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| Author | : Sarah Ann Long |
| Publisher | : Boydell & Brewer |
| Total Pages | : 377 |
| Release | : 2021 |
| Genre | : Confraternities |
| ISBN | : 1580469965 |
The first study focusing on the composition of new plainchant in northern-French confraternities for masses and offices in honor of saints thought to have healing powers
| Author | : Albrecht Classen |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 642 |
| Release | : 2022-08-22 |
| Genre | : History |
| ISBN | : 3110776871 |
Die neue englischsprachige Reihe zur Mediävistik strebt eine methodisch reflektierte, anspruchsvolle Verbindung von Text- und Kulturwissenschaft an. Sie widmet sich den kulturellen Grundthemen der mittelalterlichen Welt aus der Perspektive der Literatur- und Geschichtswissenschaft. ‚Grundthemen' sind die kulturprägenden Denkbilder, Weltanschauungen, Sozialstrukturen und Alltagsbedingungen des mittelalterlichen Lebens, also z. B. Kindheit und Alter, Sexualität, Religion, Medizin, Rituale, Arbeit, Armut und Reichtum, Aberglauben, Erde und Kosmos, Stadt und Land, Krieg, Emotionen, Kommunikation, Reisen usw. Die Reihe greift wichtige aktuelle Fachdiskussionen auf und stellt ein Forum der interdisziplinären Mittelalter-Forschung dar. Fundamentals of Medieval and Early Modern Culture steht Sammelbänden ebenso offen wie Monographien. Intention ist immer, kompendienhafte Werke zu zentralen Fragen der mittelalterlichen Kulturgeschichte vorzulegen, die einen soliden Überblick über einen geschlossenen Themenkreis aus der Perspektive verschiedener Fachdisziplinen vermitteln. Im Ganzen bietet die Reihe so eine Enzyklopädie der mittelalterlichen Literatur- und Kulturgeschichte und ihrer Hauptthemen. Es werden ca. zwei Bände pro Jahr erscheinen.
| Author | : Jamie L. Reuland |
| Publisher | : Cambridge University Press |
| Total Pages | : 301 |
| Release | : 2023-10-26 |
| Genre | : Music |
| ISBN | : 1009424998 |
Introducing a new geographical paradigm for the study of medieval music, this path-breaking book uncovers the role of music, liturgy, and ritual in building Venice's empire in the eastern Mediterranean, activating the city's material culture, and shaping its state-craft of the imagination.
| Author | : John A. Rice |
| Publisher | : University of Chicago Press |
| Total Pages | : 385 |
| Release | : 2022-06-28 |
| Genre | : Art |
| ISBN | : 0226817105 |
"How did an unmusical saint come to be portrayed as a musician and become the patron saint of musicians and music? Until the beginning of the fifteenth century, Saint Cecilia was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. Why did so many composers start writing music that honored her as their patron saint? In this book, John A. Rice argues that Cecilia's association with music came about in several stages, involving Christian liturgy, visual arts, and music, and fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. The initial chapters explore the cult of the saint in Medieval times and through the sixteenth century, when, starting in 1502, the first guilds in the Low Countries and France chose Cecilia as their patron. The book then turns to the music and the explosion of polyphonic vocal works written in Cecilia's honor between 1530 and 1620 by the most celebrated composers in Europe, as well as a group of about fifty Cecilian Renaissance motets, mostly by Northern European composers, which are brought together here for the first time. The book also explores the wealth of visual representations of Saint Cecilia especially during the Italian Renaissance, among which Raphael's 1515 painting, "The Ecstasy of Saint Cecilia," is but the most famous example, and concludes with the development of the cult of Cecilia in England. Thoroughly researched and beautifully illustrated, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical inspiration"--
| Author | : Rolf Norsen |
| Publisher | : Boydell & Brewer |
| Total Pages | : 399 |
| Release | : 2024 |
| Genre | : Biography & Autobiography |
| ISBN | : 1648250858 |
Clément Janequin's spectacular entertainment chansons jump-started French music printing, spread his fame across sixteenth-century Europe, and earned him lasting success with vocal ensembles and audiences around the world. Clément Janequin was the musical posterboy for the Valois kings of France, a best-seller for the fledgling 16th century music-printing industry and, notwithstanding his status as ordained priest, a major supplier of hymn-style harmonizations of Huegenot melodies. Ever since the sixteen century, vocal ensembles have embraced his barking dogs, chirping birds, and thundering horse hoofs, and then moved beyond the bird and battle songs to a repertory rich in lyric beauty and Rabelasian wit. This first in-depth biography looks at Janequin's revolutionary approach to entertainment music, his pioneer status in the developing music-printing industry, and his contributions to sacred music in the turmoil that followed the Reformation (including the first known hymn-style harmonization of what became known as Old One Hundred.) It traces his early life in Bordeaux, Luçon, Auch, and Angers during the period when Pierre Attaingnant made Janequin a central name in early French music publishing, and subsequently the composer's transition to Paris, where, as the first composer to make the attempt, he put his revenues from music printing (from the firms of Nicolas Du Chemin and Le Roy & Ballard) at the core of his economic-survival strategy. Recounted with both scholarly detail and a portion Janequinian humor, the volume includes an extensive selection of musical examples.
