer's allusions to another. Minear argues that many of the qualities that seem to us characteristically 'Shakespearean' stem from Shakespeare's engagement with how music works-and that Milton was deeply influenced by this aspect of Shakespearean poetics. Analyzing Milton's account of Shakespeare's 'warbled notes,' she demonstrates that he saw Shakespeare as a peculiarly musical poet, deeply and obscurely moving his audience with language that has ceased to mean, but nonetheless lingers hauntingly in the mind. Obsessed with the relationship between words and music for reasons of his own, including his father's profession as a composer, Milton would adopt, adapt, and finally reject Shakespeare's form of musical poetics in his own quest to 'join the angel choir.' Offering a new way of looking at the work of two major authors, this study engages and challenges scholars of Shakespeare, Milton, and early modern culture.
Author | : Dmitri N. Smirnov |
Publisher | : Meladina Music |
Total Pages | : 28 |
Release | : 2019-02-13 |
Genre | : Music |
ISBN | : 9781796822953 |
Five Ophelia's Mad Songs by William Shakespeare from his tragedy "Hamlet" were set to music by Russian/British composer Dmitri N. Smirnov in January 2019. The soprano is accompanied here by piano. If a singer for some reason would prefer to perform these songs in Russian instead of the original English, there is a Russian singable translation provided (see page 4). The soprano and string trio version of these songs is also available (see op. 197 in a separate edition: Meladina Music series No. 29). Dmitri Nikolayevich Smirnov is a composer with an international reputation who graduated from Moscow Conservatoire and studied in with composers Edison Denisov and Philip Herschkowitz (a student of both Alban Berg and Anton Webern). He wrote near 200 compositions in all possible genres of contemporary classical music. Since 1991 he lives and works in England.