On Style in Victorian Fiction

On Style in Victorian Fiction
Author: Daniel Tyler
Publisher: Cambridge University Press
Total Pages: 329
Release: 2022-01-06
Genre: Literary Criticism
ISBN: 1108427510

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Demonstrates the importance of attending to literary style in Victorian novels and provides exemplary readings of major novelists.

Stylistic Virtue and Victorian Fiction

Stylistic Virtue and Victorian Fiction
Author: Matthew Sussman
Publisher: Cambridge University Press
Total Pages: 275
Release: 2021-07
Genre: History
ISBN: 1108832946

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Offers a deep history of style in theory and practice that transforms our understanding of style in the novel.

Companion to Victorian Popular Fiction

Companion to Victorian Popular Fiction
Author: Kevin A. Morrison
Publisher: McFarland
Total Pages: 318
Release: 2018-10-10
Genre: Literary Criticism
ISBN: 1476633592

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 This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.

The Worlds of Victorian Fiction

The Worlds of Victorian Fiction
Author: Jerome Hamilton Buckley
Publisher: Harvard University Press
Total Pages: 434
Release: 1975
Genre: Literary Criticism
ISBN: 9780674962057

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Victorian Publishing

Victorian Publishing
Author: Alexis Weedon
Publisher: Routledge
Total Pages: 192
Release: 2017-03-02
Genre: Literary Criticism
ISBN: 1351875868

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Drawing on research into the book-production records of twelve publishers-including George Bell & Son, Richard Bentley, William Blackwood, Chatto & Windus, Oliver & Boyd, Macmillan, and the book printers William Clowes and T&A Constable - taken at ten-year intervals from 1836 to 1916, this book interprets broad trends in the growth and diversity of book publishing in Victorian Britain. Chapters explore the significance of the export trade to the colonies and the rising importance of towns outside London as centres of publishing; the influence of technological change in increasing the variety and quantity of books; and how the business practice of literary publishing developed to expand the market for British and American authors. The book takes examples from the purchase and sale of popular fiction by Ouida, Mrs. Wood, Mrs. Ewing, and canonical authors such as George Eliot, Wilkie Collins, and Mark Twain. Consideration of the unique demands of the educational market complements the focus on fiction, as readers, arithmetic books, music, geography, science textbooks, and Greek and Latin classics became a staple for an increasing number of publishing houses wishing to spread the risk of novel publication.

Serials to Graphic Novels

Serials to Graphic Novels
Author: Catherine J. Golden
Publisher: University Press of Florida
Total Pages: 353
Release: 2018-10-01
Genre: Literary Criticism
ISBN: 0813063736

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The Victorian illustrated book came into being, flourished, and evolved during the long nineteenth century. While existing scholarship on Victorian illustrators largely centers on the realist artists of the "Sixties," this volume examines the entire lifetime of the Victorian illustrated book. Catherine Golden offers a new framework for viewing the arc of this vibrant genre, arguing that it arose from and continually built on the creative vision of the caricature-style illustrators of the 1830s. She surveys the fluidity of illustration styles across serial installments, British and American periodicals, adult and children’s literature, and--more recently--graphic novels. Serials to Graphic Novels examines widely recognized illustrated texts, such as The Pickwick Papers, Oliver Twist, Alice in Wonderland, Peter Rabbit, and Trilby. Golden explores factors that contributed to the early popularity of the illustrated book—the growth of commodity culture, a rise in literacy, new printing technologies—and that ultimately created a mass market for illustrated fiction. Golden identifies present-day visual adaptations of the works of Austen, Dickens, and Trollope as well as original Neo-Victorian graphic novels like The League of Extraordinary Gentlemen and Victorian-themed novels like Batman: Noël as the heirs to the Victorian illustrated book. With these adaptations and additions, the Victorian canon has been refashioned and repurposed visually for new generations of readers.

From Sketch to Novel

From Sketch to Novel
Author: Amanpal Garcha
Publisher:
Total Pages: 464
Release: 2001
Genre:
ISBN:

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The penny politics of Victorian popular fiction

The penny politics of Victorian popular fiction
Author: Rob Breton
Publisher: Manchester University Press
Total Pages: 255
Release: 2021-06-01
Genre: Literary Criticism
ISBN: 1526156377

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Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan’s longest and most significant people’s movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.

The Victorian Art of Fiction

The Victorian Art of Fiction
Author: Rohan Maitzen
Publisher: Broadview Press
Total Pages: 345
Release: 2009-06-11
Genre: Literary Criticism
ISBN: 155111769X

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The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”