Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music
Author: Nikos Ordoulidēs
Publisher:
Total Pages: 198
Release: 2020
Genre: Electronic books
ISBN: 9781501369476

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"Discusses the changing relationship between Greek Byzantine music and Greek popular music in the contemporary Greek state"--

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music
Author: Nikos Ordoulidis
Publisher: Bloomsbury Publishing USA
Total Pages: 225
Release: 2021-01-14
Genre: Music
ISBN: 1501369466

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This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's “Synnefiasmeni Kyriaki” (Cloudy Sunday) and its descent from the hymn “Ti Ypermacho” (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece.

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music

Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music
Author: Nikos Ordoulidis
Publisher: Bloomsbury Publishing USA
Total Pages: 225
Release: 2021-01-14
Genre: Music
ISBN: 1501369458

Download Musical Nationalism, Despotism and Scholarly Interventions in Greek Popular Music Book in PDF, Epub and Kindle

This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's “Synnefiasmeni Kyriaki” (Cloudy Sunday) and its descent from the hymn “Ti Ypermacho” (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece.

Music, Language and Identity in Greece

Music, Language and Identity in Greece
Author: Polina Tambakaki
Publisher: Routledge
Total Pages: 318
Release: 2019-09-23
Genre: History
ISBN: 1351995502

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The national element in music has been the subject of important studies, yet the scholarly framework has remained restricted almost exclusively to the field of music studies. This volume brings together experts from different fields (musicology, literary theory and modern Greek studies), who investi- gate the links that connect music, language and national identity, focusing on the Greek paradigm. Through the study of the Greek case, the book paves the way for innovative interdisciplinary approaches to the formation of the ‘national’ in different cultures, shedding new light on ideologies and mechanisms of cultural policies.

Paradosiaká

Paradosiaká
Author: Eleni Kallimopoulou
Publisher: Ashgate Publishing, Ltd.
Total Pages: 270
Release: 2009
Genre: Music
ISBN: 9780754666301

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Since the 1980s, musicians and audiences in Athens have been rediscovering musical traditions associated with the Ottoman period of Greek history. The result of this revivalist movement has been the urban musical style of 'paradosiaká' ('traditional'). This monograph explores paradosiaká as a musical style and as a field of discourse, seeking to understand the relation between sound and meanings constructed through sound. It draws on interviews, commercial recordings, written musical discourse, and the author's own experience as a practising paradosiaká musician.

Greek Orthodox Music in Ottoman Istanbul

Greek Orthodox Music in Ottoman Istanbul
Author: Merih Erol
Publisher: Indiana University Press
Total Pages: 289
Release: 2015-12-07
Genre: Music
ISBN: 0253018420

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A study of the musical discourse among Ottoman Greek Orthodox Christians during a complicated time for them in the nineteenth and early twentieth centuries. During the late Ottoman period (1856–1922), a time of contestation about imperial policy toward minority groups, music helped the Ottoman Greeks in Istanbul define themselves as a distinct cultural group. A part of the largest non-Muslim minority within a multi-ethnic and multi-religious empire, the Greek Orthodox educated elite engaged in heated discussions about their cultural identity, Byzantine heritage, and prospects for the future, at the heart of which were debates about the place of traditional liturgical music in a community that was confronting modernity and westernization. Merih Erol draws on archival evidence from ecclesiastical and lay sources dealing with understandings of Byzantine music and history, forms of religious chanting, the life stories of individual cantors, and other popular and scholarly sources of the period. Audio examples keyed to the text are available online. “Merih Erol’s careful examination of the prominent church cantors of this period, their opinions on Byzantine, Ottoman and European musics as well as their relationship with both the Patriarchate and wealthy Greeks of Istanbul presents a detailed picture of a community trying to define their national identity during a transition. . . . Her study is unique and detailed, and her call to pluralism is timely.” —Mehmet Ali Sanlikol, author of The Musician Mehters “Overall, the book impresses me as a sophisticated work that avoids the standard nationalist views on the history of the Ottoman Greeks.” —Risto Pekka Pennanen, University of Tampere, Finland “This book is a great contribution to the fields of historical ethnomusicology, religious studies, ethnic studies, and Ottoman and Greek studies. It offers timely research during a critical period for ethnic minorities in the Middle East in general and Christians in particular as they undergo persecution and forced migration.” —Journal of the American Academy of Religion

Musical Constructions of Nationalism

Musical Constructions of Nationalism
Author: Harry White
Publisher: Stylus Publishing, LLC.
Total Pages: 308
Release: 2001
Genre: History
ISBN: 9781859183229

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An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.

Theodorakis

Theodorakis
Author: Gail Holst
Publisher:
Total Pages: 350
Release: 1980
Genre: Biography & Autobiography
ISBN:

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Mikis Theodorakis became a symbol of resistance to the dictatorship in Greece, from 1967-1974. To the Greeks he was already a legendary figure. He had been imprisoned and tortured for his political beliefs, his music had been banned, his concerts broken up by right-wing gangs. He was a member of parliament, the leader of a powerful youth movement and the most popular composer in the country. Gail Holst, who played in Theodorakis's orchestra in 1975, first became associated with the composer through her work with Greek-Australian anti-Junta organisations. Since then she has followed Theodorakis's career and musical development closely. The result is a detailed study of the music of Theodorakis and of the complex interrelationship between his music and Greek society and politics.

Sovereignty & the Responsibility to Protect

Sovereignty & the Responsibility to Protect
Author: Luke Glanville
Publisher: University of Chicago Press
Total Pages: 305
Release: 2013-12-20
Genre: Political Science
ISBN: 022607708X

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In 2011, the United Nations Security Council adopted Resolution 1973, authorizing its member states to take measures to protect Libyan civilians from Muammar Gadhafi’s forces. In invoking the “responsibility to protect,” the resolution draws on the principle that sovereign states are responsible and accountable to the international community for the protection of their populations and that the international community can act to protect populations when national authorities fail to do so. The idea that sovereignty includes the responsibility to protect is often seen as a departure from the classic definition, but it actually has deep historical roots. In Sovereignty and the Responsibility to Protect, Luke Glanville argues that this responsibility extends back to the sixteenth and seventeenth centuries, and that states have since been accountable for this responsibility to God, the people, and the international community. Over time, the right to national self-governance came to take priority over the protection of individual liberties, but the noninterventionist understanding of sovereignty was only firmly established in the twentieth century, and it remained for only a few decades before it was challenged by renewed claims that sovereigns are responsible for protection. Glanville traces the relationship between sovereignty and responsibility from the early modern period to the present day, and offers a new history with profound implications for the present.