Max Bill, Mavignier, Wollner

Max Bill, Mavignier, Wollner
Author: Juan Manuel Bonet
Publisher:
Total Pages: 106
Release: 2010-01-01
Genre: Art, Brazilian
ISBN: 9788562079023

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Concret '56

Concret '56
Author:
Publisher:
Total Pages: 358
Release: 2006
Genre: Brazilian poetry
ISBN:

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Mavignier 75

Mavignier 75
Author: Almir da Silva Mavignier
Publisher:
Total Pages: 116
Release: 2000
Genre:
ISBN:

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Hélio Oiticica's Parangolés

Hélio Oiticica's Parangolés
Author: Denise Carvalho Bergstrom
Publisher:
Total Pages: 224
Release: 2003
Genre:
ISBN:

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Building on a Construct

Building on a Construct
Author: Museum of Fine Arts, Houston
Publisher: Museum of Fine Arts (Houston)
Total Pages: 422
Release: 2009
Genre: Art, Brazilian
ISBN:

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"Focusing on the acclaimed Adolpho Leirner Collection of Brazilian Constructive Art, this book assesses the state of research on the avant-garde artists and groups that constituted Brazilian Modernism"--Provided by publisher.

Wim Crouwel

Wim Crouwel
Author: Wim Crouwel
Publisher:
Total Pages: 144
Release: 2011
Genre: Commercial art
ISBN: 9780956207135

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The World as Design

The World as Design
Author: Otl Aicher
Publisher: John Wiley & Sons
Total Pages: 196
Release: 2015-04-27
Genre: Architecture
ISBN: 3433031177

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Otl Aicher's writings are explorations of the world, a substantive part of his work. In moving through the history of thought and design, building and construction, he assures us of the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilised culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitutes on offer. Otl Aicher likes a dispute. For this reason, the volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of Modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the "cultural Sunday". Wolfgang Jean Stock