New York by Gas-Light and Other Urban Sketches

New York by Gas-Light and Other Urban Sketches
Author: George G. Foster
Publisher: Univ of California Press
Total Pages: 262
Release: 1990-11-21
Genre: History
ISBN: 9780520909472

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First published in 1850, New York by Gas-Light explores the seamy side of the newly emerging metropolis: "the festivities of prostitution, the orgies of pauperism, the haunts of theft and murder, the scenes of drunkenness and beastly debauch, and all the sad realities that go to make up the lower stratum—the underground story—of life in New York!" The author of this lively and fascinating little book, which both attracted and offended large numbers of readers in Victorian America, was George G. Foster, reporter for Horace Greeley's influential New York Tribune, social commentator, poet, and man about town. Foster drew on his daily and nightly rambles through the city's streets and among the characters of the urban demi-monde to produce a sensationalized but extraordinarily revealing portrait of New York at the moment it was emerging as a major metropolis. Reprinted here with sketches from two of Foster's other books, New York by Gas-Light will be welcomed by students of urban social history, popular culture, literature, and journalism. Editor Stuart M. Blumin has provided a penetrating introductory essay that sets Foster's life and work in the contexts of the growing city, the development of the mass-distribution publishing industry, the evolving literary genre of urban sensationalism, and the wider culture of Victorian America. This is an important reintroduction to a significant but neglected work, a prologue to the urban realism that would flourish later in the fiction of Stephen Crane, the painting of George Bellows, and the journalism of Jacob Riis.

New York by Gas-light

New York by Gas-light
Author: George G. Foster
Publisher:
Total Pages: 270
Release: 1850
Genre: New York (City)
ISBN:

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New York by Gaslight

New York by Gaslight
Author: George G. Foster
Publisher:
Total Pages: 127
Release: 1853
Genre: New York (N.Y.)
ISBN:

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Picturesque Literature and the Transformation of the American Landscape, 1835-1874

Picturesque Literature and the Transformation of the American Landscape, 1835-1874
Author: John Evelev
Publisher: Oxford University Press
Total Pages: 289
Release: 2021
Genre: Literary Criticism
ISBN: 0192894552

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Picturesque Literature and the Transformation of the American Landcape, 1835-1874 recovers the central role that the picturesque, a popular mode of scenery appreciation that advocated for an improved and manipulated natural landscape, played in the social, spatial, and literary history of mid-nineteenth century America. It argues that the picturesque was not simply a landscape aesthetic, but also a discipline of seeing and imaginatively shaping the natural that was widely embraced by bourgeois Americans to transform the national landscape in their own image. Through the picturesque, mid-century bourgeois Americans remade rural spaces into tourist scenery, celebrated the city streets as spaces of cultural diversity, created new urban public parks, and made suburban domesticity a national ideal. This picturesque transformation was promoted in a variety of popular literary genres, all focused on landscape description and all of which trained readers into the protocols of picturesque visual discipline as social reform. Many of these genres have since been dubbed minor or have been forgotten by our literary history, but the ranks of the writers of this picturesque literature include everyone from the most canonical (Hawthorne, Melville, Thoreau, Emerson, and Poe), to major authors of the period now less familiar (such as Henry Wadsworth Longfellow, Lydia Maria Child, Nathaniel Parker Willis, and Margaret Fuller), to those now completely forgotten. Individual chapters of the book link picturesque literary genres to the spaces that the genres helped to transform and, in the process, create what is recognizably our modern American landscape.

How New York Became American, 1890–1924

How New York Became American, 1890–1924
Author: Art M. Blake
Publisher: Johns Hopkins University Press
Total Pages: 257
Release: 2020-04-14
Genre: History
ISBN: 1421439220

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Blake weaves a compelling story of a city's struggle for metropolitan and national status and its place in the national imagination.

New York and the First World War

New York and the First World War
Author: Ross J. Wilson
Publisher: Routledge
Total Pages: 274
Release: 2016-05-06
Genre: History
ISBN: 1317087704

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The First World War constitutes a point in the history of New York when its character and identity were challenged, recast and reinforced. Due to its pre-eminent position as a financial and trading centre, its role in the conflict was realised far sooner than elsewhere in the United States. This book uses city, state and federal archives, newspaper reports, publications, leaflets and the well-established ethnic press in the city at the turn of the century to explore how the city and its citizens responded to their role in the First World War, from the outbreak in August 1914, through the official entry of the United States in to the war in 1917, and after the cessation of hostilities in the memorials and monuments to the conflict. The war and its aftermath forever altered politics, economics and social identities within the city, but its import is largely obscured in the history of the twentieth century. This book therefore fills an important gap in the histories of New York and the First World War.

