Oaklawn Cemetery Ramble
Author | : Marston C. Leonard |
Publisher | : |
Total Pages | : 14 |
Release | : 1988 |
Genre | : Cemeteries |
ISBN | : |
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Author | : Marston C. Leonard |
Publisher | : |
Total Pages | : 14 |
Release | : 1988 |
Genre | : Cemeteries |
ISBN | : |
Author | : Shelby Jean Roberson Bender |
Publisher | : Arcadia Publishing |
Total Pages | : 130 |
Release | : 2013 |
Genre | : Architecture |
ISBN | : 0738598534 |
Its abundant history is uniquely told with a leisurely stroll through the city's historic cemeteries. Oaklawn Cemetery, Tampa's first public burial ground, was created in 1850 when Tampa had only 500 residents. By the late 1800s, some of Tampa's most prominent citizens were buried in newly formed cultural and social club burial grounds.
Author | : Ren Davis |
Publisher | : University of Georgia Press |
Total Pages | : 252 |
Release | : 2012 |
Genre | : History |
ISBN | : 0820343137 |
Through engaging narrative, rich photography, archival images and detailed maps, a versatile guide to Atlanta's oldest public cemetery is a great way to tour the cemetery's landscape of remembrance, as well as a unique way to explore Atlanta's history. Original.
Author | : Yetive Brooks Olson |
Publisher | : |
Total Pages | : 8 |
Release | : 1991 |
Genre | : Cemeteries |
ISBN | : |
Author | : Eric Peterson |
Publisher | : ReadHowYouWant.com |
Total Pages | : 398 |
Release | : 2011-01-19 |
Genre | : Reference |
ISBN | : 145873000X |
Every Texan has a personal vision of the true Texas. The problem is every Texan has a different personal vision of the true Texas. An outsider is free to see the many sides of the Lone Star State, and seasoned travel writer Eric Peterson bellies up to do just that.Combining classic guidebook fare with lesser-known destinations, Ramble Texas creates a unique approach to travel. From eating mesquite-smoked BBQ on the border, tracking the Texas Chupacabra (a vampiric legend known for sucking goats dry), and sipping a Shiner under a two-headed calf at the Buckhorn Saloon to visiting the Cockroach Hall of Fame and Museum, Ramble Texas provides plenty of ideas for how to spend your time. In between the state's regional chapters, Peterson's travelogues recount adventures and encounters, such as ''Oil, Power, and Money''in Houston; ''Border Run''along the Rio Grande; and ''lone Rockstar Tour,''a musical road trip from the Panhandle to the heart of Austin.
Author | : William B. Lees |
Publisher | : University Press of Florida |
Total Pages | : 523 |
Release | : 2014-10-07 |
Genre | : History |
ISBN | : 0813047641 |
One hundred and fifty years ago, Florida was shaken by battle, blockade, economic deprivation, and the death of native sons both within and far outside its borders. Today, tributes to the valor and sacrifice of Florida’s soldiers, sailors, and civilians can be found from the Panhandle to the Keys. Authors Lees and Gaske look at the diversity of Civil War monuments built in Florida between Reconstruction and the present day, elucidating their emblematic and social dimensions. Most monuments built in Florida honor the Confederacy, praising the valor of Southern soldiers and often extolling the righteousness of their “Lost Cause.” At the same time, a fascinating minority of Union monuments also exists in the state—and these bear notably muted messages. Recalling Deeds Immortal shows how the creation of these bronze and stone monuments created new social battlegrounds as, over the years, groups such as the Ladies’ Memorial Associations, United Daughters of the Confederacy, and the Grand Army of the Republic competed to control the messages behind the memorialization of fallen soldiers and veterans. Examining the evolution of Civil War monuments, the authors demonstrate that the construction of these memorials is itself an important part of Civil War and post-Civil War history.
Author | : |
Publisher | : |
Total Pages | : 19 |
Release | : 2018 |
Genre | : Cemeteries |
ISBN | : |
Author | : Kate Sweeney |
Publisher | : University of Georgia Press |
Total Pages | : 232 |
Release | : 2014-03-15 |
Genre | : Social Science |
ISBN | : 0820346896 |
An award-winning writer explores the patchwork American cultural history of grieving the departed. One family inters their matriarch’s ashes on the floor of the ocean. Another holds a memorial weenie roast each year at a green-burial cemetery. An 1898 ad for embalming fluid promises, “You can make mummies with it!” while a leading contemporary burial vault is touted as impervious to the elements. A grieving mother, 150 years ago, might spend her days tending a garden at her daughter’s grave. Today, she might tend the roadside memorial she erected where her daughter was killed. One mother wears a locket containing her daughter’s hair; the other, a necklace containing her ashes. What happens after someone dies depends on our personal stories and on where those stories fall in a larger tale―that of death in America. It’s a powerful tale that we usually keep hidden from our everyday lives until we have to face it. American Afterlife by Kate Sweeney reveals this world through a collective portrait of Americans past and present who are personally involved with death: obit writers in the desert, an Atlantic funeral voyage, a fourth-generation funeral director―even a midwestern museum that shows us our death-obsessed Victorian progenitors. Each story illuminates details in another, revealing a landscape that feels at once strange and familiar, one that’s by turns odd, tragic, poignant, and sometimes even funny. “Sweeney’s quest for the “why” behind mourning rituals has given us a book in the best tradition of narrative journalism.”—Jessica Handler, author of Braving the Fire: A Guide to Writing about Grief and Loss
Author | : Jacques D'Amboise |
Publisher | : Knopf |
Total Pages | : 465 |
Release | : 2011-03-01 |
Genre | : Biography & Autobiography |
ISBN | : 0307595234 |
“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.