New Critical Approaches to the Short Stories of Ernest Hemingway

New Critical Approaches to the Short Stories of Ernest Hemingway
Author: Jackson J. Benson
Publisher: Duke University Press
Total Pages: 530
Release: 2013-07-12
Genre: Literary Criticism
ISBN: 0822382342

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With an Overview by Paul Smith and a Checklist to Hemingway Criticism, 1975–1990 New Critical Approaches to the Short Stories of Ernest Hemingway is an all-new sequel to Benson’s highly acclaimed 1975 book, which provided the first comprehensive anthology of criticism of Ernest Hemingway’s masterful short stories. Since that time the availability of Hemingway’s papers, coupled with new critical and theoretical approaches, has enlivened and enlarged the field of American literary studies. This companion volume reflects current scholarship and draws together essays that were either published during the past decade or written for this collection. The contributors interpret a variety of individual stories from a number of different critical points of view—from a Lacanian reading of Hemingway’s “After the Storm” to a semiotic analysis of “A Very Short Story” to an historical-biographical analysis of “Old Man at the Bridge.” In identifying the short story as one of Hemingway’s principal thematic and technical tools, this volume reaffirms a focus on the short story as Hemingway’s best work. An overview essay covers Hemingway criticism published since the last volume, and the bibliographical checklist to Hemingway short fiction criticism, which covers 1975 to mid-1989, has doubled in size. Contributors. Debra A. Moddelmog, Ben Stotzfus, Robert Scholes, Hubert Zapf, Susan F. Beegel, Nina Baym, William Braasch Watson, Kenneth Lynn, Gerry Brenner, Steven K. Hoffman, E. R. Hagemann, Robert W. Lewis, Wayne Kvam, George Monteiro, Scott Donaldson, Bernard Oldsey, Warren Bennett, Kenneth G. Johnston, Richard McCann, Robert P. Weeks, Amberys R. Whittle, Pamela Smiley, Jeffrey Meyers, Robert E. Fleming, David R. Johnson, Howard L. Hannum, Larry Edgerton, William Adair, Alice Hall Petry, Lawrence H. Martin Jr., Paul Smith

The Short Stories of Ernest Hemingway

The Short Stories of Ernest Hemingway
Author: Jackson J. Benson
Publisher: Durham, N.C. : Duke University Press
Total Pages: 400
Release: 1975
Genre: Literary Criticism
ISBN:

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The short stories of Hemingway not only have come to be considered the finest achievements of this writer's genius, but also have taken their place as one of the most important contributions to the evolution of fiction. In this volume, Jackson J. Benson has assembled thirty of the best essays on Hemingway's stories, essays that explore his art in all its depth and breadth. The editor has also provided an overview essay and a comprehensive checklist of Hemingway criticism. -- From publisher's description.

Value and Vision in American Literature

Value and Vision in American Literature
Author: Joseph Candido
Publisher: Ohio University Press
Total Pages: 302
Release: 1999
Genre: American literature
ISBN: 0821412914

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Friends and colleagues honor the 30-year career of Appalachian-born literature scholar White with 15 essays. Their goal is to call attention to ideas or connections that demand a reappraisal of conventional attitudes or ingrained responses. Spanning from the middle 19th century to the present, they consider such well known authors as Hawthorne, Cather, and Welty but also some less known ones such as Wallace Stegner, Dunstan Thomas, and neglected Civil War poets. Annotation copyrighted by Book News, Inc., Portland, OR

Novels Of Ernest HemingwayA Critical Study

Novels Of Ernest HemingwayA Critical Study
Author: Ishteyaque Shams
Publisher: Atlantic Publishers & Dist
Total Pages: 170
Release: 2002
Genre:
ISBN: 9788126901678

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The Present Book Provides A Critical Analysis Of All The Novels And Short Stories Of Ernest Hemingway, A Twentieth Century American Novelist Who Got Nobel Prize For Literature. Hemingway Is A Writer Of Lost Generation, Of An Era Of Chaos And Disillusionment, But His Approach Is Neither Defeatist Nor Negative In Nature; Instead, It Is Something Vigorously Optimistic And Positive In Spirit. What Hemingway Seeks To Tell Us Through His Novels And Short Stories Is Indeed Important, But Far More Important Is The Way, The Mode In Which He Tells Us. It Is In This Course That A Proper Emphasis Has Been Given In The Present Book On The Use Of Symbols And Images In His Novels And Short Stories Besides Other Trends And Techniques In His Writings. Undoubtedly This Book Will Be A Boon For The Scholars Of Ernest Hemingway.

