Medieval and Renaissance Spirituality

Medieval and Renaissance Spirituality
Author: Maria Jaoudi
Publisher: Paulist Press
Total Pages: 164
Release: 2010
Genre: Religion
ISBN: 9780809146598

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Displays the theology and spirituality of the Middle Ages and Renaissance in the three major western religious traditions, Judaism, Christianity, and Islam.

The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance

The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance
Author: Steven F.H. Stowell
Publisher: BRILL
Total Pages: 418
Release: 2014-11-13
Genre: History
ISBN: 9004283927

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Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.

Medieval and Renaissance Spirituality

Medieval and Renaissance Spirituality
Author: Paul Maurice Clogan
Publisher: Denton : North Texas State University
Total Pages: 268
Release: 1973
Genre: History
ISBN:

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Jesus as Mother

Jesus as Mother
Author: Caroline Walker Bynum
Publisher: Univ of California Press
Total Pages: 296
Release: 1984-06-13
Genre: History
ISBN: 0520052226

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From the Introduction, by Caroline Walker Bynum: The opportunity to rethink and republish several of my early articles in combination with a new essay on the thirteenth century has led me to consider the continuity-both of argument and of approach-that underlies them. In one sense, their interrelationship is obvious. The first two address a question that was more in the forefront of scholarship a dozen years ago than it is today: the question of differences among religious orders. These two essays set out a method of reading texts for imagery and borrowings as well as for spiritual teaching in order to determine whether individuals who live in different institutional settings hold differing assumptions about the significance of their lives. The essays apply the method to the broader question of differences between regular canons and monks and the narrower question of differences between one kind of monk--the Cistercians--and other religious groups, monastic and nonmonastic, of the twelfth century. The third essay draws on some of the themes of the first two, particularly the discussion of canonical and Cistercian conceptions of the individual brother as example, to suggest an interpretation of twelfth-century religious life as concerned with the nature of groups as well as with affective expression. The fourth essay, again on Cistercian monks, elaborates themes of the first three. Its subsidiary goals are to provide further evidence on distinctively Cistercian attitudes and to elaborate the Cistercian ambivalence about vocation that I delineate in the essay on conceptions of community. It also raises questions that have now become popular in nonacademic as well as academic circles: what significance should we give to the increase of feminine imagery in twelfth-century religious writing by males? Can we learn anything about distinctively male or female spiritualities from this feminization of language? The fifth essay differs from the others in turning to the thirteenth century rather than the twelfth, to women rather than men, to detailed analysis of many themes in a few thinkers rather than one theme in many writers; it is nonetheless based on the conclusions of the earlier studies. The sense of monastic vocation and of the priesthood, of the authority of God and self, and of the significance of gender that I find in the three great mystics of late thirteenth-century Helfta can be understood only against the background of the growing twelfth- and thirteenth-century concern for evangelism and for an approachable God, which are the basic themes of the first four essays. Such connections between the essays will be clear to anyone who reads them. There are, however, deeper methodological and interpretive continuities among them that I wish to underline here. For these studies constitute a plea for an approach to medieval spirituality that is not now--and perhaps has never been--dominant in medieval scholarship. They also provide an interpretation of the religious life of the high Middle Ages that runs against the grain of recent emphases on the emergence of "lay spirituality." I therefore propose to give, as introduction, both a discussion of recent approaches to medieval piety and a short sketch of the religious history of the twelfth and thirteenth centuries, emphasizing those themes that are the context for my specific investigations. I do not want to be misunderstood. In providing here a discussion of approaches to and trends in medieval religion I am not claiming that the studies that follow constitute a general history nor that my method should replace that of social, institutional, and intellectual historians. A handful of Cistercians does not typify the twelfth century, nor three nuns the thirteenth. Religious imagery, on which I concentrate, does not tell us how people lived. But because these essays approach texts in a way others have not done, focus on imagery others have not found important, and insist, as others have not insisted, on comparing groups to other groups (e.g., comparing what is peculiarly male to what is female as well as vice versa), I want to call attention to my approach to and my interpretation of the high Middle Ages in the hope of encouraging others to ask similar questions.

Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe

Image and Imagination of the Religious Self in Late Medieval and Early Modern Europe
Author: Reindert Leonard Falkenburg
Publisher: Brepols Publishers
Total Pages: 528
Release: 2007
Genre: History
ISBN:

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One of the central and defining beliefs in late-medieval and early-modern spirituality was the notion of the formability of the religious self. Identified with the soul, the self was conceived, indeed experienced, not as an abstraction, but rather as an essential spiritual persona, as well as the intellectual and sensory center of a human being. This volume investigates the role played by images construed as formal and semantic variables - mental images, visual tropes and figures, pictorial and textual representations - in generating and sustaining processes of meditation that led the viewer or reader from outward perception to various forms of inward perception and spiritual discernment. The fifteen articles address the history of the soul as a cultural construct, an internal locus of self-formation where the divine is seen to dwell and the person may experience her/himself as a place inhabited by the spirit of God. Three central questions are approached from various disciplines: first, how was the self-contained soul created in God's likeness, yet stained by sin and as such susceptible both to destructive and redemptive forces, refashioned as a porous and malleable entity susceptible to metaphysical effects and human practices, such as self-investigation, meditative prayer, and other techniques of inwardness? Second, how did such practices constitutive of an inner liturgy prepare the soul - the anima, bride - for an encounter with God that trains, purifies, moulds, shapes, and transforms the religious self? Finally, in this process of self-reformation, how were images of place and space mobilized, how were loci found, and how did the soul come to see itself situated within these places mapped upon itself?

Medieval Religion and Technology

Medieval Religion and Technology
Author: Lynn Townsend White
Publisher: Univ of California Press
Total Pages: 440
Release: 1978-01-01
Genre: History
ISBN: 9780520035669

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Essays fra 1940-1975, med udgangspunkt i middelalderens teknologiske frembringelser, og videnskabsmænd.

Christian Spirituality

Christian Spirituality
Author: Jill Raitt
Publisher: Taylor & Francis
Total Pages: 479
Release: 1987
Genre: Spiritual life
ISBN: 9780710213136

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Spirituality, Gender, and the Self in Renaissance Italy

Spirituality, Gender, and the Self in Renaissance Italy
Author: Querciolo Mazzonis
Publisher: CUA Press
Total Pages: 270
Release: 2007-03
Genre: Religion
ISBN: 0813214904

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Spirituality, Gender, and the Self in Renaissance Italy places St. Angela Merici and her Company of St. Ursula in historical and religious context and examines them from a variety of perspectives: institutional, social, spiritual, and cultural.

Women and Religion in Medieval and Renaissance Italy

Women and Religion in Medieval and Renaissance Italy
Author: Daniel Bornstein
Publisher: University of Chicago Press
Total Pages: 348
Release: 1996-07-15
Genre: History
ISBN: 9780226066370

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Between the twelfth and the sixteenth centuries, women assumed public roles of unprecedented prominence in Italian religious culture. Legally subordinated, politically excluded, socially limited, and ideologically disdained, women's active participation in religious life offered them access to power in all its forms. These essays explore the involvement of women in religious life throughout northern and central Italy and trace the evolution of communities of pious women as they tried to achieve their devotional goals despite the strictures of the ecclesiastical hierarchy. The contributors examine relations between holy women, their devout followers, and society at large. Including contributions from leading figures in a new generation of Italian historians of religion, this book shows how women were able to carve out broad areas of influence by carefully exploiting the institutional church and by astutely manipulating religious percepts.