New Hungarian Quartet
Author | : Todd Crow |
Publisher | : Detroit, Mich, : Information Coordinators |
Total Pages | : 310 |
Release | : 1976 |
Genre | : Music |
ISBN | : |
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Author | : Todd Crow |
Publisher | : Detroit, Mich, : Information Coordinators |
Total Pages | : 310 |
Release | : 1976 |
Genre | : Music |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : |
Collection contains program file.
Author | : |
Publisher | : |
Total Pages | : 532 |
Release | : 1963 |
Genre | : Hungarian literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 484 |
Release | : 1982 |
Genre | : Hungary |
ISBN | : |
Author | : Corvina Books Staff |
Publisher | : |
Total Pages | : 176 |
Release | : 1999-09-01 |
Genre | : Hungarian fiction |
ISBN | : 9789631343571 |
Author | : |
Publisher | : |
Total Pages | : 376 |
Release | : 1990 |
Genre | : Hungarian literature |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 662 |
Release | : 1990 |
Genre | : Hungary |
ISBN | : |
Author | : Mátyás Seiber |
Publisher | : London ; Toronto : Boosey and Hawkes |
Total Pages | : 32 |
Release | : 1945 |
Genre | : String quartet |
ISBN | : |
Author | : Dániel Péter Biró |
Publisher | : Oxford University Press |
Total Pages | : 368 |
Release | : 2014-04-25 |
Genre | : Music |
ISBN | : 0199936196 |
Béla Bartók (1881-1945) was one of the most important composers and musical thinkers of the 20th century. His contributions as a composer, as a performer and as the father of ethnomusicology changed the course of music history and of our contemporary perception of music itself. At the center of Bartók's oeuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. The String Quartets of Béla Bartók brings together innovative new scholarship from 14 internationally recognized music theorists, musicologists, performers, and composers to focus on these remarkable works from a range of theoretical and methodological perspectives. Focusing on a variety of aspects of the string quartets-harmony and tonality, form, rhythm and meter, performance and listening-it considers both the imprint of folk and classical traditions on Bartók's string quartets, and the ways in which they influenced works of the next generation of Hungarian composers. Rich with notated music examples the volume is complemented by an Oxford Web Music companion website offering additional notated as well as recorded examples. The String Quartets of Béla Bartók, reflecting the impact of the composer himself, is an essential resource for scholars and students across a variety of fields from music theory and musicology, to performance practice and ethnomusicology.
Author | : Daphne Leong |
Publisher | : Oxford University Press, USA |
Total Pages | : 433 |
Release | : 2019 |
Genre | : Music |
ISBN | : 019065354X |
How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bart�k, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.