Excerpt from Notes and Queries: Medium of Enter-Communication for Literary Men, Artists, Antiquaries, Genealogists, Etc A Happy New Year to you, gentle readers, one and all! It is now Nine Years since we first opened our columns for the use of all inquiring spirits, "Omni quaerenti et scire volenti," and each of those Nine Years has seen an increase in the number of our Friends, and in our consequent usefulness. The obvious utility of the object for which this Journal was started, namely, "to assist Men of Letters and of Research in their pursuits, by furnishing them with a Medium of Inter-communication," is doubtless one great cause of our success. Something may also be due to the rule which excludes from these pages all harsh and uncorteous discussions. Even if this rule has not contributed to our success, it has made Notes and Queries what it now is, that summum bonum of all philosophers - "a happy Medium." We shall endeavour to maintain this essential characteristic of our publication. We have no objection to preside over a passage of arms; but when the combatants wax wroth, we must be permitted, as of old, to throw down our truncheon and close the lists. And so, once more, Gentle Readers, we bid You a Happy New Year! Josuah Sylvester and His Works. Little is known of the personal history of this once highly popular, but now totally neglected poet. It has been surmised that pecuniary difficulties drove him into exile, where he languished and died, and was soon forgotten. The suspicion may be fairly controverted - the assertion is too true. with the exception of that typographical curiosity, his lachrym Lachrymarum (a monody on the premature demise of his patron, Prince Henry, eldest son of James I.), and three brief extracts from his lighter compositions, inserted in Ellis's Specimens of the Early British Poets, probably few are aware how many other pieces, original and translated, this proto-musus of the Puritans committed to the press; and how deeply was the most illustrious of our sacred poets indebted to him for some of his choicest similes, as well as the most apposite of his phrases. Sylvester culled the flowers which the genius of Milton disposed. This interesting fact was first noted, in 1750, by Lauder, in his splenetic Essay on Milton's Use and Imitation of the Moderns; and, half a century later, was confirmed more at large by Dunster, in his Letter to Dr. Falconer. Sylvester's Du Bartas "contains (says the last-mentioned critic) more material prima stamina of the Paradise Lost than, as I believe, any other book whatever; and my hypothesis is, that it postively laid the first stone of that monumentum re perennius." And he proceeds to establish his hypothesis by innumerable quotations from, and comparisons of, the principal works of the two poets. The interesting fact alone of Milton's obligations to him ought to preserve from oblivion the name of Du Bartas's ingenious paraphrast. No author was more highly esteemed by his poetical contemporaries than Josuah Sylvester, by whom he was commonly styled "The Silver-tongued," for the smoothness of his versification. He was not more distinguished for his learning and ingenuity than for his many virtues and piety. Anthony a Wood incidentally describes him as "a saint on earth, a true Nathanael, a Christian Israelite;" and John Vicars, the Puritan, who sang his requiem, testifies also of him as one. "Whom envy scarce could hate, whom all admired, Who lived beloved, and a Saint expired." He was a native of Kent, and was born in the year 1563. The only education he received was under Dr. Adrianus Saravia of Southampton, with whom he continued from the age of nine to twelve, and of whose "love and labors" he makes grateful acknowledgements in one of his latest poems: - ..".My Saravia, to whoe rev'rend name Mine owes the honor of Du Bartas' fame. From 'th ample cisterns of his sea of"