Modern American Drama: Playwriting in the 1950s

Modern American Drama: Playwriting in the 1950s
Author: Susan C. W. Abbotson
Publisher: Bloomsbury Publishing
Total Pages: 249
Release: 2019-11-14
Genre: Literary Criticism
ISBN: 1350014621
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The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).

Modern American Drama

Modern American Drama
Author: Susan C. W. Abbotson
Publisher:
Total Pages:
Release: 2017
Genre: American drama
ISBN: 9781350014633
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"The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959)" --

Modern American Drama: Playwriting in the 1950s

Modern American Drama: Playwriting in the 1950s
Author: Susan C. W. Abbotson
Publisher: Bloomsbury Publishing
Total Pages: 328
Release: 2019-11-14
Genre: Literary Criticism
ISBN: 1350014613
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The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).

Modern American Drama: Playwriting in the 1940s

Modern American Drama: Playwriting in the 1940s
Author: Felicia Hardison Londré
Publisher: Bloomsbury Publishing
Total Pages: 325
Release: 2018
Genre: Literary Criticism
ISBN: 147257186X
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Introduction: Living in the 1940s -- Prelude to World War II -- Leaders of the decade -- World War II -- The war's impact on civilian life -- Post-war domestic life and consumerism -- Children -- Teen-agers -- Communications, media, and transportation -- Women and fashion -- The culture -- Cold War anxieties -- 1. The American theatre in the 1940s -- The late 1930s: forebodings of war -- Idiot's delight -- Influential organizations -- It can't happen here -- Broadway plays and musicals -- Radio drama -- The 1940-41 and 1941-42 seasons -- African American theatre -- Broadway plays and musicals -- Lady in the dark -- The American Theatre Wing and other war service organizations -- Radio drama -- The war years, 1942-1943 -- Broadway plays and musicals -- This is the army -- Oklahoma! -- The Paul Robeson Othello -- Post-war theatre, 1946-1950 -- African-American theatre -- Broadway plays and musicals -- Modern dance and theatrical dance -- Tributary theatres -- Directors and producers -- 2. Introducing the playwrights -- Introduction -- Eugene O'Neill (1888-1953) -- Thornton Wilder (1897-1975) -- Tennessee Williams (1911-1983) -- Arthur Miller (1915-2005) -- 3. Eugene O'Neill: love and loss of the soul by Zander Brietzske -- A touch of the poet -- The iceman cometh -- Long day's journey into night -- A moon for the misbegotten -- 4. Thornton Wilder: seeing beyond dark times by Felicia Hardison Londre -- Our town -- The skin of our teeth -- Shadow of a doubt -- The alcestiad -- 5. Tennessee Williams: experimentation and "The great American play" by Thomas Keith -- Battle of angels -- Stairs to the roof -- The glass menagerie -- Summer and smoke -- A streetcar named desire -- 6. Arthur Miller: the individual and social responsibility by Valleri J. Robinson -- All my sons -- Death of a salesman -- The crucible -- 7. Documents: A high-school perspective on theatre in 1947 by Ann Crisp; Collecting O'Neill by Lamar Lentz; Acting in The skin of our teeth with Helen Hayes by Hank Whittemore; Tennessee Williams in Provincetown by David Kaplan; Mapping Arthur Miller's Brooklyn by Steven Marino; Retrospective by Thomas D. Pawley III -- Afterword

Visions of Tragedy in Modern American Drama

Visions of Tragedy in Modern American Drama
Author: David Palmer
Publisher: Bloomsbury Publishing
Total Pages: 272
Release: 2018-02-08
Genre: Literary Criticism
ISBN: 1474276946
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This volume responds to a renewed focus on tragedy in theatre and literary studies to explore conceptions of tragedy in the dramatic work of seventeen canonical American playwrights. For students of American literature and theatre studies, the assembled essays offer a clear framework for exploring the work of many of the most studied and performed playwrights of the modern era. Following a contextual introduction that offers a survey of conceptions of tragedy, scholars examine the dramatic work of major playwrights in chronological succession, beginning with Eugene O'Neill and ending with Suzan-Lori Parks. A final chapter provides a study of American drama since 1990 and its ongoing engagement with concepts of tragedy. The chapters explore whether there is a distinctively American vision of tragedy developed in the major works of canonical American dramatists and how this may be seen to evolve over the course of the twentieth century through to the present day. Among the playwrights whose work is examined are: Susan Glaspell, Langston Hughes, Tennessee Williams, Arthur Miller, Edward Albee, Lorraine Hansberry, Amiri Baraka, August Wilson, Marsha Norman and Tony Kushner. With each chapter being short enough to be assigned for weekly classes in survey courses, the volume will help to facilitate critical engagement with the dramatic work and offer readers the tools to further their independent study of this enduring theme of dramatic literature.

