Narcissus and the Invention of Personal History

Narcissus and the Invention of Personal History
Author: Kenneth J. Knoespel
Publisher: Routledge
Total Pages: 179
Release: 2015-08-14
Genre: Literary Criticism
ISBN: 1317377257

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Originally published in 1985. This investigation of Ovid’s fable takes a different tack to previous studies of the love lyric or the themes but looks at the creation of narrative strategies to explain Narcissus’ experience. The story has always been understood as literally impossible but invites readers to ask what is meant by the puzzling tale of deception and death. The limits placed on the fable by the commentaries of the medieval period allow us to appreciate the narrative expansion of the fable in twelfth and thirteenth-century poetry. Themes in this book are the way the fable is used as a means for knowledge of physical nature and the development of science; the importance of language in the fable and in its settings when rewritten in other texts, and psychoanalytic aspects of Echo and Narcissus. The fable has the capacity to represent mental life and psychological crisis within other narratives and this is also an important discussion point, based around the medieval text Roman de la Rose. The book also considers the wider Metamorphoses and Ovid’s importance for literature.

Italian Readers of Ovid from the Origins to Petrarch

Italian Readers of Ovid from the Origins to Petrarch
Author: Julie Van Peteghem
Publisher: BRILL
Total Pages: 357
Release: 2020-06-22
Genre: Literary Collections
ISBN: 9004421696

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In Italian Readers of Ovid from the Origins to Petrarch, Julie Van Peteghem examines Ovid’s influence on Italian poetry from its beginnings, through Dante, to Petrarch, situating it within the history of reading Ovid in medieval and early modern Italy.

The Text and Contexts of Ignatius Loyola's "Autobiography"

The Text and Contexts of Ignatius Loyola's
Author: John M. McManamon
Publisher: Fordham Univ Press
Total Pages: 249
Release: 2013-01-02
Genre: Biography & Autobiography
ISBN: 0823245047

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This refreshing re-evaluation of the so-called autobiography of Ignatius Loyola (c. 1491-1556) situates Ignatius's Acts against the backgrounds of the spiritual geography of Luke's New Testament writings and the culture of Renaissance humanism. Ignatius Loyola's So-Called Autobiography builds upon recent scholarly consensus, examines the language of the text that Ignatius Loyola dictated as his legacy to fellow Jesuits late in life, and discusses relevant elements of the social, historical, and religious contexts in which the text came to birth. Recent monographs by Marjorie O'Rourke Boyle and John W. O'Malley have characterized Ignatius's Acts as a mirror of vainglory and of apostolic religious life, respectively. In this study, John M. McManamon, S.J., persuasively argues that an appreciation of the two Lukan New Testament writings likewise helps interpret the theological perspectives of Ignatius. The geography of Luke's two writings and the theology that undergirds Luke's redactional innovation assisted Ignatius in remembering and understanding the crucial acts of God in his own life. This eloquent, lucidly written new book is essential reading for anyone interested in Ignatius, the early Jesuits, sixteenth-century religious life, and the history of early modern Europe.

Texts and the Self in the Twelfth Century

Texts and the Self in the Twelfth Century
Author: Sarah Spence
Publisher: Cambridge University Press
Total Pages: 192
Release: 1996-12-12
Genre: History
ISBN: 9780521572798

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Texts and the Self in the Twelfth Century analyses key twelfth-century Latin and vernacular texts which articulate a subjective, often autobiographical, stance. The contention is that the self forged in medieval literature could not have come into existence without both the gap between Latinity and the vernacular and a shift in perspective towards a visual and spatial orientation. This results in a self which is not an agent that will act on the outside world like the Renaissance self, but, rather, one which inhabits a potential, middle ground, or 'space of agency', explained here partly in terms of object-relations theory.

