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| Author | : Don Tyler |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Music |
| ISBN | : |
This book discusses WWI-era music in a historical context, explaining music's importance at home and abroad during WWI as well as examining what music was being sung, played, and danced to during the years prior to America's involvement in the Great War.
| Author | : Christina Gier |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 231 |
| Release | : 2016-10-19 |
| Genre | : Music |
| ISBN | : 1498516017 |
An advertisement in the sheet music of the song “Goodbye Broadway, Hello France” (1917) announces: “Music will help win the war!” This ad hits upon an American sentiment expressed not just in advertising, but heard from other sectors of society during the American engagement in the First World War. It was an idea both imagined and practiced, from military culture to sheet music writers, about the power of music to help create a strong military and national community in the face of the conflict; it appears straightforward. Nevertheless, the published sheet music, in addition to discourse about gender, soldiering and music, evince a more complex picture of society. This book presents a study of sheet music and military singing practices in America during the First World War that critically situates them in the social discourses, including issues of segregation and suffrage, and the historical context of the war. The transfer of musical styles between the civilian and military realm was fluid because so many men were enlisted from homes with the sheet music while they were also singing songs in their military training. Close musical analysis brings the meaningful musical and lyrical expressions of this time period to the forefront of our understanding of soldier and civilian music making at this time.
| Author | : Max Arthur |
| Publisher | : Piatkus Books |
| Total Pages | : 168 |
| Release | : 2001 |
| Genre | : Music |
| ISBN | : |
When this bloody war is over, No more soldiering for me. This book brings together the words - humorous, cynical, bitter, wistful - of the songs the soldiers of the First World War sang. The haunting songs of the First World War still have a powerful emotional impact; these are the words the soldiers actually sang - on the march, in the dug-outs and trenches - amidst the appalling carnage of the battlefield. The stoic courage and endurance of the ordinary soldiers shines through such songs as We are Fred Karno's Army, No More Soldiering for Me and It's a Long, Long Way to Tipperary. Each song is introduced by Max Arthur, giving its historical background. Together with contemporary cartoons and drawings, this attractive, evocative book cannot fail to delight and move anyone with an interest in the First World War.
| Author | : Don Tyler |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 305 |
| Release | : 2016-03-21 |
| Genre | : History |
| ISBN | : |
This book discusses WWI-era music in a historical context, explaining music's importance at home and abroad during WWI as well as examining what music was being sung, played, and danced to during the years prior to America's involvement in the Great War. Why was music so important to soldiers abroad during World War I? What role did music—ranging from classical to theater music, rags, and early jazz—play on the American homefront? Music of the First World War explores the tremendous importance of music during the years of the Great War—when communication technologies were extremely limited and music often took the place of connecting directly with loved ones or reminiscing via recorded images. The book's chapters cover music's contribution to the war effort; the variety of war-related songs, popular hits, and top recording artists of the war years; the music of Broadway shows and other theater productions; and important composers and lyricists. The author also explores the development of the fledgling recording industry at this time.
| Author | : Glenn Watkins |
| Publisher | : Univ of California Press |
| Total Pages | : 614 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 0520231589 |
An entertaining cultural history of music during World War I, covering all the major European nations as well as the United States, in both classical and popular genres. The book is lavishly illustrated and includes a CD.
| Author | : John Mullen |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2018-09-18 |
| Genre | : Music |
| ISBN | : 1351068660 |
What did popular song mean to people across the world during the First World War? For the first time, song repertoires and musical industries from countries on both sides in the Great War as well as from neutral countries are analysed in one exciting volume. Experts from around the world, and with very different approaches, bring to life the entertainment of a century ago, to show the role it played in the lives of our ancestors. The reader will meet the penniless lyricist, the theatre chain owner, the cross-dressing singer, fado composer, stage Scotsman or rhyming soldier, whether they come from Serbia, Britain, the USA, Germany, France, Portugal or elsewhere, in this fascinating exploration of showbiz before the generalization of the gramophone. Singing was a vector for patriotic support for the war, and sometimes for anti-war activism, but it was much more than that, and expressed and constructed debates, anxieties, social identities and changes in gender roles. This work, accompanied by many links to online recordings, will allow the reader to glimpse the complex role of popular song in people’s lives in a period of total war.
| Author | : Bernard S. Parker |
| Publisher | : |
| Total Pages | : 472 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : |
"Catalogs the patriotic sheet music of World War I. Introductory information describes how the music messages often paralleled Woodrow Wilson's policies. Data includes title, authors of the lyrics and music when available, value based on auction prices and collector knowledge, publisher, folio size and cover description. More than 400 photos of outstanding sheet music covers are included"--Provided by publisher.
| Author | : Peter Grant |
| Publisher | : Springer |
| Total Pages | : 305 |
| Release | : 2016-12-09 |
| Genre | : History |
| ISBN | : 1137601396 |
This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of ‘memory studies’ and analyses how songwriters are influenced by their country’s ‘national myths’. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda Galás and PJ Harvey.
| Author | : Pamela M. Potter |
| Publisher | : Indiana University Press |
| Total Pages | : 305 |
| Release | : 2020-10-06 |
| Genre | : Music |
| ISBN | : 0253052505 |
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
| Author | : Mary Gifford |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 1999 |
| Genre | : World War, 1914-1918 |
| ISBN | : |
