Mirror Reflecting Darkly
| Author | : Brixton Art Gallery (London) |
| Publisher | : |
| Total Pages | : 21 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
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Mirror Reflecting Darkly
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Mirror Reflecting Darkly
| Author | : Rita Keegan |
| Publisher | : MIT Press |
| Total Pages | : 0 |
| Release | : 2021-10-26 |
| Genre | : Art |
| ISBN | : 1912685914 |
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Documenting the artistic practice of Rita Keegan: from exhibitions at major venues to everyday life as a working Black female artist. From the Bronx to Soho to Brixton, Mirror Reflecting Darkly is an exploration of the artist Rita Keegan's archive collection. Part autobiography and part critical history, it reproduces a cross-section of Keegan's archive, mapping an artistic practice that ranges from her exhibitions at such major museums and galleries as the ICA and the Tate to her curatorship of the Women of Colour Index, a groundbreaking 1987 initiative that documented Black and Asian women artists. It includes records of Keegan's journey through different creative environments of London in the 1980s and 1990s, offering rare ephemera drawn from her involvement in the Black British Art movement, covering her years as a fixture of Soho clubland, and documenting the intimate traces of her everyday life as a working Black female artist. Accompanying the selections from the archive are essays and personal reflections from a range of writers, academics, and artists--including Keegan herself--which expand upon the themes from the material: networks of creative kinship, the story of British Black Arts, self-archiving, and archiving as activism. Contributors Barby Asante, Ego Ahaiwe Sowinski, Mora J. Beauchamp-Byrd, Janice Cheddie, Lauren Craig, Lucy Davies, Althea Greenan, Joy Gregory, Hiroko Hagiwara, Matthew Harle, Rita Keegan, Shaheen Merali, Naomi Pearce
M.R.D. Revisited [Mirror Reflecting Darkly
| Author | : Bedford Hill Gallery (London) |
| Publisher | : |
| Total Pages | : 13 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
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The Rediscovery of Gnosticism (2 vols.)
| Author | : Bentley Layton |
| Publisher | : BRILL |
| Total Pages | : 926 |
| Release | : 2018-08-14 |
| Genre | : Religion |
| ISBN | : 9004378596 |
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Preliminary Material /Bentley Layton -- The Domestication of Gnosis /Henry Chadwick -- Gnosis and Psychology /Gilles Quispel -- The Challenge of Gnostic Thought for Philosophy, Alchemy, and Literature /Carsten Colpe -- Lying Against Time: Gnosis, Poetry, Criticism /Harold Bloom -- In Search of Valentinus /G. C. Stead -- Religio-Historical Observations on Valentinianism /Ugo Bianchi -- Valentinian Gnosis and the Apocryphon of John /Gilles Quispel -- Valentinianism and the Gospel of Truth /R. McL. Wilson -- The Dog and the Mushrooms /Rowan A. Greer -- Self-Generating Principles in Second-Century Gnostic Systems /John Whittaker -- La Gnose Valentinienne et les Oracles Chaldaïques /Michel Tardieu -- Gnostic Writings as Witnesses for the Development of the Sayings Tradition /Helmut Koester -- Gnostic and Orthodox views of Christ's Passion: Paradigms for the Christian's Response to Persecution? /Elaine H. Pagels -- Gnosis and the Piety of Metaphor: The Gospel of Truth /Joel Fineman -- Gnosis und Christentum /Barbara Aland -- Concluding Discussion -- The Descent of the Soul in Middle Platonic and Gnostic Theory /John Dillon -- Gnosticism and the Making of the World in Plotinus /Dominic J. O'meara -- Gnostic Monism and the Gospel of Truth /William R. Schoedel -- Valentinisme italien et valentinisme oriental: leurs divergences à propos de la nature du corps de Jésus /Jean-Daniel Kaestli -- Conflicting Versions of Valentinianism? Irenaeus and the Excerpta ex Theodoto /James F. Mccue -- Les «Mythes» Valentiniens de la création et de l'eschatologie dans le langage d'Origène: le mot hypothesis /Marguerite Harl -- «Vraie» et «fausse» gnose d'après Clément d'Alexandrie /Andre