Paradoxes of Prosperity

Paradoxes of Prosperity
Author: Lorman A. Ratner
Publisher: University of Illinois Press
Total Pages: 171
Release: 2010-10-01
Genre: History
ISBN: 0252092228

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In the midst of the United States' immense economic growth in the 1850s, Americans worried about whether the booming agricultural, industrial, and commercial expansion came at the price of cherished American values such as honesty, hard work, and dedication to the common good. Was the nation becoming greedy, selfish, vulgar, and cruel? Was there such a thing as too much prosperity? At the same time, the United States felt the influence of the rise of popular mass-circulation newspapers and magazines and the surge in American book publishing. Concern over living correctly as well as prosperously was commonly discussed by leading authors and journalists, who were now writing for ever-expanding regional and national audiences. Women became more important as authors and editors, giving advice and building huge markets for women readers, with the magazine Godey's Lady's Book and novels by Susan Warner, Maria Cummins, and Harriet Beecher Stowe expressing women's views about the troubled state of society. Best-selling male writers--including novelist George Lippard, historian George Bancroft, and travel writer Bayard Taylor--were among those adding their voices to concerns about prosperity and morality and about America's place in the world. Writers and publishers discovered that a high moral tone could be exceedingly good for business. The authors of this book examine how popular writers and widely read newspapers, magazines, and books expressed social tensions between prosperity and morality. This study draws on that nationwide conversation through leading mass media, including circulation-leading newspapers, the New York Herald and the New York Tribune, plus prominent newspapers from the South and West, the Richmond Enquirer and the Cincinnati Enquirer. Best-selling magazines aimed at middle-class tastes, Harper's Magazine and the Southern Literary Messenger, added their voices, as did two leading business magazines.

Journalism and Realism

Journalism and Realism
Author: Thomas B. Connery
Publisher: Northwestern University Press
Total Pages: 314
Release: 2011-07-30
Genre: Language Arts & Disciplines
ISBN: 0810127334

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A paradigm of actuality -- Searching for the real and actual -- Stirrings and roots: urban sketches and America's flaneur -- The storytellers -- Picturing the present -- Carving out the real -- Experiments in reality -- Documenting time and place.

Rowdy Carousals

Rowdy Carousals
Author: J. Chris Westgate
Publisher: University of Iowa Press
Total Pages: 297
Release: 2024
Genre: Drama
ISBN: 1609389476

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Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. The book's examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy and further explores links between the Bowery Boy's rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.

Escaped Nuns

Escaped Nuns
Author: Cassandra L. Yacovazzi
Publisher: Oxford University Press
Total Pages: 320
Release: 2018-08-21
Genre: Religion
ISBN: 0190881011

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Just five weeks after its publication in January 1836, Awful Disclosures of the Hotel Dieu Nunnery, billed as an escaped nun's shocking exposé of convent life, had already sold more than 20,000 copies. The book detailed gothic-style horror stories of licentious priests and abusive mothers superior, tortured nuns and novices, and infanticide. By the time the book was revealed to be a fiction and the author, Maria Monk, an imposter, it had already become one of the nineteenth century's best-selling books. In antebellum America only one book, Uncle Tom's Cabin, outsold it. The success of Monk's book was no fluke, but rather a part of a larger phenomenon of anti-Catholic propaganda, riots, and nativist politics. The secrecy of convents stood as an oblique justification for suspicion of Catholics and the campaigns against them, which were intimately connected with cultural concerns regarding reform, religion, immigration, and, in particular, the role of women in the Republic. At a time when the term "female virtue" pervaded popular rhetoric, the image of the veiled nun represented a threat to the established American ideal of womanhood. Unable to marry, she was instead a captive of a foreign foe, a fallen woman, a white slave, and a foolish virgin. In the first half of the nineteenth century, ministers, vigilantes, politicians, and writers--male and female--forged this image of the nun, locking arms against convents. The result was a far-reaching antebellum movement that would shape perceptions of nuns, and women more broadly, in America.