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| Author | : Max Pensky |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : |
In recent years the German-Jewish critic and philosopher Walter Benjamin has come to be regarded as one of the leading intellectual figures of the 20th century. Yet much of his work, particularly his theoretical writing, remains elusive.
| Author | : Jean-Philippe Mathy |
| Publisher | : Penn State Press |
| Total Pages | : 250 |
| Release | : 2011-01-01 |
| Genre | : History |
| ISBN | : 0271037849 |
The current cultural climate in France is often described as one of &“d&éclinisme&” or &“sinistrose,&” a mixture of pessimism about the national future, nostalgia for the past, and a sinister sense of irreversible decline concerning the present. The notion of &“democratic melancholia&” has become widely popular, cropping up time and again in academic papers and newspaper articles. In Melancholy Politics, Jean-Philippe Mathy examines the development of this disenchanted mood in the works of prominent French philosophers, historians, and sociologists since the beginning of the 1980s. This period represents a significant turning point in French intellectual life, as the legacy of major postwar and sixties theorists such as L&évi-Strauss, Derrida, and Foucault was increasingly challenged by a younger generation of authors who repudiated both Marxism and structuralism. The book is not a classic intellectual or cultural history of post-1968 France, but rather a contribution to the understanding of the present&—a collection of soundings into what remains largely a complex, ongoing process.
| Author | : Ilit Ferber |
| Publisher | : Stanford University Press |
| Total Pages | : 263 |
| Release | : 2013-06-12 |
| Genre | : Philosophy |
| ISBN | : 080478664X |
This book traces the concept of melancholy in Walter Benjamin's early writings. Rather than focusing on the overtly melancholic subject matter of Benjamin's work or the unhappy circumstances of his own fate, Ferber considers the concept's implications for his philosophy. Informed by Heidegger's discussion of moods and their importance for philosophical thought, she contends that a melancholic mood is the organizing principle or structure of Benjamin's early metaphysics and ontology. Her novel analysis of Benjamin's arguments about theater and language features a discussion of the Trauerspiel book that is amongst the first in English to scrutinize the baroque plays themselves. Philosophy and Melancholy also contributes to the history of philosophy by establishing a strong relationship between Benjamin and other philosophers, including Leibniz, Kant, Husserl, and Heidegger.
| Author | : Berthold Hoeckner |
| Publisher | : Princeton University Press |
| Total Pages | : 367 |
| Release | : 2021-03-09 |
| Genre | : Music |
| ISBN | : 069122756X |
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music. Beginning with Beethoven, Berthold Hoeckner traces the aesthetic problem of musical meaning in works by Schumann, Wagner, Liszt, Mahler, and Schoenberg, whose private messages and public predicaments are emblematic for the cultural legacy of this rich repertory. After Romanticism had elevated music as a language "beyond" language, the ineffable spurred an unprecedented proliferation of musical analysis and criticism. Taking his cue from Adorno, Hoeckner develops the idea of a "hermeneutics of a moment," which holds that musical meaning crystallizes only momentarily--in a particular passage, a progression, even a single note. And such moments can signify as little as a fleeting personal memory or as much as the whole of German music. Although absolute music emerged with a matrix of values--the integrity of the subject, the aesthetic autonomy of art, and the intrinsic worth of high culture--that are highly contested in musicology today, Hoeckner argues that we should not completely discard the ideal of a music that continues to offer moments of transcendence and liberation. Passionately and artfully written, Hoeckner's quest for an "essayistic musicology" displays an original intelligence willing to take interpretive risks. It is a provocative contribution to our knowledge about some of Europe's most important music--and to contemporary controversies over how music should be understood and experienced.
| Author | : Alina N. Feld |
| Publisher | : Lexington Books |
| Total Pages | : 241 |
| Release | : 2011-12-16 |
| Genre | : Philosophy |
| ISBN | : 0739166050 |
An impressive study that prompts the reader toward philosophical reflection on the hermeneutics of melancholy in its relation to maturing theological understanding and cultivation of a profound self-consciousness. Melancholy has been interpreted as a deadly sin or demonic temptation to non-being, yet its history of interpretation reveals a progressive coming to terms with the dark mood that ultimately unveils it as the self's own ground and a trace of the abysmal nature of God. The book advances two provocative claims: that far from being a contingent condition, melancholy has been progressively acknowledged as constitutive of subjectivity as such, a trace of divine otherness and pathos, and that the effort to transcend melancholy-like Perseus vanquishing Medusa-is a necessary labor of maturing self-consciousness. Reductive attempts to eliminate it, besides being dangerously utopian, risk overcoming the labor of the soul that makes us human. This study sets forth a rigorous scholarly argument that spans several disciplines, including philosophy, theology, psychology, and literary studies.
| Author | : Natan Elgabsi |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 305 |
| Release | : 2023-01-12 |
| Genre | : Philosophy |
| ISBN | : 1350279102 |
This interdisciplinary volume connects the philosophy of history to moral philosophy with a unique focus on time. Taking in a range of intellectual traditions, cultural, and geographical contexts, the volume provides a rich tapestry of approaches to time, morality, culture, and history. By extending the philosophical discussion on the ethical importance of temporality, the editors disentangle some of the disciplinary tensions between analytical and hermeneutic philosophy of history, cultural theory, meta-ethical theory, and normative ethics. The ethical and existential character of temporality reveals itself within a collection that resists the methodological underpinnings of any one philosophical school. The book's distinctive cross-cultural approach ensures a wide range of perspectives with contributions on life and death in Japanese philosophy, ethics and time in Maori philosophy, non-traditional temporalities and philosophical anthropology, as well as global approaches to ethics. These new directions of study highlight the importance of the ethical in the temporal, inviting further points of departure in this burgeoning field.
| Author | : C. Wald |
| Publisher | : Springer |
| Total Pages | : 294 |
| Release | : 2007-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 0230288618 |
Hysteria, trauma and melancholia are not only powerful tropes in contemporary culture, they are also prominent in the theatre. As the first study in its field, Hysteria, Trauma and Melancholia explores the characteristics and concerns of the Drama of Hysteria, Trauma and Melancholia through in-depth readings of representative plays.
| Author | : Jonathan FLATLEY |
| Publisher | : Harvard University Press |
| Total Pages | : 272 |
| Release | : 2009-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0674036964 |
The surprising claim of this book is that dwelling on loss is not necessarily depressing. Instead, embracing melancholy can be a road back to contact with others and can lead people to productively remap their relationship to the world around them. Flatley demonstrates that a seemingly disparate set of modernist writers and thinkers showed how aesthetic activity can give us the means to comprehend and change our relation to loss.
| Author | : Peter Osborne |
| Publisher | : Taylor & Francis |
| Total Pages | : 488 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 9780415325356 |
No other single author has so commanding a critical presence across so many disciplines within the arts and humanities, in so many national contexts, as Walter Benjamin (1892-1940). The belated reception of his work as a literary critic (dating from the late 1950s) has been followed by a rapid series of critical receptions in different contexts: Frankfurt Critical Theory and Marxism, Judaism, Film Theory, Post-structuralism, Philosophical Romanticism, and Cultural Studies.This collection brings together a selection of the most critically important items in the literature, across the full range of Benjamin's cultural-theoretical interests, from all periods of the reception of his writings, but focusing upon the most recent, to produce a comprehensive overview of the best critical literature.
| Author | : Eugenie Brinkema |
| Publisher | : Duke University Press |
| Total Pages | : 382 |
| Release | : 2014-05-12 |
| Genre | : Performing Arts |
| ISBN | : 0822376776 |
What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light? Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.