Mehat -- Did Gnostics Make Pictures? /Paul Corby Finney -- Preliminary Material /Bentley Layton -- Philo on Seth /Robert Kraft -- Report on Seth Traditions in the Armenian Adam Books /Michael E. Stone -- The Figure of Seth in Gnostic Literature /Birger A. Pearson -- Discussion /Bentley Layton -- Some Related Traditions in the Apocalypse of Adam, the Books of Adam and eve, and 1 Enoch /George W. E. Nickelsburg -- Sethian and Zoroastrian Ages of the World /Carsten Colpe -- Discussion /Bentley Layton -- Stalking Those Elusive Sethians /Frederik Wisse -- Die “Sethianische” Gnosis--Eine häresiologische Fiktion? /Kurt Rudolph -- Discussion /Bentley Layton -- The Phenomenon and Significance of Gnostic Sethianism /Hans-Martin Schenke -- Triade uno Trinität in den Schriften von Nag Hammadi /Alexander Böhlig -- Discussion /Bentley Layton -- Sethians and Johannine Thought /James M. Robinson -- Discussion /Bentley Layton -- Concluding Discussion /Bentley Layton -- The Arrogant Archon and the Lewd Sophia /Nils A. Dahl -- Aspects of the Jewish-Gnostic Controversy /Ithamar Gruenwald -- Literary Criticism of the Cologne Mani Codex /Albert Henrichs -- From Baptism to the Gnosis of Manichaeism /Ludwig Koenen -- Gnostic Instructions on the Organization of the Congregation /Klaus Koschorke -- The Naassene Psalm in Hippolytus (Haer. 5. 10.2) /M. Marcovich -- Le cadre scolaire des traités de l'Ame et le Deuxième Traité du Grand Seth (CG VII, 2) /Louis Painchaud.
The Authority of the Word
| Author | : Celeste Brusati |
| Publisher | : BRILL |
| Total Pages | : 773 |
| Release | : 2011-11-11 |
| Genre | : History |
| ISBN | : 9004215158 |
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This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
The Grove Companion to Samuel Beckett
| Author | : C. J. Ackerly |
| Publisher | : Grove/Atlantic, Inc. |
| Total Pages | : 608 |
| Release | : 2007-12-01 |
| Genre | : Drama |
| ISBN | : 9780802199805 |
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The Nobel Prize winning author Samuel Beckett is a literary treasure, and this work represents the only comprehensive reference to the concepts, characters, and biographical details mentioned by, or related to, Beckett. Painstakingly and lovingly compiled by acclaimed Beckett scholars C.J. Ackerley and S.E. Gontarski, it is alphabetical, cross-referenced, and laid out in a very user-friendly format. The Grove Companion to Samuel Beckett provides an organized trove of information for students and scholars alike, and is a must for any serious reader of Beckett. As most Beckettians know, “reading [him] for the first time is an experience like no other in modern literature.” (Paul Auster)
The Gnostic Jung
| Author | : C.G. Jung |
| Publisher | : Routledge |
| Total Pages | : 404 |
| Release | : 2013-11-19 |
| Genre | : Psychology |
| ISBN | : 1317761952 |
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Gnosticism was for C.G. jung the chief prefiguration of his analytical psychology. In this volume Robert Segal, an authority on theories of myth and Gnosticism, has searched the Jungian corpus for Jung's main discussions of this ancient form of spirituality. The progression in Gnosticism from sheer bodily existence to the release of the immaterial spark imprisoned in the body - and the reunion of that spark with the godhead - represents for Jung the psychological progression from ego consciousness to the ego's rediscovery of the unconscious, and the ego's integration with the unconscious to forge the self. Included in this volume are both Jung's sole work devoted entirely to Gnosticism, "Gnostic Symbols of the Self," and his own Gnostic myth, "Seven Sermons to the Dead." The book also contains key essays by Father Victor White and Gilles Quispel, whose "C.G. Jung und die Gnosis" is here translated for the first time. In his extensive introduction Segal discusses the parallel for Jung between ancient Gnostic and contemporary Jungian patients, the Jungian meaning of Gnostic myths and of the Seven Sermons, Jung's possible misinterpretation of Gnosticism, and the common characterization of Jung himself as a Gnostic.