| Author | : Andrew H. Weaver |
| Publisher | : Boydell & Brewer |
| Total Pages | : 309 |
| Release | : 2024 |
| Genre | : Literary Criticism |
| ISBN | : 1648250890 |
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singer and pianist together function as a narrator, Andrew Weaver's groundbreaking study proposes a comprehensive theory of narratology for the German Romantic Lied and song cycle, using Schumann's complete song oeuvre as the test case. The theory, grounded in the work of narratologist Mieke Bal but also drawing upon recent work in literary theory and musicology, illuminates how music can open up new meanings for the poem, as well as how a narratological analysis of the poem can help us understand the music. Weaver's book offers new insights into Schumann's Lieder and the poetry he set while simultaneously proposing a methodology applicable to the analysis and interpretation of a wide range of works, including not only the rich treasury of German Lieder but also potentially any genre of accompanied song in any language from the Middle Ages to the present day.
| Author | : Benjamin Brand |
| Publisher | : Cambridge University Press |
| Total Pages | : 379 |
| Release | : 2016-10-27 |
| Genre | : Music |
| ISBN | : 131679895X |
It has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.
| Author | : Anna Maria Busse Berger |
| Publisher | : Cambridge University Press |
| Total Pages | : 1058 |
| Release | : 2015-07-16 |
| Genre | : Music |
| ISBN | : 1316298299 |
Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
| Author | : Andrew Brown |
| Publisher | : Cambridge University Press |
| Total Pages | : 796 |
| Release | : 2018-05-03 |
| Genre | : History |
| ISBN | : 1108318096 |
Bruges was undoubtedly one of the most important cities in medieval Europe. Bringing together specialists from both archaeology and history, this 'total' history presents an integrated view of the city's history from its very beginnings, tracing its astonishing expansion through to its subsequent decline in the sixteenth century. The authors' analysis of its commercial growth, industrial production, socio-political changes, and cultural creativity is grounded in an understanding of the city's structure, its landscape and its built environment. More than just a biography of a city, this book places Bruges within a wider network of urban and rural development and its history in a comparative framework, thereby offering new insights into the nature of a metropolis.
| Author | : Pieter Mannaerts |
| Publisher | : Brepols Pub |
| Total Pages | : 296 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 9782503530154 |
Beguinages ('begijnhoven') are unique to the Low Countries. Originally, beguine communities were disseminated over a large area comprising the northern and southern Low Countries, northern France, and parts of present-day Germany and Switzerland. The typical 'court' beguinages, however, are represented most strongly in the southern Low Countries, where a considerable number of them still exist. On account of their historical, architectural, and socio-religious value, a selection of thirteen beguinages was recognized as World Heritage by Unesco in 1998. Only recently, research has paid closer attention to the material culture of beguinage life, including literacy and book culture among beguines. Beguinae in cantu instructae focuses on another 'new' aspect of this musical culture, and for the first time describes and studies the sources of the beguines' musical life. The volume fills a void in current musicology and beguine scholarship, sketching the previously unassessed quality, quantity, stylistic diversity, and historical and geographical dissemination of the repertory. On the one hand, a number of source studies yield a deeper insight into several aspects of the preserved patrimony, which proves to be both rich and diverse. The 'story behind the music' provides the context necessary for a full understanding of the sources. On the other hand, this book aims at stimulating further exploration of the music by providing a repertory of all music manuscripts and prints that have been found thus far. Beguinae in cantu instructae will inform the general reader on new aspects of beguine life; furthermore, it will provide amateur and professional musicians with new material (from the Middle Ages to the late 18th century) and historians and musicologists with a basis for further study and research.
