Non-Attic Greek Vase Inscriptions

Non-Attic Greek Vase Inscriptions
Author: Rudolf Wachter
Publisher: Oxford University Press on Demand
Total Pages: 397
Release: 2001
Genre: Foreign Language Study
ISBN: 0198140932

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The inscriptions that accompany the painted scenes on non-Attic Greek vases are an extremely important source for knowledge of ancient Greek, in particular colloquial language and signs of foreign dialect. The corpus of material is made all the more valuable because the inscriptions were painted or incised before firing, and thus cannot be held suspect as possible later additions. In this volume, Dr Wachter provides a detailed catalogue of such inscriptions together with a commentary andseparate analysis dedicated to the examination of epigraphical, philological, and onomastic aspects of this unusually illuminating type of evidence. This he does in the full context of the vase-paintings and associated myths to which the inscriptions are attached.

Non-Attic Greek Vase Inscriptions

Non-Attic Greek Vase Inscriptions
Author: Rudolf Wachter
Publisher:
Total Pages: 0
Release: 1991
Genre: Inscriptions, Greek
ISBN:

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Epigraphy of Art

Epigraphy of Art
Author: Dimitrios Yatromanolakis
Publisher: Archaeopress Publishing Ltd
Total Pages: 216
Release: 2016-12-31
Genre: Social Science
ISBN: 1784914878

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Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.

The So-called Nonsense Inscriptions on Ancient Greek Vases

The So-called Nonsense Inscriptions on Ancient Greek Vases
Author: Sara Chiarini
Publisher: BRILL
Total Pages: 557
Release: 2018-08-07
Genre: Literary Criticism
ISBN: 9004371206

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As the first extensive survey of the ancient Greek painters’ practice of writing nonsense on vases, The So-called Nonsense Inscriptions on Ancient Greek Vases by Sara Chiarini provides a systematic overview of the linguistic features of the phenomenon and discusses its forms and contexts of reception. While the origins of the practice lie in the impaired literacy of the painters involved in it, the extent of the phenomenon suggests that, at some point, it became a true fashion within Attic vase painting. This raises the question of the forms of interaction with this epigraphic material. An open approach is adopted: “reading” attempts, riddles and puns inspired by nonsense inscriptions could happen in a variety of circumstances, including the symposium but not limited to it.

Epigraphy of Art

Epigraphy of Art
Author: Dimitrios Yatromanolakis
Publisher: Archaeopress Archaeology
Total Pages: 0
Release: 2016
Genre: SOCIAL SCIENCE
ISBN: 9781784914868

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Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.

Looking at Greek Vases

Looking at Greek Vases
Author: Tom Rasmussen
Publisher: Cambridge University Press
Total Pages: 210
Release: 1991-07-26
Genre: Art
ISBN: 9780521376792

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An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.

Approaches to the Study of Attic Vases

Approaches to the Study of Attic Vases
Author: Philippe Rouet
Publisher: Oxford Monographs on Classical Archaeology
Total Pages: 202
Release: 2001
Genre: Art
ISBN: 9780198152729

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By showing how both interpretations have gained support in the more recent past, this work aims to provide a better understanding of the issues involved in the study of pottery today."--BOOK JACKET.

Greek and Roman Networks in the Mediterranean

Greek and Roman Networks in the Mediterranean
Author: Irad Malkin
Publisher: Routledge
Total Pages: 336
Release: 2013-09-13
Genre: Business & Economics
ISBN: 1317991141

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How useful is the concept of "network" for historical studies and the ancient world in particular? Using theoretical models of social network analysis, this book illuminates aspects of the economic, social, religious, and political history of the ancient Greek and Roman worlds. Bringing together some of the most active and prominent researchers in ancient history, this book moves beyond political institutions, ethnic, and geographical boundaries in order to observe the ancient Mediterranean through a perspective of network interaction. It employs a wide range of approaches, and to examine relationships and interactions among various social entities in the Mediterranean. Chronologically, the book extends from the early Iron Age to the late Antique world, covering the Mediterranean between Antioch in the east to Massalia (Marseilles) in the west. This book was published as two special issues in Mediterranean Historical Review.

Image and Myth

Image and Myth
Author: Luca Giuliani
Publisher: University of Chicago Press
Total Pages: 356
Release: 2013-09-11
Genre: Art
ISBN: 022602590X

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On museum visits, we pass by beautiful, well-preserved vases from ancient Greece—but how often do we understand what the images on them depict? In Image and Myth, Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition—the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, Image and Myth builds a new way of understanding the visual culture of ancient Greece.