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| Author | : Julie Taylor |
| Publisher | : Edinburgh University Press |
| Total Pages | : 354 |
| Release | : 2015-05-17 |
| Genre | : Literary Criticism |
| ISBN | : 0748693270 |
This book addresses an under-researched area of modernist studies, reconsidering modernist attitudes towards feeling in the light of the humanities' turn to affect.
| Author | : Robert Cummings Neville |
| Publisher | : State University of New York Press |
| Total Pages | : 307 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 079148825X |
Religion in Late Modernity runs against the grain of common suppositions of contemporary theology and philosophy of religion. Against the common supposition that basic religious terms have no real reference but are mere functions of human need, the book presents a pragmatic theory of religious symbolism in terms of which the cognitive engagement of the Ultimate is of a piece with the cognitive engagement of nature and persons. Throughout this discussion, Neville develops a late-modern conception of God that is defensible in a global theological public. Against the common supposition that religion is on the retreat in late modernity except in fundamentalist forms, the author argues that religion in our time is a stimulus to religiously oriented scholarship, a civilizing force among world societies, a foundation for obligation in politics, a source for healthy social experimentation, and the most important mover of soul. Against the common supposition that religious thinking or theology is confessional and inevitably biased in favor of the thinker's community, Neville argues for the public character of theology, the need for history and phenomenology of religion in philosophy of religion, and the possibility of objectivity through the contextualization of philosophy, contrary to the fashionable claims of neo-pragmatism. This vigorous analysis and program for religious thinking is straightforwardly pro-late-modern and anti-postmodern, a rousing gallop along the high road around modernism.
| Author | : Pope Pius X |
| Publisher | : Legare Street Press |
| Total Pages | : 0 |
| Release | : 2023-07-18 |
| Genre | : |
| ISBN | : 9781021519733 |
Pope Pius X offers a point-by-point refutation of the arguments put forth by the theological movement known as Modernism. With clear and precise language, he defends the traditional teachings of the Catholic Church and rebuts the critiques leveled against them. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Joanna Rzepa |
| Publisher | : Springer Nature |
| Total Pages | : 450 |
| Release | : 2021-03-16 |
| Genre | : Literary Criticism |
| ISBN | : 3030615308 |
This is the first book-length study to examine the interface between literary and theological modernisms. It provides a comprehensive account of literary responses to the modernist crisis in Christian theology from a transnational and interdenominational perspective. It offers a cultural history of the period, considering a wide range of literary and historical sources, including novels, drama, poetry, literary criticism, encyclicals, theological and philosophical treatises, periodical publications, and wartime propaganda. By contextualising literary modernism within the cultural, religious, and political landscape, the book reveals fundamental yet largely forgotten connections between literary and theological modernisms. It shows that early-twentieth-century authors, poets, and critics, including Rainer Maria Rilke, T. S. Eliot, and Czesław Miłosz, actively engaged with the debates between modernist and neo-scholastic theologians raging across Europe. These debates contributed to developing new ways of thinking about the relationship between religion and literature, and informed contemporary critical writings on aesthetics and poetics.
| Author | : Shailer Mathews |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1924 |
| Genre | : Modernism |
| ISBN | : |
| Author | : James Macbride Sterrett |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 1922 |
| Genre | : Modernism (Christian theology) |
| ISBN | : |
| Author | : Stephen Kern |
| Publisher | : Routledge |
| Total Pages | : 444 |
| Release | : 2017-11-22 |
| Genre | : Literary Criticism |
| ISBN | : 1351603175 |
Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.
| Author | : Matthew Mutter |
| Publisher | : Yale University Press |
| Total Pages | : 335 |
| Release | : 2017-06-27 |
| Genre | : Literary Criticism |
| ISBN | : 0300227965 |
A scholarly and deeply sensitive study that explores how religion and secularism are tightly interwoven in the major works of modernist literature Matthew Mutter provides a broad survey of modernist literature, examining key works against a background of philosophy, theology, intellectual and social history, while tracing the relationship of modernism’s secular imagination to the religious cultures that both preceded and shaped it. Mutter’s provocative study demonstrates how, despite their explicit desire to purify secular life of its religious residues, Wallace Stevens, Virginia Woolf, and other literary modernists consistently found themselves entangled in the religious legacies they disavowed.
| Author | : Darrell Jodock |
| Publisher | : Cambridge University Press |
| Total Pages | : 368 |
| Release | : 2000-06-22 |
| Genre | : Religion |
| ISBN | : 9780521770712 |
This 2000 book is a case study in the ongoing struggle of Christianity to define its relationship to modernity, examining representative Roman Catholic Modernists and anti-Modernists. It sketches the nineteenth-century background of the Modernist crisis, identifying the problems that the church was facing at the beginning of the twentieth century.
| Author | : Detlef Pollack |
| Publisher | : Oxford University Press |
| Total Pages | : 506 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 0198801661 |
This is not a book that provides a new integrated theory of religious change in modern societies, but rather one that develops theoretical elements that contribute to the understanding of some contemporary religious developments. Most of the approaches in sociology of religion are prone to emphasize either processes of religious decline or of religious upswing. For example, secularization theory usually includes a couple of relevant factors--such as functional differentiation, economic affluence or social equality--in order to account for religious change. However, the result of such a theory's empirical analyses seems to be certain in advance, namely that the social relevance of religion is decreasing. In contrast, the religious market model devised by sociologists of religion in the US is inclined to detect everywhere processes of religious upsurge. Religion and Modernity: An International Comparison avoids a purely theoretically based perspective on religious changes. For this reason, Detlef Pollack and Gergely Rosta do not begin with theoretical propositions but with questions. The authors raise the question of how the social significance of religion in its various facets has changed in modern societies, and explain what factors and conditions have contributed to these changes.