A Reader's Guide to the Short Stories of Ernest Hemingway

A Reader's Guide to the Short Stories of Ernest Hemingway
Author: Paul Smith
Publisher: G. K. Hall
Total Pages: 456
Release: 1989
Genre: Short story
ISBN:

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Examines 55 of Hemingway's short stories, all but seven of which were published in five collections between 1923 and 1938. This volume is meant to guide readers through the writing and publication and criticism of the stories with brief commentaries and conclusions designed to throw light on past readings of the stories and encourage the writing of original criticism. Annotation copyrighted by Book News, Inc., Portland, OR

A Cognitive Approach to Ernest Hemingway's Short Fiction

A Cognitive Approach to Ernest Hemingway's Short Fiction
Author: Gabriela Tucan
Publisher: Cambridge Scholars Publishing
Total Pages: 299
Release: 2021-04-09
Genre: Literary Criticism
ISBN: 1527568148

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How do readers make sense of Hemingway’s short stories? How is it possible that the camera-like quality of his narrative can appeal to our senses and arouse our emotions? How does it capture us? With reserved narrators and protagonists engaged in laconic dialogs, his texts do not seem to say much. This book consciously revisits our responses to the Hemingway story, a belated response to his invitation to discover what lies beneath the surface of his iceberg. What this pioneering critical endeavor seeks to understand is the thinking required in reading Hemingway’s short fiction. It proposes a cognitively informed model of reading which questions the resources of the reader’s imaginative powers. The cognitive demonstrations here are designed to have potentially larger implications for the short story’s general mode of knowing. Drawing from both cognitively oriented poetics and narratology in equal measure, this book explains what structures our interaction with literary texts.

The Last Good Land

The Last Good Land
Author: Eugenio Suárez-Galbán
Publisher: BRILL
Total Pages: 415
Release: 2011-01-01
Genre: Literary Criticism
ISBN: 9401200483

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Books studying the presence of Spain in American literature, and the possible influence of Spain and its literature on American authors, are still rare. In 1955 appeared a pioneer work in this field – Stanley T. Williams’ The Spanish Background of American Literature. But that book went no further than W.D. Howells’ Familiar Spanish Travels, published in 1913. The Last Good Land covers most of the twentieth century, including such groups as the Lost Generation and African American writers and exiles. It also considers then recent revolution in Spanish cultural and historical thought introduced by Américo Castro, which several American writers discussed in this volume may be said to have anticipated. Recent studies have expanded on Williams’ volumes, but in the majority of cases these works limit their scope to a single period (the nineteenth century, the Spanish Civil War), a movement (predominantly Romanticism) or authors known for their interest in Spain (Irving, Hemingway). The result is often a lack of continuum, or the exclusion of such authors as Saul Bellow, William Gaddis or Richard Wright. Within American literature itself, The Last Good Land contains revisions of traditional interpretations of certain writers, including Hemingway. The variety of authors treated, both in respect to ethnicity and gender, guarantees a varied and global view of Spanish culture by American writers.

Short Stories of Ernest Hemingway

Short Stories of Ernest Hemingway
Author: Ernest Hemingway
Publisher: Simon and Schuster
Total Pages: 576
Release: 2014-05-22
Genre: Fiction
ISBN: 1476770190

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Before he gained wide fame as a novelist, Ernest Hemingway established his literary reputation with his short stories. This collection, The Short Stories, originally published in 1938, is definitive. Among these forty-nine short stories are Hemingway's earliest efforts, written when he was a young foreign correspondent in Paris, and such masterpieces as “Hills Like White Elephants,” “The Killers,” “The Short, Happy Life of Francis Macomber,” and “The Snows of Kilimanjaro.” Set in the varied landscapes of Spain, Africa, and the American Midwest, this collection traces the development and maturation of Hemingway's distinct and revolutionary storytelling style—from the plain, bald language of his first story, “Up in Michigan,” to the seamless prose and spare, eloquent pathos of “A Clean, Well-Lighted Place” to the expansive solitude of the Big Two-Hearted River stories. These stories showcase the singular talent of a master, the most important American writer of the twentieth century.

The Short Stories of Ernest Hemingway

The Short Stories of Ernest Hemingway
Author: Ernest Hemingway
Publisher: Simon and Schuster
Total Pages: 576
Release: 2017-07-18
Genre: Fiction
ISBN: 147678762X

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Offers a selection of twenty-six short stories that includes famous classics as well as rare and previously unpublished works and an essay on the art of the short story.

The Influence of the European Culture on Hemingway’s Fiction

The Influence of the European Culture on Hemingway’s Fiction
Author: Silvia Ammary
Publisher: Lexington Books
Total Pages: 117
Release: 2015-06-09
Genre: Literary Criticism
ISBN: 0739187600

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The Influence of the European Culture on Hemingway’s Fiction is an essential companion to all those who study Hemingway. The studydeals with how Hemingway depicts Europe in his fiction, not necessarily from a biographical point of view, as most critical books have dealt with, but how he assimilates to the culture of Europe, how he portrays the different aspects of that culture in food, music, customs, architecture, and literature. This study views Hemingway’s stories and novels through a new lens by applying new critical developments, emergent approaches, and transnational studies to aid in a fuller understanding of Hemingway. Europe for Hemingway was a land of discovery, and one cannot study his major novels without analyzing this passion for these lands. The Europe that Hemingway experienced and recorded in his writing serves as an important element in his fiction, becoming “the other,” an alien culture that was sufficiently different from his American roots. Yet this otherness serves first to fulfill his psychological needs to learn and become one of the initiated through suffering—whether it involves himself or the loss of other people around him.