Milton and the Metamorphosis of Ovid

Milton and the Metamorphosis of Ovid
Author: Maggie Kilgour
Publisher: Oxford University Press
Total Pages:
Release: 2012-02-02
Genre: Literary Collections
ISBN: 0191612472

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Milton and the Metamorphosis of Ovid contributes to our understanding of the Roman poet Ovid, the Renaissance writer Milton, and more broadly the transmission and transformation of classical traditions through history. It examines the ways in which Milton drew on Ovid's oeuvre, as well as the long tradition of reception that had begun with Ovid himself, and argues that Ovid's revision of the past, and especially his relation to Virgil, gave Renaissance writers a model for their own transformation of classical works. Throughout his career Milton thinks through and with Ovid, whose stories and figures inform his exploration of the limits and possibilities of creativity, change, and freedom. Examining this specific relation between two very individual and different authors, Kilgour also explores the forms and meaning of creative imitation. Intertextuality was not only central to the two writers' poetic practices but helped shape their visions of the world. While many critics seek to establish how Milton read Ovid, Kilgour debates the broader question of why does considering how Milton read Ovid matter? How do our readings of this relation change our understanding of both Milton and Ovid; and does it tell us about how traditions are changed and remade through time?

Contemporary Art and Classical Myth

Contemporary Art and Classical Myth
Author: Jennie Hirsh
Publisher: Routledge
Total Pages: 411
Release: 2017-07-05
Genre: Art
ISBN: 1351571036

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Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man.? Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.

Water in Medieval Literature

Water in Medieval Literature
Author: Albrecht Classen
Publisher: Lexington Books
Total Pages: 359
Release: 2017-08-15
Genre: Literary Criticism
ISBN: 1498539858

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Ecocritical thinking has sensitized us more than ever before to the tremendous importance of water for human life, as it is richly reflected in the world of literature. The great relevance of water also in the Middle Ages might come as a surprise for many readers, but the evidence assembled here confirms that also medieval poets were keenly aware of the importance of water to sustain all life, to provide understanding of life’s secrets, to mirror love, and to connect the individual with God. In eleven chapters major medieval European authors and their works are discussed here, taking us from the world of Old Norse to Irish and Latin literature, to German, French, English, and Italian romances and other narratives.

Loyola's Acts

Loyola's Acts
Author: Marjorie O'Rourke Boyle
Publisher: Univ of California Press
Total Pages: 304
Release: 1997-01-01
Genre: Religion
ISBN: 9780520209374

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This revisionist view of Ignatius Loyola argues that his "autobiography"--until now taken to be a literal, documentary account--is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents. Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself. This revisionist view of Ignatius Loyola argues that his "autobiography"--until now taken to be a literal, documentary account--is in reality a work of rhetoric, a moral narrative that exploits the techniques of fiction. In radically reinterpreting this canonical text, our main source of information about the founder of the largest and most powerful religious order in Roman Catholicism, Boyle paints a vivid picture of Loyola's world. She surveys rhetorical and artistic theory, religious iconography, everyday custom, and an astonishing array of scenes and subjects: from curiosity, to codes of honor, to the holy places of Spain, to the significance of apparitions and flying serpents. Written in the tradition of Renaissance studies on individualism, Loyola's Acts engages current interest in autobiography and in the history of private life. The book also provides a powerful heuristic for interpreting a wide range of texts of the Christian tradition. Finally, this secular treatment of a canonized saint provides revealing insights into how a prestigious sixteenth-century figure like Loyola understood himself.

Milton's Ovidian Eve

Milton's Ovidian Eve
Author: Mandy Green
Publisher: Routledge
Total Pages: 250
Release: 2016-04-22
Genre: Literary Criticism
ISBN: 1317095898

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Milton's Ovidian Eve presents a fresh and thorough exploration of the classical allusions central to understanding Paradise Lost and to understanding Eve, one of Milton's most complex characters. Mandy Green demonstrates how Milton appropriates narrative structures, verbal echoes, and literary strategies from the Metamorphoses to create a subtle and evolving portrait of Eve. Each chapter examines a different aspect of Eve's mythological figurations. Green traces Eve's development through multiple critical lenses, influenced by theological, ecocritical, and feminist readings. Her analysis is gracefully situated between existing Milton scholarship and close textual readings, and is supported by learned references to seventeenth-century writing about women, the allegorical tradition of Ovidian commentary, hexameral literature, theological contexts and biblical iconography. This detailed scholarly treatment of Eve simultaneously illuminates our understanding of the character, establishes Milton's reading of Ovid as central to his poetic success, and provides a candid synthesis and reconciliation of earlier interpretations.