Multiculturalism and Public Arts Policy

Multiculturalism and Public Arts Policy
Author: David Pankratz
Publisher: Bloomsbury Publishing USA
Total Pages: 248
Release: 1993-10-30
Genre: Art
ISBN: 0313389020

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The idea of public support for the arts is being challenged. Multiculturalism has been proposed as a worthy and necessary goal of public arts policy; whether or not it should be is explored for the first time in this book. Issues of cultural pluralism, the relations of art and culture, justice and affirmative action, and artistic value are presented as essential points of debate in making decisions concerning public support of the arts. This book will be of interest to professionals and teachers in the arts, public policy, arts management, and education. Its focus on multiculturalism and its analysis of basic concepts related to timely issues of public arts policy make it a unique contribution.

Multiculturalism and the Arts in European Cities

Multiculturalism and the Arts in European Cities
Author: Marco Martiniello
Publisher: Routledge
Total Pages: 121
Release: 2015-12-22
Genre: Social Science
ISBN: 1317636015

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This book discusses the tension, or even the contradiction, between ethno-cultural segregation and ethno-cultural mixing in the field of the arts. It focuses on the local artistic sphere in the multicultural EU cities of Amsterdam, Antwerp, Brussels, Cologne, Malmö and Vienna. The chapters show a variety of local experiences by exploring in each city discourses, policies and practices in the local artistic field and by addressing one or more of the following questions: How do cities construct diversity discourses and policies? How do migrants and subsequent generations mobilise in the local artistic scene? What type of collective identities and ethnicities are publicly expressed and constructed in the arts? Are immigrant and ethnic artists and productions supported by official cultural institutions? Are local cultural policies becoming multicultural? How do migrant and ethnic artist mobilise in order to change cultural policies? The contributors combine top-down and bottom-up perspectives from a variety of large, mid-size and small European cities to make sense of the links between migrants and ethnic groups and artistic change at the local level. They examine how the city as an artistic space is changed by minority artistic expression and also how local cultural institutions change minority artistic expressions. The chapter authors are drawn from broad variety of disciplines, including anthropology, cultural studies, political science, sociology, urban studies and planning, offering the reader a broad variety of perspectives and insights into this area. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

Multiculturalism and the Arts

Multiculturalism and the Arts
Author: Jerold R. Smith
Publisher:
Total Pages: 166
Release: 1996
Genre: Theater
ISBN:

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Many Voices, Many Opportunities

Many Voices, Many Opportunities
Author: Clement Alexander Price
Publisher: Americans for the Arts Books
Total Pages: 124
Release: 1994
Genre: Art
ISBN:

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"What is American culture? In Many Voices, Many Opportunities, Clement Alexander Price, Professor of American and Afro-American history at Rutgers University, provides a fresh, historical, fair-minded view of this hotly-argued question. Focusing on arts policy, one of the primary battlegrounds of the multiculturalism controversy, Many Voices, Many Opportunities convinces us that "the swirling debate about the history of American culture and its present character is quite unlike anything in American life since the early years of the civil rights movement."" "Many Voices, Many Opportunities traces the ideas of cultural pluralism back to the nineteenth and early twentieth centuries, when such figures as W. E. B. DuBois asserted that American diversity, rather than creating a harmonious "melting pot," actually brought about struggles among ethnic and racial groups for equal recognition in American culture and the arts. Dr. Price argues for a pluralistic approach to culture and for a definition of national culture that is dynamic rather than rigid. He concludes that we need to change our perception of cultural and artistic worth if cultural pluralism is to succeed."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Arts Management Handbook

The Arts Management Handbook
Author: Meg Brindle
Publisher: Routledge
Total Pages: 369
Release: 2015-01-28
Genre: Social Science
ISBN: 1317458273

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Whether the art form is theater, dance, music, festival, or the visual arts and galleries, the arts manager is the liaison between the artists and their audience. Bringing together the insights of educators and practitioners, this groundbreaker links the fields of management and organizational management with the ongoing evolution in arts management education. It especially focuses on the new directions in arts management as education and practice merge. It uses cases studies as both a pedagogical tool and an integrating device. Separate sections cover Performing and Visual Arts Management, Arts Management Education and Careers, and Arts Management: Government, Nonprofits, and Evaluation. The book also includes a chapter on grants and raising money in the arts.