American Theatre Ensembles Volume 1

American Theatre Ensembles Volume 1
Author: Mike Vanden Heuvel
Publisher: Bloomsbury Publishing
Total Pages: 264
Release: 2020-11-12
Genre: Performing Arts
ISBN: 135005156X
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Across two volumes, Mike Vanden Heuvel and a strong roster of contributors present the history, processes, and achievements of American theatre companies renowned for their use of collective and/or ensemble-based techniques to generate new work. This first study considers theatre companies that were working between 1970 and 1995: it traces the rise and eventual diversification of activist-based companies that emerged to serve particular constituencies from the countercultural politics of the 1960s, and examines the shift in the 1980s that gave rise to the next generation of company-based work, rooted in a new interest in form and the more mediated and dispersed forms of politics. Ensembles examined are Mabou Mines, Theatre X, Goat Island, Lookingglass, Elevator Repair Service, and SITI Company. Preliminary chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. The case studies consider factors such as influence, funding, production, and legacies, as well as the forms of collective devising and creation, while surveying the continuing work of significant long-running companies. Contributors provide detailed case studies of the 6 companies from the period and cover: * A chronicle of development and methods * Key productions and projects * Critical reception and legacy * A chronological overview of significant productions From the long history of collective theatre creation, with its sources in social crises, urgent aesthetic experimentation and utopian dreaming, American ensemble-based theatre has emerged at several key points in history to challenge the primacy of author-based and director-produced theatre. As the volume demonstrates, US ensemble companies have collectively revolutionized the form and content of contemporary performance, influencing experimental, as well as mainstream practice.

American Theatre Ensembles Volume 2

American Theatre Ensembles Volume 2
Author: Mike Vanden Heuvel
Publisher: Bloomsbury Publishing
Total Pages: 297
Release: 2021-01-28
Genre: Performing Arts
ISBN: 1350051640
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A companion to American Theatre Ensembles Volume 1, this volume charts the development and achievements of theatre companies working after 1995, bringing together the diffuse generation of ensembles working within a context of media saturation and epistemological and social fragmentation. Ensembles examined include Rude Mechs, The Builders Association, Pig Iron, Radiohole, The Civilians and 600 Highwaymen. Introductory chapters provide a sweeping overview of ensemble-based creation within the general historical and cultural contexts of the period, followed by a detailed study of the evolution of ensemble-based work. Contributors examine matters such as influence, funding, production and legacies, as well as the forms of collective devising and creation, while presenting close readings of the companies' most prominent works. The volume features detailed case studies of the 6 companies from the period and cover: * A history of development and methods * Key productions and projects * Critical reception * A chronology of significant productions US ensemble companies since 1995 have revolutionized the form and content of contemporary performance, influencing experimental as well as mainstream practice. This volume provides the first encompassing study of this vital development in contemporary American theatre by mapping its evolution and key developments.

Modern American Drama: Playwriting in the 1960s

Modern American Drama: Playwriting in the 1960s
Author: Mike Sell
Publisher: Bloomsbury Publishing
Total Pages: 344
Release: 2019-11-14
Genre: Literary Criticism
ISBN: 1350153613
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The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Edward Albee: The American Dream (1960), Who's Afraid of Virginia Woolf? (1962), A Delicate Balance (1966) and Tiny Alice (1964 ); * Amiri Baraka: Dutchman (1964), The Slave (1964) and Slaveship (1967); * Adrienne Kennedy: Funnyhouse of a Negro (1964), Cities in Bezique (The Owl Answers and A Beast's Story, 1969), and A Rat's Mass (1967); * Jean-Claude van Itallie: American Hurrah (1966), The Serpent (1968) and War (1963).