Inside the invisible
| Author | : Celeste-Marie Bernier |
| Publisher | : Liverpool University Press |
| Total Pages | : 360 |
| Release | : 2019-11-19 |
| Genre | : Art |
| ISBN | : 1789625033 |
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Inside the Invisible investigates the life and works of Turner Prize-winning Black British artist and curator Lubaina Himid (CBE) to provide the first study of her lifelong determination to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery.
How to See a Work of Art in Total Darkness
| Author | : Darby English |
| Publisher | : MIT Press |
| Total Pages | : 387 |
| Release | : 2010-09-24 |
| Genre | : Art |
| ISBN | : 0262514931 |
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Going beyond the 'blackness' of black art to examine the integrative and interdisciplinary practices of Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—five contemporary black artists in whose work race plays anything but a defining role. Work by black artists today is almost uniformly understood in terms of its "blackness," with audiences often expecting or requiring it to "represent" the race. In How to See a Work of Art in Total Darkness, Darby English shows how severely such expectations limit the scope of our knowledge about this work and how different it looks when approached on its own terms. Refusing to grant racial blackness—his metaphorical "total darkness"—primacy over his subjects' other concerns and contexts, he brings to light problems and possibilities that arise when questions of artistic priority and freedom come into contact, or even conflict, with those of cultural obligation. English examines the integrative and interdisciplinary strategies of five contemporary artists—Kara Walker, Fred Wilson, Isaac Julien, Glenn Ligon, and William Pope.L—stressing the ways in which this work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture. The necessity for "black art" comes both from antiblack racism and resistances to it, from both segregation and efforts to imagine an autonomous domain of black culture. Yet to judge by the work of many contemporary practitioners, English writes, black art is increasingly less able—and black artists less willing—to maintain its standing as a realm apart. Through close examinations of Walker's controversial silhouettes' insubordinate reply to pictorial tradition, Wilson's and Julien's distinct approaches to institutional critique, Ligon's text paintings' struggle with modernisms, and Pope.L's vexing performance interventions, English grounds his contention that to understand this work is to displace race from its central location in our interpretation and to grant right of way to the work's historical, cultural, and aesthetic specificity.
Helen Chadwick
| Author | : Marina Warner |
| Publisher | : MIT Press |
| Total Pages | : 139 |
| Release | : 2022-09-13 |
| Genre | : Art |
| ISBN | : 1846382521 |
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An illustrated exploration of Helen Chadwick’s erotic, playful, and fierce 1986 installation. In 1986 the Institute of Contemporary Arts in London showed a new commission by the artist Helen Chadwick (1954–1996). What Chadwick conceived for the ICA exhibition explored her characteristic themes—the female body (her own), the aesthetics of pleasure, the material variety and wonder of phenomena—but took them in a new, flamboyant direction. In this illustrated volume, Marina Warner examines one part of Chadwick’s installation, The Oval Court. This work was erotic, playful, and fierce; it showed imaginative ambition on an exceptional scale and a unique, piquant sensibility, both raunchy and delicate. Despite the work’s recognition as a feminist monument of rare intensity, it has rarely been shown or discussed since the author’s catalogue essay for the original exhibition. Warner here reconsiders Chadwick’s influence as an artist who helped to shift conventional aesthetics and transvalue despised, even abominated forms. Exploring the work’s richly layered composition in light of intervening years, Warner shows how Chadwick’s imagination has shaped many artists’ ideas and ethics, and emboldened their adventures with materials.