A Snap Shot-Landmarking Community Cultural Arts Organizations Nationally

A Snap Shot-Landmarking Community Cultural Arts Organizations Nationally
Author: Sonia Manjon
Publisher: CreateSpace
Total Pages: 82
Release: 2014-09-14
Genre: Art
ISBN: 9781494474225

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The organizations in this Snap Shot study play a vital role in the cultural arts field highlighting institutions that reflect the aesthetic spectrum of excellence grounded in the international community perspectives that nurtured their growth. These organizations reflect the rich tapestry of racial and cultural groups that are major contributors to the cultural life of this nation. They also represent important pillars in the infrastructure of historically underserved and under-resourced communities of color and poor white rural sectors.This initial ³Snap Shot² has raised more questions than it answers. It is clear that a more extensive, in-depth study must be conducted to fully understand how organizations that are critical assets to their communities and influence the cultural diverse programming of large organizations are still fragile and at risk of surviving. Similar to the questions raised by the Occupy Wall Street Movement, how does the role of the top 1% of wealthy individuals, corporate, foundation, and public funders, influence policies to disproportionately support the more endowed organizations and under resource the community cultural organizations that reflect the 99%?Historical underfunding coupled with economic crisis have further impacted the ability of these important organizations to sustain their operations and some of the Snap Shot organizations have been forced to close their doors. Others continue to struggle to survive while serving their communities who are also at risk due to the fiscal crisis that has heightened unemployment, homelessness and decreased social services vital to the infrastructure of underserved communities. These community cultural arts organizations are in large part multidisciplinary in their framework and are beacons of light for communities that still believe in the promise of equal opportunity and access for all.Since the second edition of Cultural Centers of Color by the National Endowment for the Arts, December 1993 (first edition, August 1992) there has not been a critical look at the state of the community cultural arts field. This preliminary study begins to address this void by identifying a sample of multidisciplinary cultural arts community organizations that developed specifically to address the cultural and artistic contributions, histories, and cultural legacies of their communities to a national audience. The work of these organizations have been instrumental in making visible and insisting that the stories of their communities are part of our nations narrative.The realization that these vital small and mid-size community organizations survive in a year-to-year funding world speaks to the commitment of Board of Directors, staff, volunteers and audiences that are committed to their survival. It is our expectations that this Snap Shot of Community Based Cultural Arts Organizations encourages policymakers, funders, and communities to understand the critical voices that these institutions contribute to the cultural life of the Nation, our international profile, and their immediate communities.

Crossroads

Crossroads
Author: Don Adams
Publisher:
Total Pages: 170
Release: 1990
Genre: Arts
ISBN:

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The authors look at the possibilities for the politics of culture and the culture of politics in the United States in the nineties. They argue for pluralism, participation and equity in culture and community life.

Celebrating Pluralism

Celebrating Pluralism
Author: F. Graeme Chalmers
Publisher: Getty Publications
Total Pages: 109
Release: 1996-01-01
Genre: Art
ISBN: 0892363932

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“Educational trends will change and research agendas will shift, but art teachers in public institutions will still need to educate all students for multicultural purposes,” argues Chalmers in this fifth volume in the Occasional Papers series. Chalmers describes how art education programs promote cross-cultural understanding, recognize racial and cultural diversity, enhance self-esteem in students’ cultural heritage, and address issues of ethnocentrism, stereotyping, discrimination, and racism. After providing the context for multicultural art education, Chalmers examines the implications for art education of the broad themes found in art across cultures. Using discipline-based art education as a framework, he suggests ways to design and implement a curriculum for multicultural art education that will help students find a place for art in their lives. Art educators will find Celebrating Pluralism invaluable in negotiating the approach to multicultural art education that makes the most sense to their students and their communities.

Multiculturalism and the Arts in European Cities

Multiculturalism and the Arts in European Cities
Author: Marco Martiniello
Publisher: Routledge
Total Pages: 173
Release: 2015-12-22
Genre: Social Science
ISBN: 1317636007

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This book discusses the tension, or even the contradiction, between ethno-cultural segregation and ethno-cultural mixing in the field of the arts. It focuses on the local artistic sphere in the multicultural EU cities of Amsterdam, Antwerp, Brussels, Cologne, Malmö and Vienna. The chapters show a variety of local experiences by exploring in each city discourses, policies and practices in the local artistic field and by addressing one or more of the following questions: How do cities construct diversity discourses and policies? How do migrants and subsequent generations mobilise in the local artistic scene? What type of collective identities and ethnicities are publicly expressed and constructed in the arts? Are immigrant and ethnic artists and productions supported by official cultural institutions? Are local cultural policies becoming multicultural? How do migrant and ethnic artist mobilise in order to change cultural policies? The contributors combine top-down and bottom-up perspectives from a variety of large, mid-size and small European cities to make sense of the links between migrants and ethnic groups and artistic change at the local level. They examine how the city as an artistic space is changed by minority artistic expression and also how local cultural institutions change minority artistic expressions. The chapter authors are drawn from broad variety of disciplines, including anthropology, cultural studies, political science, sociology, urban studies and planning, offering the reader a broad variety of perspectives and insights into this area. This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

Creative Frictions

Creative Frictions
Author: Cecelia Cmielewski
Publisher: ANU Press
Total Pages: 304
Release: 2021-08-17
Genre: Political Science
ISBN: 1760464597

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Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. Australia’s increasingly complex society can no longer be confined to ‘essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. Creative Frictions argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.