Source Music in Motion Pictures

Source Music in Motion Pictures
Author: Irene Kahn Atkins
Publisher:
Total Pages: 200
Release: 1983
Genre: Music
ISBN:

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This book discusses what the author calls "source music." She defines it as "music, the origin of which is visually justified on the screen, as for example to see and hear someone playing the piano in a film." This discussion includes the history of its use in films, special types of source music, and the source music sequence.

Silent Film Sound

Silent Film Sound
Author: Rick Altman
Publisher: Columbia University Press
Total Pages: 492
Release: 2004
Genre: History
ISBN: 9780231116633

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Silent films were, of course, never silent at all. However, the sound that used to accompany the screen picture in the early days of cinema has been neglected as an area of study. Altman explores the various musical, narrative, and even synchronized sound systems that enriched cinema before Jolson spoke.

Music and the Silent Film

Music and the Silent Film
Author: Martin Miller Marks
Publisher: Oxford University Press, USA
Total Pages: 320
Release: 1997
Genre: Silent film music
ISBN: 0195068912

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Most people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.

Music for Silent Film

Music for Silent Film
Author: Kendra Preston Leonard
Publisher: A-R Editions, Inc.
Total Pages: 297
Release: 2016-01-01
Genre: Music
ISBN: 0895798352

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Between 1895 and 1929, more than 15,000 motion pictures were made in the United States. We call these works “silent films,” but they were accompanied by an enormous body of music, including works adapted or arranged from pre-existing works, as well as newly composed pieces for theater orchestras, organists, or pianists. While many films and pieces are lost, a considerable amount of material remains extant and available for use in research and performance. Music for Silent Film: A Guide to North American Resources is a unique resource on North American archives and English-language materials available in for those interested in this repertoire. Part I contains information about archives of primary source materials including full and compiled scores, sheet music, published anthologies of music, interviews with cinema musicians, periodicals, and instruction books. Part II surveys the English-language scholarship on silent film music in articles, book chapters, essay collections, and monographs through 2015. The book is fully indexed for ease of access to these important sources on film music.

The Motion Picture Monthly

The Motion Picture Monthly
Author:
Publisher:
Total Pages: 142
Release: 1925
Genre: Motion picture industry
ISBN:

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Film Music: A Very Short Introduction

Film Music: A Very Short Introduction
Author: Kathryn Kalinak
Publisher: Oxford University Press
Total Pages: 162
Release: 2010-03-11
Genre: Performing Arts
ISBN: 0199707979

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Film music is as old as cinema itself. Years before synchronized sound became the norm, projected moving images were shown to musical accompaniment, whether performed by a lone piano player or a hundred-piece orchestra. Today film music has become its own industry, indispensable to the marketability of movies around the world. Film Music: A Very Short Introduction is a compact, lucid, and thoroughly engaging overview written by one of the leading authorities on the subject. After opening with a fascinating analysis of the music from a key sequence in Quentin Tarantino's Reservoir Dogs, Kathryn Kalinak introduces readers not only to important composers and musical styles but also to modern theoretical concepts about how and why film music works. Throughout the book she embraces a global perspective, examining film music in Asia and the Middle East as well as in Europe and the United States. Key collaborations between directors and composers--Alfred Hitchcock and Bernard Herrmann, Akira Kurosawa and Fumio Hayasaka, Federico Fellini and Nino Rota, to name only a few--come under scrutiny, as do the oft-neglected practices of the silent film era. She also explores differences between original film scores and compilation soundtracks that cull music from pre-existing sources. As Kalinak points out, film music can do many things, from establishing mood and setting to clarifying plot points and creating emotions that are only dimly realized in the images. This book illuminates the many ways it accomplishes those tasks and will have its readers thinking a bit more deeply and critically the next time they sit in a darkened movie theater and music suddenly swells as the action unfolds onscreen. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Music in Motion Pictures

Music in Motion Pictures
Author: John V. Zuckerman
Publisher:
Total Pages: 44
Release: 1949
Genre: Motion picture music
ISBN:

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It was desired to discover means of bettering the force and power of instructional motion pictures, and the possibility that adding background music to informational films could be effective led to the reported review. Two versions of a sound film subject were suggested, one with and the other without musical accompaniment. The review covers the functions of music in motion pictures, techniques, and applications to learning.

The Cambridge Companion to Film Music

The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
Total Pages: 439
Release: 2016-12-08
Genre: Music
ISBN: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.