Medieval Rhetoric and Poetic

Medieval Rhetoric and Poetic
Author: Charles Sears Baldwin
Publisher:
Total Pages: 321
Release: 1959-01-01
Genre: Literature, Medieval
ISBN: 9780844610436

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Medieval Rhetoric and Poetic To 1400

Medieval Rhetoric and Poetic To 1400
Author: Charles Sears Baldwin
Publisher:
Total Pages: 340
Release: 2012-07
Genre: Literature, Medieval
ISBN: 9781258438340

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Essays on Medieval Rhetoric

Essays on Medieval Rhetoric
Author: Martin Camargo
Publisher: Routledge
Total Pages: 313
Release: 2018-02-06
Genre: Literary Criticism
ISBN: 1351219367

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Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.

Renaissance Literary Theory and Practice

Renaissance Literary Theory and Practice
Author: Charles Sears Baldwin
Publisher:
Total Pages: 280
Release: 1959
Genre: Language Arts & Disciplines
ISBN:

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Interprets the rhetoric and poetry of the Renaissance afresh from typical theory and practice as the first step toward interpreting those traditions of criticism which were most influential in the middle ages.

Rhetoric in the Middle Ages

Rhetoric in the Middle Ages
Author: James Jerome Murphy
Publisher: Univ of California Press
Total Pages: 418
Release: 1981-01-01
Genre: Language Arts & Disciplines
ISBN: 9780520044067

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Follows the threads of ancient rhetorical theory into the Middle Ages and examines the distinctly Medieval rhetorical genres of perceptive grammar, letter-writing, and preaching. These various forms are compared with one another and placed in the context of Medieval society. Covering the period 426 A.D. to 14.

Rhetoric and Poetics in Antiquity

Rhetoric and Poetics in Antiquity
Author: Jeffrey Walker
Publisher: Oxford University Press
Total Pages: 411
Release: 2000-07-13
Genre: Language Arts & Disciplines
ISBN: 0195351460

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This book offers a counter-traditional account of the history of both rhetoric and poetics. In reply to traditional rhetorical histories, which view "rhetoric" primarily as an art of practical civic oratory, the book argues in four extended essays that epideictic-poetic eloquence was central, even fundamental, to the rhetorical tradition in antiquity. In essence, Jeffrey Walker's study accomplishes what in the world of rhetoric studies amounts to a revolution: he demonstrates that in antiquity rhetoric and poetry could not be viewed separately.

Medieval Rhetoric

Medieval Rhetoric
Author: James Jerome Murphy
Publisher: University of Toronto Press
Total Pages: 228
Release: 1989-01-01
Genre: Literary Criticism
ISBN: 9780802066596

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The history of medieval rhetoric can be understood only as part of medieval efforts to understand the manifold uses of language.

Medieval Rhetoric

Medieval Rhetoric
Author: Scott D. Troyan
Publisher: Psychology Press
Total Pages: 280
Release: 2004
Genre: English language
ISBN: 9780415971638

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A formidable challenge to the study of Roma (Gypsy) music is the muddle of fact and fiction in determining identity. This book investigates "Gypsy music" as a marked and marketable exotic substance, and as a site of active cultural negotiation and appropriation between the real Roma and the idealized Gypsies of the Western imagination. David Malvinni studies specific composers-including Liszt, Brahms, Rachmaninov, Janacek, and Bartók-whose work takes up contested and varied configurations of Gypsy music. The music of these composers is considered alongside contemporary debates over popular music and film, as Malvinni argues that Gypsiness remains impervious to empirical revelations about the "real" Roma.